A History and Description of French Porcelain
Author | : Ernest Simon Auscher |
Publisher | : |
Total Pages | : 420 |
Release | : 1905 |
Genre | : Porcelain |
ISBN | : |
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Author | : Ernest Simon Auscher |
Publisher | : |
Total Pages | : 420 |
Release | : 1905 |
Genre | : Porcelain |
ISBN | : |
Author | : Ernest Simon 1857- Auscher |
Publisher | : Wentworth Press |
Total Pages | : 404 |
Release | : 2016-08-26 |
Genre | : History |
ISBN | : 9781363287093 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Ernest Simon Auscher |
Publisher | : Theclassics.Us |
Total Pages | : 66 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230469881 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ...manufacture of the most sumptuous "garnitures " for the palace of Louveciennes, and on the production in "biscuit" of the famous bust of Madame Dubarry, modelled by Pajou. Although Marie-Antoinette was immediately interested in the productions of the factor', she had no direct influence upon it until after her coronation in 1774. Yet she soon became a patroness of Sevres for, from 1771 to 1774, part of the personnel was employed in making, for her, furniture and garnitures of all kinds analogous to, or identical with, those which had been made for the Dubarry. The director of the works, who was a good courtier, had already produced in 1772 a "biscuit" group, modelled by Pajou, and called " The Marriage of Louis XVI." In this group the Dauphin is on the left, the Dauphiness on the right, clasping their hands on a kind of altar surmounted by a globe ornamented with "fleurs-de-lys." The front of the altar had the inscription "Au bonheur public" while the pedestal bore, in low relief, garlands of flowers, and a royal monogram composed of the initials "L." and "A." intertwined. About 1773, the sculptor Pajou made a bust of MarieAntoinette in which, while we cannot but admire the regal attitude of the daughter of an empress and the wife of a mighty prince, we are still more charmed by the juvenile freshness and grace of the woman, the beauty of her features, and the arrangement of her hair. In this model Pajou certainly produced one of the finest works of the eighteenth century, and it seems like the irony of fate that it can only be compared with the busts of the Dubarry produced by the same sculptor. In the Petit Trianon an example of this bust, doubtless made at...
Author | : Ernest Simon Auscher |
Publisher | : Alpha Edition |
Total Pages | : 398 |
Release | : 2021-02-15 |
Genre | : Reference |
ISBN | : 9789354417689 |
A History And Description Of French Porcelainhas been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author | : Christine A. Jones |
Publisher | : Rutgers University Press |
Total Pages | : 315 |
Release | : 2013-05-16 |
Genre | : Art |
ISBN | : 1644530740 |
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author | : E.S. Auscher |
Publisher | : |
Total Pages | : |
Release | : 1905 |
Genre | : |
ISBN | : |
Author | : William Burton |
Publisher | : |
Total Pages | : 363 |
Release | : 1921 |
Genre | : Porcelain |
ISBN | : |
Author | : Louis Marc Solon |
Publisher | : London : Cassell |
Total Pages | : 424 |
Release | : 1903 |
Genre | : Faience |
ISBN | : |
Author | : Joanna Gwilt |
Publisher | : Royal Collection Trust |
Total Pages | : 204 |
Release | : 2009 |
Genre | : Antiques & Collectibles |
ISBN | : |
This book provides a guide to the history of SSvres porcelain as epitomised by seventy of the most important examples in the Royal Collection.
Author | : Henri Frantz |
Publisher | : |
Total Pages | : 342 |
Release | : 1906 |
Genre | : Porcelain |
ISBN | : |