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A Catalogue of Durham Cathedral Music Manuscripts

A Catalogue of Durham Cathedral Music Manuscripts
Author: Durham Cathedral
Publisher: Oxford University Press, USA
Total Pages: 346
Release: 1986
Genre: Language Arts & Disciplines
ISBN:

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The organ books and part-books used in Durham Cathedral over the centuries form the greatest part of this collection, those from the early seventeenth century being particularly well known and of special interest to music scholars and historians. In addition, instrumental music is significantly represented here in the donations made by Philip Falle (1656-1742) and Richard Fawcett (1714-1782), both prebendaries of the cathedral.


Durham Cathedral Library

Durham Cathedral Library
Author: Durham Cathedral. Library
Publisher:
Total Pages:
Release: 1964
Genre:
ISBN:

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Purcell Manuscripts

Purcell Manuscripts
Author: Robert Shay
Publisher: Cambridge University Press
Total Pages: 380
Release: 2006-11-02
Genre: Music
ISBN: 9780521028110

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Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.


Music in North-east England, 1500-1800

Music in North-east England, 1500-1800
Author: Stephanie Carter
Publisher: Boydell & Brewer
Total Pages: 343
Release: 2020
Genre: History
ISBN: 1783275413

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This collection situates the North-East within a developing nationwide account of British musical culture.


Music Preferred

Music Preferred
Author: Lorraine Byrne Bodley
Publisher: Hollitzer Wissenschaftsverlag
Total Pages: 1000
Release: 2018-05-28
Genre: Music
ISBN: 399012403X

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The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe. But for all its variety, this volume is built around two axes: on the one hand, attention is focussed on the history of music and literature in Ireland and the British Isles, and on the other, topics of the German and Austrian musical past. In both cases it reflects the particular interest of a scholar, whose playful, sometimes unconventional way of approaching his subject is so refreshing and time and again leads to innovative, surprising insights. It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the 'Austro-Italian Baroque', and Irish musical culture first and foremost. An international cast of authors announces the sustaining influence of Harry White's wide-ranging research. Professor Dr Thomas Hochradner Chair of the Department of Musicology University of Music and Dramatic Arts Mozarteum Salzburg


Music in the British Provinces, 1690–1914

Music in the British Provinces, 1690–1914
Author: Peter Holman
Publisher: Routledge
Total Pages: 428
Release: 2017-07-05
Genre: Music
ISBN: 1351557327

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The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.