A Handbook of Modal Counterpoint
Author | : Stella Roberts |
Publisher | : New York : Free Press |
Total Pages | : 136 |
Release | : 1967 |
Genre | : Music |
ISBN | : |
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Author | : Stella Roberts |
Publisher | : New York : Free Press |
Total Pages | : 136 |
Release | : 1967 |
Genre | : Music |
ISBN | : |
Author | : Douglass Green |
Publisher | : Routledge |
Total Pages | : 452 |
Release | : 2010-11-01 |
Genre | : Music |
ISBN | : 1136935096 |
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author | : Stella Roberts |
Publisher | : |
Total Pages | : 120 |
Release | : 1967 |
Genre | : Counterpoint |
ISBN | : |
Author | : Thomas Benjamin |
Publisher | : Psychology Press |
Total Pages | : 216 |
Release | : 2005 |
Genre | : Counterpoint |
ISBN | : 9780415971713 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Peter Schubert |
Publisher | : Oxford University Press, USA |
Total Pages | : 372 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : |
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Author | : Stella Roberts |
Publisher | : |
Total Pages | : 32 |
Release | : 1967 |
Genre | : Counterpoint |
ISBN | : |
Author | : Ernst Krenek |
Publisher | : |
Total Pages | : 21 |
Release | : 1969 |
Genre | : Counterpoint |
ISBN | : |
Author | : Evan Jones |
Publisher | : Routledge |
Total Pages | : 283 |
Release | : 2015-08-27 |
Genre | : Music |
ISBN | : 1317518772 |
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Author | : Thomas Benjamin |
Publisher | : Routledge |
Total Pages | : 203 |
Release | : 2005-07-08 |
Genre | : Music |
ISBN | : 1135874395 |
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.
Author | : Ernst Krenek |
Publisher | : |
Total Pages | : 21 |
Release | : 1950 |
Genre | : Counterpoint |
ISBN | : |