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A Documentary History of Art

A Documentary History of Art
Author: Elizabeth Basye Gilmore Holt
Publisher: Doubleday Books
Total Pages: 428
Release: 1957
Genre: Art
ISBN: 9780385093200

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Volume 1. The theoretical & practical writings of the artists, architects, clerics & philosophers of the tenth through the sixteenth centuries, which provide the background to the artistic life of the time.


American Art to 1900

American Art to 1900
Author: Sarah Burns
Publisher: Univ of California Press
Total Pages: 1100
Release: 2009-03-31
Genre: Art
ISBN: 0520257561

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American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.


Primitivism and Twentieth-century Art

Primitivism and Twentieth-century Art
Author: Jack D. Flam
Publisher: Univ of California Press
Total Pages: 514
Release: 2003
Genre: Art
ISBN: 9780520212787

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"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa


A Documentary History of Art, Volume 2

A Documentary History of Art, Volume 2
Author: Elizabeth Gilmore Holt
Publisher: Princeton University Press
Total Pages: 434
Release: 2022-03-08
Genre: Art
ISBN: 0691242917

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The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses.


Art in Cinema

Art in Cinema
Author: Scott MacDonald
Publisher: Temple University Press
Total Pages: 332
Release: 2006
Genre: Performing Arts
ISBN: 9781592134274

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Fascinating documentation of one of the most important film societies in American history.


A Documentary History of Art

A Documentary History of Art
Author: Elizabeth G. Holt (ed)
Publisher:
Total Pages:
Release: 1966
Genre:
ISBN:

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American Art to 1900

American Art to 1900
Author: Sarah Burns
Publisher: Univ of California Press
Total Pages: 1101
Release: 2023-09-01
Genre: Art
ISBN: 0520943821

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From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.


From the Classicists to the Impressionists

From the Classicists to the Impressionists
Author: Elizabeth Basye Gilmore Holt
Publisher: Yale University Press
Total Pages: 644
Release: 1986-01-01
Genre: Art
ISBN: 9780300036923

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The nineteenth-century historian and artist shared the same aim, to present the unsystematic diversity of peoples, cultures, customs, and myths in a process of evolutionary transformation, that was to be comprehended by feeling.


A Documentary History of Art

A Documentary History of Art
Author: Elizabeth Basye Gilmore Holt
Publisher:
Total Pages:
Release: 1965
Genre:
ISBN:

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Documentary

Documentary
Author: Julian Stallabrass
Publisher: Whitechapel Art Gallery
Total Pages: 244
Release: 2013
Genre: Art
ISBN:

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Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Documentary has undergone a marked revival in recent art, following a long period in which it was a denigrated and unfashionable practice. This has in part been led by the exhibition of photographic and video work on political issues at Documenta and numerous biennials and, since the turn of the century, issues of injustice, violence and trauma in increasing zones of conflict. Aesthetically, documentary is now one of the most prominent modes of art-making, in part assisted by the linked transformation and recuperation of photography and video by the gallery and museum world. Unsurprisingly, this development, along with the close attention paid to photojournalism and mainstream documentary-making in a time of crisis, has been accompanied by a rich strain of theoretical and historical writing on documentary. This anthology provides a definitive historical context for documentary, exploring its roots in modernism and its critique under postmodernism; it surveys current theoretical thinking about documentary; and it examines a wide range of work by artists within, around or against documentary through their own writings and interviews. Artists surveyed include: Kutlug Ataman, Ursula Biemann, Hasan Elahi, Harun Farocki, Omer Fast, Joan Fontcuberta, Regina José Galindo, David Goldblatt, Alfredo Jaar, Emily Jacir, Lisa F. Jackson, Philip Jones Griffiths, An-My Le, Renzo Martens, Boris Mikhailov, Daido Moriyama, Walid Raad, Michael Schmidt and Sean Snyder. Writers include: James Agee, Ariella Azoulay, Walter Benjamin, Adam Broomberg, Judith Butler, Oliver Chanarin, Georges Didi-Huberman, John Grierson, David Levi Strauss, Elizabeth McCausland, Carl Plantinga, Jacques Rancière, Martha Rosler, Jean-Paul Sartre, Allan Sekula, Susan Sontag, Hito Steyerl and Trinh T. Minh-ha.