A History And Description Of French Porcelain Classic Reprint PDF Download

Excerpt from A History and Description of English Porcelain For many years there has been real need of a work on English Porcelain which should occupy the gap between the elaborate monographs of single factories by Binns, Haslem, and Owen, and the admirable but brief general sketch by Professor A. H. Church. The present volume is an attempt to remove this deficiency by giving, on a sufficiently extended scale and with adequate illustration, a connected and comprehensive account of the origin and progress of porcelain making in England. Though the mere fact that the author is a practical potter cannot in itself prove sufficient qualification for such a task, the experience necessarily gained in the daily routine of a factory must be of value in attempting to appraise the work of the potters of past generations. For the first time, at all events, the historical and artistic development of English. Porcelain is interpreted by the light of technical and scientific knowledge gained in the industry itself; the fruits of years of study of museum collections and documentary and traditional information ripened by still more years of experience in actual manufacture. Having no prejudices in favour of any particular individual or factory it is only natural that my views should not always coincide with those of writers whose work has been conceived in a vein of personal eulogy, which puts impartial criticism out of the question. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.