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A Handbook of Modal Counterpoint

A Handbook of Modal Counterpoint
Author: Stella Roberts
Publisher: New York : Free Press
Total Pages: 136
Release: 1967
Genre: Music
ISBN:

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The Principles and Practice of Modal Counterpoint

The Principles and Practice of Modal Counterpoint
Author: Douglass Green
Publisher: Routledge
Total Pages: 452
Release: 2010-11-01
Genre: Music
ISBN: 1136935096

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Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.


The Craft of Modal Counterpoint

The Craft of Modal Counterpoint
Author: Thomas Benjamin
Publisher: Psychology Press
Total Pages: 216
Release: 2005
Genre: Counterpoint
ISBN: 9780415971713

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.


Modal Counterpoint, Renaissance Style

Modal Counterpoint, Renaissance Style
Author: Peter Schubert
Publisher: Oxford University Press, USA
Total Pages: 372
Release: 2008
Genre: Language Arts & Disciplines
ISBN:

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The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.


The Principles and Practice of Tonal Counterpoint

The Principles and Practice of Tonal Counterpoint
Author: Evan Jones
Publisher: Routledge
Total Pages: 283
Release: 2015-08-27
Genre: Music
ISBN: 1317518772

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.


The Craft of Modal Counterpoint

The Craft of Modal Counterpoint
Author: Thomas Benjamin
Publisher: Routledge
Total Pages: 203
Release: 2005-07-08
Genre: Music
ISBN: 1135874395

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"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.