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A Dictionary of Indian Literature: Beginnings-1850

A Dictionary of Indian Literature: Beginnings-1850
Author: Sujit Mukherjee
Publisher: Orient Blackswan
Total Pages: 464
Release: 1998
Genre: Indic literature
ISBN: 9788125014539

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This Volume Aspires To Be A Handy Reference Work For Users Whose Interest Is Not Limited To One Or Two Indian Language Literatures But Spreads Over Sanskrit, Tamil, Pali And The Prakrit As Well As To Asimiya, Bangla, Gujarati, Hindi, Kannada, Kashmiri, Maithili, Malayalam, Manipuri, Marathi, Oriya, Punjabi, Rajasthani, Sindhi, Telugu And Urdu. Starting With The Vedas And The Upanishads, The Coverage Spans Several Centuries Up To The Year 1850.


A Dictionary of Indian Literature

A Dictionary of Indian Literature
Author: Sujit Mukherjee
Publisher:
Total Pages: 0
Release: 1998
Genre: Indic literature
ISBN:

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Theorizing Fieldwork in the Humanities

Theorizing Fieldwork in the Humanities
Author: Shalini Puri
Publisher: Springer
Total Pages: 264
Release: 2016-12-13
Genre: Literary Criticism
ISBN: 1349928348

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This volume, the first of its kind, launches a conversation amongst humanities scholars doing fieldwork on the global south. It both offers indispensable tools and demonstrates the value of such work inside and outside of the academy. The contributors reflect upon their experiences of fieldwork, the methods they improvised, their dilemmas and insights, and the ways in which fieldwork shifted their frames of analysis. They explore how to make fieldwork legible to their disciplines and how fieldwork might extend the work of the humanities. The volume is for both those who are already deeply immersed in fieldwork in the humanities and those who are seeking ways to undertake it.


Jain Rāmāyaṇa Narratives

Jain Rāmāyaṇa Narratives
Author: Gregory M. Clines
Publisher: Routledge
Total Pages: 196
Release: 2022-04-28
Genre: Social Science
ISBN: 1000584143

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Jain Rāmāyaṇa Narratives: Moral Vision and Literary Innovation traces how and why Jain authors at different points in history rewrote the story of Rāma and situates these texts within larger frameworks of South Asian religious history and literature. The book argues that the plot, characters, and the very history of Jain Rāma composition itself served as a continual font of inspiration for authors to create and express novel visions of moral personhood. In making this argument, the book examines three versions of the Rāma story composed by two authors, separated in time and space by over 800 years and thousands of miles. The first is Raviṣeṇa, who composed the Sanskrit Padmapurāṇa (“The Deeds of Padma”), and the second is Brahma Jinadāsa, author of both a Sanskrit Padmapurāṇa and a vernacular (bhāṣā) version of the story titled Rām Rās (“The Story of Rām”). While the three compositions narrate the same basic story and work to shape ethical subjects, they do so in different ways and with different visions of what a moral person actually is. A close comparative reading focused on the differences between these three texts reveals the diverse visions of moral personhood held by Jains in premodernity and demonstrates the innovative narrative strategies authors utilized in order to actualize those visions. The book is thus a valuable contribution to the fields of Jain studies and religion and literature in premodern South Asia.


Chandragupta Maurya

Chandragupta Maurya
Author: Sushma Jansari
Publisher: UCL Press
Total Pages: 242
Release: 2023-06-01
Genre: History
ISBN: 1800083882

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We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals, in c.305-3 BC. This significant event was a moment of peace-making at the end of conflict. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. This uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite. The writing and reception of history fundamentally influences how we engage with the past, and the evolving colonial and post-colonial relationship between Britain and India is crucial here. In India, the image of Chandragupta as an idealised hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. The path to this elevated standing is charted in this book.


Hammīra

Hammīra
Author: Aditya Malik
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 229
Release: 2021-06-08
Genre: History
ISBN: 3110662795

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This book is about the legendary Rajput chieftain Hammira Chauhan, the king of the impregnable fortress of Ranthambore in southern Rajasthan who died in 1301 CE after a monumental battle against Alauddin Khalji, the sultan of Delhi. This singular event reverberates through time to the point of creating a historical and cultural region that crystallizes through copious texts composed in different genres and languages (Persian, Sanskrit, Hindi, Rajasthani, English) in shifting religious and political contexts, medieval as well as modern. The main poetical-historical work composed in Sanskrit, the Hammira-Mahakavya (‘great poem’) by the Jaina poet Nayachandra Suri (15th century), is propelled by a dream in which the dead king urges the poet to write about his deeds. Can history with its preoccupation for the factual, begin in a dream? What does it mean to think about history and time via the imagination? Is time, whether past, present or future linked to imagination? Do imagination, time, and history arise together? What are the implications of thinking of history as something that appears in our experience? What does it mean to write a history as a historical being in whom diverse temporalities intertwine in the here and now?


Gods, Heroes and their Story Tellers

Gods, Heroes and their Story Tellers
Author: V. Hari Saravanan
Publisher: Notion Press
Total Pages: 837
Release: 2014-01-01
Genre: Social Science
ISBN: 9384391492

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We can hear Urumula Naganna’s drum roll during the rendition of the Sri Akammagaru Kaviya. An oral tradition which is as old as the hills is captured in the book Gods, Heroes and their Storytellers. Do you know the story of how the Madiga community came to inherit the right to skin cattle carcass and produce leather articles? How are contemporary Folk Oral Literatures connected to the Ramayana and the Mahabharata? There are many such stories and tradition bearers who doggedly go on in spite of the onslaught of the digital media. The author here has tried his best in keeping these traditions alive by not only telling the stories but also by living with the story tellers themselves. The rich details give us a window to a world which is not only very far away for our everyday mundane existence but also makes us retrospect on what we are missing out. Each of the tradition bearers are different and so are their stories and the region to which they belong. These are not merely stories but a way of life for these oral narrators who are fast disappearing in today’s consumerist landscape. The need of the hour is to keep alive these traditions and the tradition bearers.


Sculpting the Middle Class

Sculpting the Middle Class
Author: Deepa Sreenivas
Publisher: Routledge
Total Pages: 220
Release: 2013-07-04
Genre: Comics & Graphic Novels
ISBN: 1136485864

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First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.


Bakhtinian Explorations of Indian Culture

Bakhtinian Explorations of Indian Culture
Author: Lakshmi Bandlamudi
Publisher: Springer
Total Pages: 212
Release: 2018-02-11
Genre: Social Science
ISBN: 9811063133

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This volume, an important contribution to dialogic and Bakhtin studies, shows the natural fit between Bakhtin’s ideas and the pluralistic culture of India to a global academic audience. It is premised on the fact that long before principles of dialogism took shape in the Western world, these ideas, though not labelled as such, were an integral part of intellectual histories in India. Bakhtin’s ideas and intellectual traditions of India stand under the same banner of plurality, open-endedness and diversity of languages and social speech types and, therefore, the affinity between the thinker and the culture seems natural. Rather than being a mechanical import of Bakhtin’s ideas, it is an occasion to reclaim, reactivate and reenergize inherent dialogicality in the Indian cultural, historical and philosophical histories. Bakhtin is not an incidental figure, for he offers precise analytical tools to make sense of the incredibly complex differences at every level in the cultural life of India. Indian heterodoxy lends well to a Bakhtinian reading and analysis and the papers herein attest to this. The papers range from how ideas from Indo-European philology reached Bakhtin through a circuitous route, to responses to Bakhtin’s thought on the carnival from the philosophical perspectives of Abhinavagupta, to a Bakhtinian reading of literary texts from India. The volume also includes an essay on ‘translation as dialogue’ – an issue central to multilingual cultures – and on inherent dialogicality in the long intellectual traditions in India.


Theatre Cultures within Globalising Empires

Theatre Cultures within Globalising Empires
Author: Joachim Küpper
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 398
Release: 2018-08-06
Genre: Language Arts & Disciplines
ISBN: 3110612038

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This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.