Blacking up : the minstrel show in nineteenth-century America
| Author | : Robert C. Toll |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 1974 |
| Genre | : |
| ISBN | : |
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A History Of The Minstrel Show PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A History Of The Minstrel Show PDF full book. Access full book title A History Of The Minstrel Show.
The Blackface Minstrel Show in Mass Media
| Author | : Tim Brooks |
| Publisher | : McFarland |
| Total Pages | : 291 |
| Release | : 2019-11-15 |
| Genre | : Social Science |
| ISBN | : 1476676763 |
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The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
A History of the Minstrel Show
| Author | : Frank W. Sweet |
| Publisher | : Backintyme |
| Total Pages | : 36 |
| Release | : 2000-09-01 |
| Genre | : Performing Arts |
| ISBN | : 9780939479214 |
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The History of Minstrelsy. A Short Overview
| Author | : Elena Agathokleous |
| Publisher | : GRIN Verlag |
| Total Pages | : 9 |
| Release | : 2021-05-11 |
| Genre | : Music |
| ISBN | : 3346404781 |
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Essay from the year 2018 in the subject Musicology - Historical musicology, grade: A, , language: English, abstract: This essay gives a short overview about the history of minstrelsy from different perspectives. Minstrel shows were a form of an entertainment show that appeared in America around the 1820’s, which was centered on the stereotype of African American slaves with themes from slavery and plantation life. After their first appearance, Minstrel shows became very popular very fast and soon they became a phenomenon that spread throughout America. The origins of Minstrelsy are traced back to the creation of a character named "Jim Crow", a plantation worker dressed in rugs and who had a limp, dancing and singing in the street in a funny way.
Birth of an Industry
| Author | : Nicholas Sammond |
| Publisher | : Duke University Press |
| Total Pages | : 232 |
| Release | : 2015-08-27 |
| Genre | : Performing Arts |
| ISBN | : 0822375788 |
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In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Darkest America: Black Minstrelsy from Slavery to Hip-Hop
| Author | : Yuval Taylor |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 353 |
| Release | : 2012-08-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393070980 |
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Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Inside the Minstrel Mask
| Author | : Annemarie Bean |
| Publisher | : Wesleyan University Press |
| Total Pages | : 332 |
| Release | : 1996-11-29 |
| Genre | : History |
| ISBN | : 9780819563002 |
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A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
“Gentlemen, Be Seated!” The Rise and Fall of the Minstrel Show
| Author | : Marc A. Bauch |
| Publisher | : GRIN Verlag |
| Total Pages | : 52 |
| Release | : 2011-12-20 |
| Genre | : Literary Collections |
| ISBN | : 3656086567 |
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Document from the year 2011 in the subject American Studies - Literature, grade: --, Saarland University (Amerikanistik), language: English, abstract: A native form of entertainment that came up in around 1843 was the minstrel show. The minstrel show was a show that consisted of melodies by slaves and jokes by white actors in blackface in order to imitate the blacks. Led by Mr. Interlocutor, the master of ceremonies, three more actors in blackface sat in a semicircle. The endmen or cornermen were known as Mr. Bones and Mr. Tambo, who joked together or made fun of slaves. Thus, the minstrel show was double-edged: on the one hand, racism in the United States was reinforced; on the other hand, so many white Americans have become aware of black popular culture. No wonder therefore, the rise of the minstrel show coincided with the growth of the abolitionist movement in the 19th century. But without doubt, racial discrimination was played down in the minstrel show. The minstrel show was meant as a form of entertainment, which was not intended to be taken seriously. Although the minstrel aimed to create a native and distinctly American form of entertainment, the songs they adopted were of English, Irish or Scottish origin. Furthermore, they presented parodies of European-style entertainment or parodied works by William Shakespeare. The book gives an overview of the history of the minstrel show. Marc A. Bauch is a scholar of American Literature and has specialized in American Theater, including the American Musical.
Demons of Disorder
| Author | : Dale Cockrell |
| Publisher | : Cambridge University Press |
| Total Pages | : 262 |
| Release | : 1997-07-28 |
| Genre | : Drama |
| ISBN | : 9780521568289 |
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A study of blackface minstrels in the first half of the nineteenth century.
Men in Blackface
| Author | : Seymour Stark |
| Publisher | : Xlibris Corporation |
| Total Pages | : 171 |
| Release | : 2001-11-07 |
| Genre | : Performing Arts |
| ISBN | : 1453582886 |
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Contents The Minstrel Show Will Never Die Jim Crow and Tom Thumb Irishness of it All Irving Berlin Titillates Gershwins Racial Profiling Jews in Blackface Jolson the Shlemiel Strutting to Redemption Endnotes -------------------------------- How New York City, the Birthplace of Blackface, Defined Humor and Race for 100 Years (MIB: 12-17) Jim Crow, a blackface stage character, lends his name to the pernicious practice of racial segregation. Native New Yorker Tom Rice performed "Jim Crow" at the Bowery Theatre in 1832. (MIB: 22-24) Edwin P. Christy established the first permanent minstrel hall at 472 Broadway in New York City in 1847. Christy created the stylized format which endured for 10 decades. Why Irish Americans Wore Blackface (MIB: 18-19) Dan Emmets "Dixie", written as a minstrel tune, became the Confederate anthem. In an earlier minstrel song, Emmett romanticized slavery: "Ill dance all night an work all day." (MIB: 46-48) Ned Harrigan, the grandfather of the Broadway musical, pitted on stage the Irish Mulligan Guard in 1879 against the black (white actors in blackface) Skidmore Guard--"Ten platoons of dandy coons." The Blackface Burden of Jewishness (MIB: 73-78) Irving Berlin, son of a cantor, penned his first "coon song" in 1909, and added eight more to his "coon song" cycle. Berlin staged blackface minstrel shows for the Army in both World War I and World War II. His 1942 film, "Holiday Inn", introduced "White Christmas" and Bing Crosby in blackface. (MIB: 101-138) Al Jolson in blackface made the first talking motion picture in 1927. In each of his eight Hollywood films over two decades, Jolson weaved the theme of Jewishness into the blackface minstrel show. He is the worldwide icon of blackface.
