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Guide to Reference Books

Guide to Reference Books
Author: Robert Balay
Publisher: ALA Editions
Total Pages: 2056
Release: 1996
Genre: Language Arts & Disciplines
ISBN:

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Presents an annotated bibliography of general and subject reference books covering the humanities, social and behavioral sciences, history, science, technology, and medicine.


Guide to the Literature of Art History 2

Guide to the Literature of Art History 2
Author: Max Marmor
Publisher: ALA Editions
Total Pages: 928
Release: 2005
Genre: Language Arts & Disciplines
ISBN:

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"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.


A Guide to Scholarly Resources on the Russian Empire and the Soviet Union in the New York Metropolitan Area

A Guide to Scholarly Resources on the Russian Empire and the Soviet Union in the New York Metropolitan Area
Author: Robert A. Karlowich
Publisher: Routledge
Total Pages: 234
Release: 2019-07-12
Genre: History
ISBN: 1315490757

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Identifies collections held by public and university libraries, historical societies, and other institutions, as well as private collections, with material relating to any subject and historical period, and to the widest geographical area under imperial or Soviet rule. Includes movements for example


One Hundred Objects in the Frick Art Reference Library

One Hundred Objects in the Frick Art Reference Library
Author: Stephen J. Bury
Publisher: Uniformbooks
Total Pages: 0
Release: 2022-01-25
Genre: Art libraries
ISBN: 9781910010280

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"The Frick Art Reference Library, founded by Helen Clay Frick, has been part of the international infrastructure of art history since its inception. It has always been innovative--with its photographic field trips, periodical indexing, involvement in the founding of the international photo archive consortium, PHAROS, web archiving, and digital art history. The library is looking back at its work over the last hundred years through one hundred objects, not just from its extensive collection of books, auction catalogs, photographs and archives, but through its spaces, artworks and the traces of some of its actors: Helen Clay Frick herself obviously, but also her French agent Madame Brière, and librarians such as Pauline Wells or Doriece Colle" -- 2e couverture.


The Humanities

The Humanities
Author: Ron Blazek
Publisher: Englewood, Colo. : Libraries Unlimited
Total Pages: 632
Release: 2000
Genre: Humanities
ISBN:

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Covering nearly 1,400 information sources, this book maps the vast terrain of knowledge in humanities studies. Detailed annotations give users an in-depth view of the sources and thorough indexes provide easy access. Web resources are included on a highly selective basis. The number of information sources and the diversification of formats are revolutionizing library and scholarly practice. While accessing information is easier, evaluation of resources has become increasingly more difficult. Covering a broader territory and more sources than previous editions, this book offers an up-to-date, reliable guide to nearly 1,400 of the most important and representative information sources in the immense discipline of humanities studies. Following the basic organization of previous editions, Blazek and Aversa present chapters on sources (reference tools) and access (ways to find and retrieve information) for each subject covered (e.g., language and literature, philosophy, visual arts). For the first time the authors have included web resources and their URLs on a highly selective basis. All sources have been reviewed, updated, and in many cases expanded. Computerized databases (both online and CD-ROM) are integrated with the books. Detailed annotations give users an in-d


The Legal Guide for Museum Professionals

The Legal Guide for Museum Professionals
Author: Julia Courtney
Publisher: Rowman & Littlefield
Total Pages: 317
Release: 2015-03-19
Genre: Business & Economics
ISBN: 1442230436

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Museums are multifaceted institutions that reach across all disciplines and encounter a complex range of legal questions. Experts in museum and art law join forces in this essay-format volume. These unique, nonprofit cultural organizations face a myriad of legal concerns as they launch into the twenty-first century and will continue to require specific guidance. From intellectual property law to navigating waters of social media, de-accessioning concerns to governance law, copyright, and rights and reproduction questions to issues of public domain and public trust, The Legal Guide for Museum Professionals seeks to provide answers and courses of action for museums of all disciplines. This book will assist professionals in determining when to seek professional legal counsel and when to educate themselves and proceed on their own. The book was inspired by a panel of experts who have presented at numerous regional and national conferences for museum professionals are especially practiced at providing insight into current legal concerns, including: Gil Whittemore Esq. of Rath, Young and Pignatelli, P.C. and former Chair of the American Bar Association’s Museum Law Committee; Katherine E. Lewis Esq. Chair of the American Bar Association’s Museum Law Committee and practicing New York attorney; Mark S. Gold Esq. practicing attorney in Williamstown, MA with the firm of Parese, Sabin, Smith & Gold LLP who has written and edited extensively on all aspects of museum and art law. All three contributed to this volume.


The Women Impressionists

The Women Impressionists
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
Total Pages: 212
Release: 2000-02-28
Genre: Art
ISBN: 0313032467

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This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.