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A History of Arab Graphic Design

A History of Arab Graphic Design
Author: Bahia Shehab
Publisher: American University in Cairo Press
Total Pages: 383
Release: 2020-12-15
Genre: Design
ISBN: 1649031955

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The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.


Arabesque

Arabesque
Author: Ben Wittner
Publisher: Gestalten Verlag
Total Pages: 192
Release: 2009
Genre: Design
ISBN: 9783899552683

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Despite their rich tradition of calligraphy, the Arab World and Persia are not known for their contemporary graphic design, illustration and typography. Especially now, it's worth taking a look at the region's creativity. Young designers are just beginning to chart their own compelling course between local visual convention and a modern, international style. Arabesque investigates the creative potential of the Arab World and Iran. This book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region's visual culture. Given the important role of calligraphy in the Middle East, Arabesque focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy; these are accompanied by a rich selection of applications. Further examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those now creating street art and poster design. Arabesque also features graphic design, logos and illustration by young designers and activists from Egypt, Iran, Saudi Arabia and the United Arab Emirates, which is complemented by selected projects by Western designers, who are strongly influenced by Arab culture. Regardless of the location and ancestry of their creators, all of the examples included in Arabesque combine modern design with the traditional, letter-based canon of Arab forms in striking ways. Supplemental texts describe the environments in which the featured designers and artists work. Arabesque also includes a CD-ROM that features a typeface created by the book's editors, Ben Wittner and Sascha Thoma.


Arabic for Designers

Arabic for Designers
Author: Mourad Boutros
Publisher: Mark Batty Publisher
Total Pages: 0
Release: 2006
Genre: Advertising layout and typography
ISBN: 9780976224556

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A primer of over 200 illustrations that shows how to work with Arabic as a design tool.


Graphic Design

Graphic Design
Author: Stephen Eskilson
Publisher:
Total Pages: 0
Release: 2012
Genre: Art deco
ISBN: 9781856698245

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Now in its second edition, this wide-ranging, seminal text offers an accessible account of the history of graphic design from the nineteenth century to the present day. Organized chronologically, the book makes an important critical contribution to the subject by presenting graphic design and typography as deeply embedded in the fabric of society in every era. This distinctive approach enables Stephen J. Eskilson to discuss the evolution of graphic design in light of prevailing political, social, military and economic conditions, as well as nationalism and gender. After surveying typography from Gutenburg to Bodoni, he traces the impact of the Industrial Revolution and the influence of Art Nouveau and the Arts and Craft movements on the graphic arts. In the richly contextualised chapters that follow, he chronicles the history of the early twentieth-century modernist design styles, the wartime politicization of American and Soviet regional styles, the Bauhaus, the rise of the International Style in the 1950s-1960s, and the post-modern movement of the 1970s-1980s right through to the challenges facing the world's designers today. This second edition has been carefully reviewed and revised throughout to best reflect contemporary scholarship. In addition to over 80 new colour images, there is a revised final chapter that includes an up-to-date survey of the wealth of aesthetic, conceptual and technical developments in graphic design over the last few years.'The book provides a sensible and coherent timeline of historical development in graphic design. The new text addresses issues of how and why, as well as of the when, in our discipline. Terrific!' Dr Paul Rennie, Head of Context, Graphic and Communication Design, Central St Martins, London


A History of Arab Graphic Design (Arabic Edition)

A History of Arab Graphic Design (Arabic Edition)
Author: Bahia Shehab
Publisher:
Total Pages: 0
Release: 2025-01-07
Genre: Art
ISBN: 9781649033345

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PROSE Award Winner, Art History & Criticism The first-ever book-length history of Arab graphic design, now available in Arabic Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.


Arab Women's Revolutionary Art

Arab Women's Revolutionary Art
Author: Nevine El Nossery
Publisher: Springer Nature
Total Pages: 244
Release: 2023-04-12
Genre: Social Science
ISBN: 3031217241

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This book examines the ways in which women in the contemporary Middle East and North Africa have re-imagined revolutionary discourses through creativity and collective action as a means of resistance. Encompassing a stunning array of forms and genres, such as graffiti, street performance, photography, phototexts, novels, and comics, the book draws from a vast spectrum of artistic production in revolutionary periods between 2011 and 2022 in Egypt, Tunisia, Morocco, and Algeria. El Nossery sheds light on women’s postrevolutionary artistic output by engaging an interdisciplinary approach: the book is divided into three sections which foreground the unique relationship between textual, visual, and performative modes as they intertwine with art and politics. Arab Women’s Revolutionary Art thereby aims to demonstrate how art, as always oriented towards an open future, can preserve the revolutionary spirit that was sparked in 2011 by documenting what happened and determining which stories would be told. The revolution, therefore, continues.


What It Means to Be a Designer Today

What It Means to Be a Designer Today
Author: Liz Stinson
Publisher: Chronicle Books
Total Pages: 243
Release: 2024-04-02
Genre: Design
ISBN: 1797227203

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AIGA’s Eye on Design presents a provocative collection of essays and interviews that cover a wide-reaching examination of the profession of design today and its impacts on society and culture. Eye on Design is an editorial platform from AIGA that has, for the last decade, covered the ins and outs of the design industry. From documenting bold new work from global designers to chronicling the field's most critical issues, their reported stories, op-eds, interviews, and conversations help designers make sense of the world and place their profession within a broader context. Weaving together original and previously published content from some of the most important writers in today’s design conversation, this book for designers encapsulates wide-reaching topics that strive to answer an essential question: What does it mean to be a designer today? Organized into three parts—Reflections, Questions, and Ideas—this book covers the most pressing issues and provocations that designers face in our current world, including: The evolution of personal branding Teaching design history The cult of minimalism The perils of hero worship Designers’ role in conspicuous consumption The meaning of visual sustainability And more Contributors include the book's editors, Liz Stinson and Jarrett Fuller, and such outstanding design writers as Rick Poynor, Anne Quito, Briar Levit, Cliff Kuang, and many more. Accessible, engaging, and conversational, What It Means to Be a Designer Today is an enduring resource and vibrant gift book that speaks to design students and educators, working designers of all levels, and anyone interested in graphic design.


For the Love of Design

For the Love of Design
Author: Steven Heller
Publisher: Simon and Schuster
Total Pages: 245
Release: 2022-11-08
Genre: Design
ISBN: 1621538109

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Prolific author and co-chair of the MFA Design School of Visual Arts Steven Heller shares his love of design with the world through essays, interviews, and profiles. Design is a living. But to live passion is essential. For the Love of Design is an anthology of Steven Heller's essays that are underscored by the essence that makes designers do what they do, Whether it is to make the environ a better place or communicate important messages or simply enliven the quotidian world, design is everywhere and everything. It is a life force made and appreciated with love. The focus of the anthology is graphic design and typography but these disciplines impact so many other forms of design that it is impossible to ignore them. Through essays, interviews and profiles, Heller captures the essence of what makes artists into designers and what makes design and its makers tick. From the design director of the New York Times discussing how during the pandemic he created the most effective front pages to a collage artist talking about why cutting and pasting scraps of material into dynamic compositions, each story and narrative brings to light ambitions and aspirations they are couched in love for the thinking, making, and doing of design. For the Love of Design is here to show that graphic and other design activities are not just ways of making a living, but living a life.


Not A Reference Yet

Not A Reference Yet
Author: Bakhtawer Haider
Publisher: Sold Out Publishing
Total Pages: 67
Release: 2021-06-30
Genre: Design
ISBN: 1914180054

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Not a Reference Yet aims to add a drop into a pool of a common quest towards the cultural decolonisation of graphic design education and industry. In this book, we investigate the mechanisms around referencing in academia and the practice of visual communication. We believe that references and referencing, as political objects and actions, have a big part to play in making our industry open up to become more inclusive and diverse. By connecting the dots between different researchers and design practitioners, we learn to navigate and swim our way through the pool of various concepts and theories. It is Not a Reference Yet, but we’re hoping maybe one day it could be.