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Engraving and Etching, 1400-2000

Engraving and Etching, 1400-2000
Author: Ad Stijnman
Publisher: Hes & De Graff Pub B V
Total Pages: 0
Release: 2012
Genre: History
ISBN: 9789061945918

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"This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries"--Publisher's website.


Etching, Engraving and Other Intaglio Printmaking Techniques

Etching, Engraving and Other Intaglio Printmaking Techniques
Author: Ruth Leaf
Publisher: Courier Corporation
Total Pages: 242
Release: 2012-07-12
Genre: Art
ISBN: 0486139247

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Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.


The Art and Practice of Etching

The Art and Practice of Etching
Author: Henry Thomas Alken
Publisher:
Total Pages: 92
Release: 1849
Genre: Etching
ISBN:

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Prints and Printmaking

Prints and Printmaking
Author: Antony Griffiths
Publisher: Univ of California Press
Total Pages: 172
Release: 1996
Genre: Art
ISBN: 9780520207141

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Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.


The Renaissance of Etching

The Renaissance of Etching
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
Total Pages: 311
Release: 2019-10-21
Genre: Art
ISBN: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}


Etching and Engraving

Etching and Engraving
Author: Anthony Dyson
Publisher: Longman Publishing Group
Total Pages: 134
Release: 1986
Genre: Art
ISBN:

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A History of Engraving and Etching

A History of Engraving and Etching
Author: Arthur M. Hind
Publisher: Courier Corporation
Total Pages: 513
Release: 2011-10-30
Genre: Art
ISBN: 0486148874

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British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.


A Short History of Engraving and Etching

A Short History of Engraving and Etching
Author: Mayger Hind Arthur Mayger Hind
Publisher:
Total Pages: 496
Release: 2008-06-01
Genre:
ISBN: 9781436750288

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.


Etching and Engraving

Etching and Engraving
Author: John Buckland Wright
Publisher: Courier Corporation
Total Pages: 258
Release: 1973-01-01
Genre: Art
ISBN: 0486228886

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This practical course covers line engraving, drypoint, and the tonal variations of mezzotint and stipple; etching and the tonal variations of soft ground, aquatint, and sugar aquatint; relief prints and deep etch; and woodcut, linocut, and wood engraving. Constantly referencing the 156 illustrations reproduced throughout, the author achieves a fine balance between technique and theory.