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A Companion to the Works of Alfred Döblin

A Companion to the Works of Alfred Döblin
Author: Roland Dollinger
Publisher: Boydell & Brewer
Total Pages: 326
Release: 2010
Genre: Literary Criticism
ISBN: 1571134603

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A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers.


Berlin Alexanderplatz

Berlin Alexanderplatz
Author: Alfred Döblin
Publisher: A&C Black
Total Pages: 410
Release: 2004-01-01
Genre: Philosophy
ISBN: 9780826477897

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Alfred Döblin (1878-1957) studied medicine in Berlin and specialized in the treatment of nervous diseases. Along with his experiences as a psychiatrist in the workers' quarter of Berlin, his writing was inspired by the work of Holderlin, Schopenhauer and Nietzsche and was first published in the literary magazine, Der Sturm. Associated with the Expressionist literary movement in Germany, he is now recognized as on of the most important modern European novelists. Berlin Alexanderplatz is one of the masterpieces of modern European literature and the first German novel to adopt the technique of James Joyce. It tells the story of Franz Biberkopf, who, on being released from prison, is confronted with the poverty, unemployment, crime and burgeoning Nazism of 1920s Germany. As Franz struggles to survive in this world, fate teases him with a little pleasure before cruelly turning on him. Foreword by Alexander Stephan Translated by Eugene Jolas>


Alfred Döblin

Alfred Döblin
Author: Steffan Davies
Publisher: Walter de Gruyter
Total Pages: 431
Release: 2009-10-28
Genre: Literary Criticism
ISBN: 3110217708

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Döblin’s texts, which range widely across contemporary discourses, are paradigms of the encounter between literary and scientific modernity. With their use of ‛Tatsachenphantasie’, they explode conventional language, seeking a new connection with the world of objects and things. This volume reassesses and reevaluates the uniquely interdisciplinary quality of Döblin’s interdiscursive, factually-inspired poetics by offering challenging new perspectives on key works. The volume analyses not only some of Döblin’s best-known novels and stories, but also neglected works including his early medical essays, political journalism and autobiographical texts. Other topics addressed are Döblin’s engagement with German history; his relation to medical discourse; his topography of Berlin; his aestheticisation of his own biography and his relation to other major writers such as Heine, Benn, Brecht and Sebald. With contributions in English and in German by scholars from Germany and the United Kingdom, the volume presents insights into Döblin that are of value to advanced researchers and to students alike.


Redeeming Words

Redeeming Words
Author: David Michael Kleinberg-Levin
Publisher: SUNY Press
Total Pages: 386
Release: 2013-11-01
Genre: Literary Criticism
ISBN: 1438447817

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Probing study of how literature can redeem the revelatory, redemptive powers of language. In this probing look at Alfred Döblin’s 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.


A Companion to the Literature of German Expressionism

A Companion to the Literature of German Expressionism
Author: Neil H. Donahue
Publisher: Camden House
Total Pages: 392
Release: 2005
Genre: Literary Criticism
ISBN: 1571131752

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New essays examining the complex period of rich artistic ferment that was German literary Expressionism.


Bright Magic

Bright Magic
Author: Alfred Doblin
Publisher: New York Review of Books
Total Pages: 241
Release: 2016-10-25
Genre: Fiction
ISBN: 1590179749

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Alfred Döblin’s many imposing novels, above all Berlin Alexanderplatz, have established him as one of the titans of modern German literature. This collection of his stories —astonishingly, the first ever to appear in English—shows him to have been a master of short fiction too. Bright Magic includes all of Döblin’s first book, The Murder of a Buttercup, a work of savage brilliance and a landmark of literary expressionism, as well as two longer stories composed in the 1940s, when he lived in exile in Southern California. The early collection is full of mind-bending and sexually charged narratives, from the dizzying descent into madness that has made the title story one of the most anthologized of German stories to “She Who Helped,” where mortality roams the streets of nineteenth-­century Manhattan with a white borzoi and a quiet smile, and “The Ballerina and the Body,” which describes a terrible duel to the death. Of the two later stories, “Materialism, A Fable,” in which news of humanity’s soulless doctrines reaches the animals, elements, and the molecules themselves, is especially delightful.


Weimar on the Pacific

Weimar on the Pacific
Author: Ehrhard Bahr
Publisher: Univ of California Press
Total Pages: 384
Release: 2008-08-08
Genre: Art
ISBN: 0520257952

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In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.


A People Betrayed

A People Betrayed
Author: Alfred Döblin
Publisher: New York, N.Y. : Fromm International Publishing Corporation
Total Pages: 668
Release: 1983
Genre: Fiction
ISBN:

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Set in Berlin after Germany's defeat in World War I, Doblin makes vividly real the public and private dramas of a nation on the brink of revolution. He brings to life a fascinating cast of characters that includes both the makers of history and the historically anonymous.


Form and Meaning in Avant-Garde Collage and Montage

Form and Meaning in Avant-Garde Collage and Montage
Author: Magda Dragu
Publisher: Routledge
Total Pages: 257
Release: 2020-02-06
Genre: Art
ISBN: 1000026221

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This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.


Reluctant Skeptic

Reluctant Skeptic
Author: Harry T. Craver
Publisher: Berghahn Books
Total Pages: 294
Release: 2017-02-01
Genre: History
ISBN: 178533459X

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The journalist and critic Siegfried Kracauer is best remembered today for his investigations of film and other popular media, and for his seminal influence on Frankfurt School thinkers like Theodor Adorno. Less well known is his earlier work, which offered a seismographic reading of cultural fault lines in Weimar-era Germany, with an eye to the confrontation between religious revival and secular modernity. In this discerning study, historian Harry T. Craver reconstructs and richly contextualizes Kracauer’s early output, showing how he embodied the contradictions of modernity and identified the quasi-theological impulses underlying the cultural ferment of the 1920s.