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A Look Into: Black Independent Filmmaking

A Look Into: Black Independent Filmmaking
Author: Mann Robinson
Publisher: METRO WEALTH STUDIOS
Total Pages: 214
Release: 2020-08-24
Genre: Performing Arts
ISBN:
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HOW CAN YOU SUCCEED IN THE FILM INDUSTRY AS A PASSIONATE AFRICAN AMERICAN! Have you ever thought about pursuing your career in the film industry? Do you actually know what it takes to be a super-successful filmmaker? Have you ever wondered how your life would change if one day you make it to Hollywood? Now please, paint this Hollywood vision inside your head, imagine that. How sweet does is it feel? How bad do you want it? And I am not just talking about Hollywood. There are so many ways and movie areas where you can succeed as a filmmaker, Hollywood is just that super delicious cake which bite everyone wants to get… Unfortunately, for most filmmakers, this is a never achieved dream, a struggle dream they once wanted to attain but failed. And I am not going to tell you that it is going to be easy, that’s just not the way life works, and the film industry is no different – if you want huge success, it requires a lot of effort following the right directions. And if you are truly willing to strive for that fame and success, you came to the right place. Throughout this book, I will lay the foundation – the most important things you need to know about the film industry and how to step your foot into it – successfully and fast-track your journey towards that Super-Star Dream. Here are just a few things you’ll discover inside: · Do African Americans have an advantage in the Film Industry, or is it more difficult? · Is movie making for you? Discover the essential characteristics of future industry professional · Do you need film studies, and how can you start all on your own? · Can you start with no money? Find out if it is possible · Should you quit your job to start a film career? What are other options to stay financially secure while pursuing your dreams · 4 Major Tasks Of a Filmmaker – film producing, film making,… · How do you sell your movie scrip at a high price? · Much much more… And keep in mind that you don’t need to be a super-talent to start as long as you have a strong desire and are willing to put in the work needed. In this case, this is a book for you!

Blackframes

Blackframes
Author: Mbye B. Cham
Publisher: MIT Press (MA)
Total Pages: 96
Release: 1988
Genre: Performing Arts
ISBN:
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This collection of eight original essays by noted scholars, critics, and practitioners of independent Black cinema offers a rare global and systematic examination of what is unique and what is common to the making of films in English-speaking Africa, in the United States, and in Britain.

A Look Into

A Look Into
Author: Mann Robinson
Publisher: Independently Published
Total Pages: 210
Release: 2020-07-29
Genre:
ISBN:
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HOW CAN YOU SUCCEED IN THE FILM INDUSTRY AS A PASSIONATE AFRICAN AMERICAN! Have you ever thought about pursuing your career in the film industry? Do you actually know what it takes to be a super-successful filmmaker? Have you ever wondered how your life would change if one day you make it to Hollywood? Now please, paint this Hollywood vision inside your head, imagine that. How sweet does is it feel? How bad do you want it? And I am not just talking about Hollywood. There are so many ways and movie areas where you can succeed as a filmmaker, Hollywood is just that super delicious cake which bite everyone wants to get... Unfortunately, for most filmmakers, this is a never achieved dream, a struggle dream they once wanted to attain but failed. And I am not going to tell you that it is going to be easy, that's just not the way life works, and the film industry is no different - if you want huge success, it requires a lot of effort following the right directions. And if you are truly willing to strive for that fame and success, you came to the right place. Throughout this book, I will lay the foundation - the most important things you need to know about the film industry and how to step your foot into it - successfully and fast-track your journey towards that Super-Star Dream. Here are just a few things you'll discover inside: Do African Americans have an advantage in the Film Industry, or is it more difficult? Is movie making for you? Discover the essential characteristics of future industry professional Do you need film studies, and how can you start all on your own? Can you start with no money? Find out if it is possible Should you quit your job to start a film career? What are other options to stay financially secure while pursuing your dreams 4 Major Tasks Of a Filmmaker - film producing, film making, ... How do you sell your movie scrip at a high price? Much much more... And keep in mind that you don't need to be a super-talent to start as long as you have a strong desire and are willing to put in the work needed. In this case, this is a book for you! So don't wait, scroll up, click on "Buy Now" and get one step closer to the fame and success you have always been dreaming about!

Slave Cinema

Slave Cinema
Author: André Seewood
Publisher: Xlibris
Total Pages: 0
Release: 2008
Genre: African Americans in motion pictures
ISBN: 9781436321792
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Using a rich compendium of evidence and a provocative perspective, the second edition of SLAVE CINEMA takes a thorough and uncompromising look at African-American cinema, African-American social identity and the American film industry. This book addresses the specific artistic, ideological and moral challenges that face every African-American filmmaker. It is broken into three main parts: Slave Cinema part 1: The Crisis of African-American Independent Cinema. Slave Cinema part 2: Five Assumptions of Race that Shackle African-Americans in Film. Slave Cinema part 3: Five Errors that Constrict African-American Cinematic Style. This second edition contains a new chapter on RACE TRAITORS: White Filmmakers who make Black Films which discusses several groundbreaking films made by whites about blacks that have been overlooked or dismissed by many African-American critics and scholars. Written by multiple award winning independent writer and filmmaker Andre Seewood. SLAVE CINEMA is his second published non-fiction work. He is also the author of SCREENWRITING IN TO FILM: Forgotten Methods & New Possibilities.

Redefining Black Film

Redefining Black Film
Author: Mark A. Reid
Publisher: Univ of California Press
Total Pages: 194
Release: 1993-02-23
Genre: Performing Arts
ISBN: 9780520912847
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Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.

Representing

Representing
Author: S. Craig Watkins
Publisher: University of Chicago Press
Total Pages: 334
Release: 1998
Genre: Performing Arts
ISBN: 9780226874890
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Representing examines developments in black cinema. It looks at the distinct contradiction in American society, black youths have become targets of a racial backlash but their popular cultures have become commercially viable.

Black Lenses, Black Voices

Black Lenses, Black Voices
Author: Mark A. Reid
Publisher: Rowman & Littlefield
Total Pages: 148
Release: 2005
Genre: Performing Arts
ISBN: 9780742526426
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Black Lenses, Black Voices is a provocative look at films directed and written_and sometimes produced_by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

The 50 Most Influential Black Films

The 50 Most Influential Black Films
Author: Torriano Berry
Publisher: Citadel Press
Total Pages: 324
Release: 2001
Genre: Performing Arts
ISBN: 9780806521336
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A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.

Black Film, White Money

Black Film, White Money
Author: Jesse Algeron Rhines
Publisher: Rutgers University Press
Total Pages: 220
Release: 1996
Genre: Performing Arts
ISBN: 9780813522678
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Why are there so few Black filmmakers who control their own work? Why are there scarcely any Black women behind the camera? What happens to Black filmmakers when they move from independent production to the mainstream? What does it mean for whites to control Black images and their distribution globally? And, was it always so? Could it be different? In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present. He illuminates his discussion by carefully linking the history of early Black filmmaking to the current success of African American filmmakers and examines how African Americans have been affected by changes that have taken place in the industry as a whole. He focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the Black community. Many well-known directors, including Spike Lee, Reginald Hudlin, and Grace Blake are interviewed in the book, allowing Rhines to give readers an inside look at how deal making does--or does not--work. Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of The Birth of a Nation, through the emergence of the Black-owned Lincoln Motion Picture Company, and the later introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television, and Blaxploitation movies that won audiences back. He brings the story up to date with present-day blockbusters and the success of Spike Lee, who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African African community if more African American filmmakers can come to the forefront in the business.

Framing Blackness

Framing Blackness
Author: Ed Guerrero
Publisher: Temple University Press
Total Pages: 270
Release: 2012-06-20
Genre: Performing Arts
ISBN: 1439904138
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A challenge to Hollywood's one-dimensional images of African Americans.