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A History of Modern Chinese Fiction, Third Edition

A History of Modern Chinese Fiction, Third Edition
Author: C. T. Hsia
Publisher: Indiana University Press
Total Pages: 784
Release: 1999-11-22
Genre: Literary Criticism
ISBN: 9780253213112

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First published in 1961, and reissued in new editions several times, this is the pioneering, classic study of 20th-century Chinese fiction. The book covers some 60 years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76. C. T. Hsia, Prof. Emeritus of Chinese at Columbia Univ., examines the major writers from Lu Hsun to Eileen Chang and representative works since 1949 from both mainland China and Taiwan. The first serious study of modern Chinese fiction in English, this book is also the best study of its subject available. Not only the specialist, but every reader who is interested in China or in literature will find it of interest. Hsia's astute insights and graceful writing make the book enjoyable as well as deeply edifying.


A History of Contemporary Chinese Literature

A History of Contemporary Chinese Literature
Author: Zicheng Hong
Publisher: BRILL
Total Pages: 657
Release: 2007
Genre: Literary Collections
ISBN: 9004157549

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"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.


Modern Chinese Stories and Novellas, 1919-1949

Modern Chinese Stories and Novellas, 1919-1949
Author: Joseph S. M. Lau
Publisher: Columbia University Press
Total Pages: 634
Release: 1981
Genre: Drama
ISBN: 9780231042031

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Brings together some of the best and most historically significant works of short fiction written in China in this century -including such important figures in the development of Chinese modernism as Lu Hsün, Mao Tun, Ting Ling, and Shen Ts' ung-wen. The companion volume to the highly acclaimed (Columbia, 1978), this new volume presents modernist short fiction from the thirty-year period leading up to the Communist revolution of 1949, after which Chinese literature entered a new phase of development. The stories range in setting from the late Ch'ing dynasty through the Sino-Japanese War and the early Communist years, and range in length from brief tales to substantial short novels. Though a large number of the writers represented are leftists, works of all political viewpoints have been included to provide the full literary panorama of one of the most fertile periods of Chinese creative activity.


A History of Modern Chinese Popular Literature

A History of Modern Chinese Popular Literature
Author: Boqun Fan
Publisher: Cambridge University Press
Total Pages: 831
Release: 2020-07-30
Genre: Literary Criticism
ISBN: 1107068568

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The first English translation of one of the most authoritative and significant studies in the field of modern Chinese literature.


The Columbia Anthology of Modern Chinese Literature

The Columbia Anthology of Modern Chinese Literature
Author: Joseph S. M. Lau
Publisher: Columbia University Press
Total Pages: 802
Release: 2007
Genre: Education
ISBN: 9780231138413

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An anthology of Chinese fiction, poetry, and essays written during the twentieth and twenty-first centuries.


C. T. Hsia on Chinese Literature

C. T. Hsia on Chinese Literature
Author: C. T. Hsia
Publisher: Columbia University Press
Total Pages: 564
Release: 2004-03-10
Genre: Literary Criticism
ISBN: 9780231503471

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Best known for the groundbreaking works A History of Modern Chinese Fiction (1961) and The Classic Chinese Novel (1968), C. T. Hsia has gathered sixteen essays and studies written during his Columbia years as a professor of Chinese literature. Wider in range and scope, C. T. Hsia on Chinese Literature stands beside his two earlier books as part of his critical legacy to all readers seriously interested in the subject. C. T. Hsia's writings on Chinese literature express a candor rare among his Western colleagues. Thus the first section of the book contains three essays that place Chinese literature in critical perspective, examining its substance and significance and questioning some of the critical approaches and methods adopted by Western sinologists for its study and appreciation. The second section has two essays on traditional drama—one on the Yuan masterpiece The Romance of the Western Chamber and the other a sophisticated study of the plays of the foremost Ming dramatist T'ang Hsien-tsu. The third section is the richest and longest of the book, containing six essays on traditional and early modern fiction. At least four of these—on "The Military Romance" and the novels Flowers in the Mirror, The Travels of Lao Ts'an, and Jade Pear Spirit—are among the author's finest works. Finally, the fourth section of the book, covering modern fiction, includes one essay on the novel The Korchin Banner Plains, an essay on women in Chinese communist fiction, and three concise yet illuminating studies of the short story during the three republican decades before Mao, the first dozen years under Mao, and in Taiwan during the 1960s.