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A Dancer in the Revolution

A Dancer in the Revolution
Author: Howard Eugene Johnson
Publisher: Fordham Univ Press
Total Pages: 216
Release: 2014-04-01
Genre: History
ISBN: 0823256561

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The life of Howard Johnson, nicknamed “Stretch” because of his height (6'5"), epitomizes the cultural and political odyssey of a generation of African Americans who transformed the United States from a closed society to a multiracial democracy. Johnson’s long-awaited memoir traces his path from firstborn of a multiclass/multiethnic” family in New Jersey to dancer in Harlem’s Cotton Club to communist youth leader and, later, professor of Black studies. A Dancer in the Revolution is a powerful statement about Black resilience and triumph amid subtle and explicit racism in the United States. Johnson’s engaging, beautifully written memoir provides a window into everyday life in Harlem—neighborhood life, arts and culture, and politics—from the 1930s to the 1970s, when the contemporary Black community was being formed. A Dancer in the Revolution explores Johnson’s twenty-plus years in the Communist Party and illuminates in compelling detail how the Harlem branch functioned and flourished in the 1930s and ’40s. Johnson thrived as a charismatic leader, using the connections he built up as an athlete and dancer to create alliances between communist organizations and a cross-section of the Black community. In his memoir, Johnson also exposes the homoerotic tourism that was a feature of Harlem’s nightlife in the 1930s. Some of America’s leading white literary, musical, and artistic figures were attracted to Harlem not only for the community’s artistic creativity but to engage in illicit sex—gay and straight—with their Black counterparts. A Dancer in the Revolution is an invaluable contribution to the literature on Black political thought and pragmatism. It reveals the unique place that Black dancers and artists hold in civil rights pursuits and anti-racism campaigns in the United States and beyond. Moreover, the life of “Stretch” Johnson illustrates how political activism engenders not only social change but also personal fulfillment, a realization of dreams not deferred but rather pursued and achieved. Johnson’s journey bears witness to critical periods and events that shaped the Black condition and American society in the process.


Dancing with the Revolution

Dancing with the Revolution
Author: Elizabeth B. Schwall
Publisher: UNC Press Books
Total Pages: 319
Release: 2021-04-06
Genre: Social Science
ISBN: 1469662981

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Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.


A Revolution in Movement

A Revolution in Movement
Author: K. Mitchell Snow
Publisher: University Press of Florida
Total Pages: 284
Release: 2022-11-29
Genre: Art
ISBN: 0813072735

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Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.


Revolutionary Bodies

Revolutionary Bodies
Author: Emily Wilcox
Publisher: University of California Press
Total Pages: 322
Release: 2018-10-23
Genre: Social Science
ISBN: 0520300572

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.


Madame Saqui

Madame Saqui
Author: Lisa Robinson
Publisher: Schwartz & Wade
Total Pages: 40
Release: 2020-03-24
Genre: Juvenile Nonfiction
ISBN: 0525579990

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A stunning picture book biography about the tightrope walker who dazzled Paris as she danced across the sky with impeccable balance and unparalleled skill during the French Revolution. In revolutionary France, a girl named Marguerite Lalanne longed to perform above large crowds on a tightrope, just like her acrobatic parents. Sneaking off to the fairgrounds for secret tightrope walking lessons, Marguerite finessed her performance skills, ultimately performing for crowds as a young rope dancer. And eventually, Marguerite would perform as Madame Saqui, waltzing and pirouetting across- and never falling off- countless ropes above adoring crowds. A nouvelle chérie de Paris, Madame Saqui cemented her place in circus history, winning the adoration of the French people and royalty alike, including Emperor Napoleon Bonaparte. This remarkable biography unveils the inspiring story of a trailblazing woman who revolutionized the circus world-- without ever missing a step.


Dancing with Cuba

Dancing with Cuba
Author: Alma Guillermoprieto
Publisher: Vintage
Total Pages: 306
Release: 2007-12-18
Genre: Biography & Autobiography
ISBN: 0307425444

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In 1970 a young dancer named Alma Guillermoprieto left New York to take a job teaching at Cuba’s National School of Dance. For six months, she worked in mirrorless studios (it was considered more revolutionary); her poorly trained but ardent students worked without them but dreamt of greatness. Yet in the midst of chronic shortages and revolutionary upheaval, Guillermoprieto found in Cuba a people whose sense of purpose touched her forever. In this electrifying memoir, Guillermoprieto–now an award-winning journalist and arguably one of our finest writers on Latin America– resurrects a time when dancers and revolutionaries seemed to occupy the same historical stage and even a floor exercise could be a profoundly political act. Exuberant and elegiac, tender and unsparing, Dancing with Cuba is a triumph of memory and feeling.


A Dancer in the Revolution

A Dancer in the Revolution
Author: Howard Eugene Johnson
Publisher: Fordham Univ Press
Total Pages: 210
Release: 2014-04-01
Genre: Biography & Autobiography
ISBN: 0823256553

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A Cotton Club dancer and Communist Party leader shares the story of his life in arts and activism from the Harlem Renaissance through the Civil Rights Era. Through his extraordinary life, Howard “Stretch” Johnson epitomized the generation of African Americans who broke through boundaries to make the United States more democratic. In this lively and engaging memoir, Johnson traces his path to becoming a dancer in Harlem’s historic Cotton Club, a communist youth leader and, later, a professor of Black studies. A Dancer in the Revolution is a powerful story of Black resilience and triumph, as well as a window into Harlem’s neighborhood life, culture, and politics from the 1930s to the 1970s. Johnson thrived as a leader in the Harlem Communist Party, using his connections as a dancer to forge alliances between the party and the Black community. But Johnson also exposes another—often ignored—aspect of Harlem life: the homoerotic tourism that flourished there in the 1930s. Johnson’s journey bears witness to critical times and events that shaped the Black condition and American society in the process. It also illustrates how political activism can be a powerful force, not only for social change, but also personal fulfillment.


Dancing Revolution

Dancing Revolution
Author: Christopher J. Smith
Publisher: University of Illinois Press
Total Pages: 0
Release: 2019-05-15
Genre: Performing Arts
ISBN: 9780252042393

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Throughout American history, patterns of political intent and impact have linked the wide range of dance movements performed in public places. Groups diverse in their cultural or political identities, or in both, long ago seized on street dancing, marches, open-air revival meetings, and theaters, as well as in dance halls and nightclubs, as a tool for contesting, constructing, or reinventing the social order. Dancing Revolution presents richly diverse case studies to illuminate these patterns of movement and influence in movement and sound in the history of American public life. Christopher J. Smith spans centuries, geographies, and cultural identities as he delves into a wide range of historical moments. These include the God-intoxicated public demonstrations of Shakers and Ghost Dancers in the First and Second Great Awakenings; creolized antebellum dance in cities from New Orleans to Bristol; the modernism and racial integration that imbued twentieth-century African American popular dance; the revolutionary connotations behind images of dance from Josephine Baker to the Marx Brothers; and public movement's contributions to hip hop, antihegemonic protest, and other contemporary transgressive communities’ physical expressions of dissent and solidarity. Multidisciplinary and wide-ranging, Dancing Revolution examines how Americans turned the rhythms of history into the movement behind the movements.


Balanchine & the Lost Muse

Balanchine & the Lost Muse
Author: Elizabeth Kendall
Publisher: Oxford University Press
Total Pages: 336
Release: 2013-06-07
Genre: Music
ISBN: 0199989516

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Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova. Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.


Dancing in Damascus

Dancing in Damascus
Author: miriam cooke
Publisher: Taylor & Francis
Total Pages: 136
Release: 2016-10-04
Genre: Social Science
ISBN: 1315532921

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On March 17, 2011, many Syrians rose up against the authoritarian Asad regime that had ruled them with an iron fist for forty years. Initial successes were quickly quashed, and the revolution seemed to devolve into a civil war pitting the government against its citizens and extremist mercenaries. As of late 2015, almost 300,000 Syrians have been killed and over half of a total population of 23 million forced out of their homes. Nine million are internally displaced and over four million are wandering the world, many on foot or in leaky boats. Countless numbers have been disappeared. These shocking statistics and the unstoppable violence notwithstanding, the revolution goes on. The story of the attempted crushing of the revolution is known. Less well covered has been the role of artists and intellectuals in representing to the world and to their people the resilience of revolutionary resistance and defiance. How is it possible that artists, filmmakers and writers have not been cowed into numbed silence but are becoming more and more creative? How can we make sense of their insistence that despite the apocalypse engulfing the country their revolution is ongoing and that their works participate in its persistence? With smartphones, pens, voices and brushes, these artists registered their determination to keep the idea of the revolution alive. Dancing in Damascus traces the first four years of the Syrian revolution and the activists’ creative responses to physical and emotional violence.