6 Concertos
Author | : William D. Gudger |
Publisher | : A-R Editions, Inc. |
Total Pages | : 90 |
Release | : 1981-01-01 |
Genre | : Concertos |
ISBN | : 0895791595 |
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Author | : William D. Gudger |
Publisher | : A-R Editions, Inc. |
Total Pages | : 90 |
Release | : 1981-01-01 |
Genre | : Concertos |
ISBN | : 0895791595 |
Author | : Charles Avison |
Publisher | : |
Total Pages | : 134 |
Release | : 1751 |
Genre | : Concerti grossi |
ISBN | : |
Author | : Charles Avison |
Publisher | : |
Total Pages | : 106 |
Release | : 1769 |
Genre | : Concerti grossi |
ISBN | : |
Author | : John BINNS (Bookseller.) |
Publisher | : |
Total Pages | : 196 |
Release | : 1789 |
Genre | : |
ISBN | : |
Author | : William Felton |
Publisher | : |
Total Pages | : 56 |
Release | : 1755 |
Genre | : Concerto |
ISBN | : |
Author | : Johann Sebastian Bach |
Publisher | : Courier Corporation |
Total Pages | : 196 |
Release | : 1997-01-01 |
Genre | : Music |
ISBN | : 9780486297958 |
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
Author | : C. R. F. Maunder |
Publisher | : Boydell Press |
Total Pages | : 304 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781843830719 |
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author | : Frederic Barclay Emery |
Publisher | : |
Total Pages | : 704 |
Release | : 1928 |
Genre | : Composers |
ISBN | : |
Author | : John Henry Mee |
Publisher | : London : J. Lane ; New York : John Lane |
Total Pages | : 316 |
Release | : 1911 |
Genre | : Concerts |
ISBN | : |
The Holywell room.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 1064 |
Release | : 1975 |
Genre | : Subject headings |
ISBN | : |