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Ain't Nothing But a Man

Ain't Nothing But a Man
Author: Scott Reynolds Nelson
Publisher: National Geographic Books
Total Pages: 72
Release: 2008
Genre: Biography & Autobiography
ISBN: 9781426300004

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Historian Scott Reynolds Nelson recounts how he came to discover the real John Henry, an African-American railroad worker who became a legend in the famous song.


A Man Ain't Nothin' But a Man

A Man Ain't Nothin' But a Man
Author: John Oliver Killens
Publisher: Little Brown
Total Pages: 176
Release: 1975
Genre: African Americans
ISBN: 9780316492782

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Retells the life of the legendary steel driver of early railroad days who challenged the steam hammer to a steel driving contest.


Liberation Memories

Liberation Memories
Author: Keith Gilyard
Publisher: Wayne State University Press
Total Pages: 188
Release: 2003-04-01
Genre: Literary Criticism
ISBN: 0814339107

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This first book-length study of John Oliver Killens aims to help secure his place in literary history and explores his creation of an inspiring Black vernacular art—one that ennobles people of African descent and urges their political liberation.


John Oliver Killens

John Oliver Killens
Author: Keith Gilyard
Publisher: University of Georgia Press
Total Pages: 458
Release: 2011-11-01
Genre: Biography & Autobiography
ISBN: 0820341959

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John Oliver Killens's politically charged novels And Then We Heard the Thunder and The Cotillion; or One Good Bull Is Half the Herd, were nominated for the Pulitzer Prize. His works of fiction and nonfiction, the most famous of which is his novel Youngblood, have been translated into more than a dozen languages. An influential novelist, essayist, screenwriter, and teacher, he was the founding chair of the Harlem Writers Guild and mentored a generation of black writers at Fisk, Howard, Columbia, and elsewhere. Killens is recognized as the spiritual father of the Black Arts Movement. In this first major biography of Killens, Keith Gilyard examines the life and career of the man who was perhaps the premier African American writer-activist from the 1950s to the 1980s. Gilyard extends his focus to the broad boundaries of Killens's times and literary achievement--from the Old Left to the Black Arts Movement and beyond. Figuring prominently in these pages are the many important African American artists and political figures connected to the author from the 1930s to the 1980s--W. E. B. Du Bois, Paul Robeson, Alphaeus Hunton, Langston Hughes, James Baldwin, Martin Luther King Jr., Malcolm X, Harry Belafonte, and Maya Angelou, among others.


It Ain't Nothin' But the Blues

It Ain't Nothin' But the Blues
Author: Charles Bevel
Publisher: Samuel French, Inc.
Total Pages: 62
Release: 2002
Genre: Drama
ISBN: 9780573627996

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This sizzling revue of the blues and blues infused songs that changed the way the world hears the human heartbeat took New York by storm. Ravishing songs trace the evolution of the blues from Africa to Mississippi to Memphis to Chicago.


Negro Workaday Songs

Negro Workaday Songs
Author: Howard Washington Odum
Publisher:
Total Pages: 304
Release: 1926
Genre: African Americans
ISBN:

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The Columbia Guide to Contemporary African American Fiction

The Columbia Guide to Contemporary African American Fiction
Author: Darryl Dickson-Carr
Publisher: Columbia University Press
Total Pages: 292
Release: 2005-10-14
Genre: Literary Collections
ISBN: 9780231510691

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From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.


A Hero Ain't Nothin But a Sandwich

A Hero Ain't Nothin But a Sandwich
Author: Alice Childress
Publisher: Penguin
Total Pages: 92
Release: 2000-02-01
Genre: Young Adult Fiction
ISBN: 1101075759

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Benjie can stop using heroin anytime he wants to. He just doesn't want to yet. Why would he want to give up something that makes him feel so good, so relaxed, so tuned-out? As Benjie sees it, there's nothing much to tune in for. School is a waste of time, and home life isn't much better. All Benjie wants is for someone to believe in him, for someone to believe that he's more than a thirteen-year-old junkie. Told from the perspectives of the people in his life-including his mother, stepfather, teachers, drug dealer, and best friend-this powerful story will draw you into Benjie's troubled world and force you to confront the uncertainty of his future.


Johnny Cash and the Paradox of American Identity

Johnny Cash and the Paradox of American Identity
Author: Leigh H. Edwards
Publisher: Indiana University Press
Total Pages: 514
Release: 2009-02-25
Genre: Music
ISBN: 0253220610

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Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.