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30 Great Myths about Shakespeare

30 Great Myths about Shakespeare
Author: Laurie Maguire
Publisher: John Wiley & Sons
Total Pages: 224
Release: 2013-01-22
Genre: Literary Criticism
ISBN: 0470658509

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Think you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating new book evaluates all the evidence to show how historical material—or its absence—can be interpreted and misinterpreted, and what this reveals about our own personal investment in the stories we tell.


30 Great Myths about the Romantics

30 Great Myths about the Romantics
Author: Duncan Wu
Publisher: John Wiley & Sons
Total Pages: 342
Release: 2015-03-09
Genre: Literary Criticism
ISBN: 1118843185

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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work


Shakespeare and the Stars

Shakespeare and the Stars
Author: Priscilla Costello
Publisher: Nicolas-Hays, Inc.
Total Pages: 552
Release: 2016-03-15
Genre: Body, Mind & Spirit
ISBN: 089254631X

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To celebrate the 400th anniversary of Shakespeare’s death, this book offers fresh and exciting insights into the ever-popular works of the world’s greatest playwright. It specifically highlights Shakespeare’s use of the archetypal language of astrological symbolism in both obvious and subtle ways. Such references would have been commonly known in Shakespeare’s time, but their deeper significance is lost to modern-day playgoers and readers. The first half of the book describes the Elizabethan worldview and how the seven known planets were considered an integral part of the cosmos and instrumental in shaping human character. The second half of the book examines six of Shakespeare’s best-loved plays in the light of astrological symbolism, showing how they are entirely keyed to a specific zodiacal sign and its associated (or ruling) planet. The chosen plays are A Midsummer Night’s Dream, Romeo and Juliet, The Merchant of Venice, Macbeth, The Tempest, and King Lear. Each chapter incorporates information and examples from astrological tradition, classical and Renaissance philosophy, Greek and Roman mythology, esoteric wisdom, modern psychology (especially that of C. G. Jung), and great literature. Thoroughly researched and well-illustrated, this book illuminates the plays from a fresh perspective that will deepen and profoundly transform how we understand them.


Playfulness in Shakespearean Adaptations

Playfulness in Shakespearean Adaptations
Author: Marina Gerzic
Publisher: Routledge
Total Pages: 258
Release: 2020-04-30
Genre: Literary Criticism
ISBN: 1000073122

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Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.


Joss Whedon as Shakespearean Moralist

Joss Whedon as Shakespearean Moralist
Author: J. Douglas Rabb
Publisher: McFarland
Total Pages: 224
Release: 2014-11-26
Genre: Biography & Autobiography
ISBN: 1476617864

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Drawing on the works of Shakespeare and American screenwriter Joss Whedon, this study in narrative ethics contends that Whedon is the Shakespeare of our time. The Bard wrote before the influence of the modern moral philosophers, while Whedon is writing in the postmodern period. It is argued that Whedon's work is more in harmony with the early modern values of Shakespeare than with modern ethics, which trace their origin to 17th and 18th century moral philosophy. This study includes a detailed discussion of representative works of Shakespeare and Whedon, showing how they can and should be read as forms of narrative ethics.


30 Great Myths about Chaucer

30 Great Myths about Chaucer
Author: Thomas A. Prendergast
Publisher: John Wiley & Sons
Total Pages: 226
Release: 2020-04-21
Genre: Literary Criticism
ISBN: 1119194059

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The facts and fictions that continue to shape our understanding of Chaucer and his place in literary tradition Is Chaucer the father of English literature? The first English poet? Was he a feminist? A political opportunist? A spy? Is Chaucer’s language too difficult for modern readers? 30 Great Myths about Chaucer explores the widely held ideas and opinions about the medieval poet, discussing how ‘myths’ have influenced Chaucer’s reception history and interpretations of his poetry through the centuries. This unique text offers original insights on the character of Chaucer, the nature of his works, the myths that inform our conceptions of Chaucer, and the underlying causes of these myths. Each accessible and engaging chapter focuses on a specific myth, including those surrounding Chaucer’s romantic life, political leanings, religious views, personal struggles, financial challenges, ideas about chivalry, representations of social class, and many others. More than simply correcting inaccurate facts or clarifying common misconceptions about Chaucer, the text delves deeper to address how the myths have shaped the critical interpretation and enduring literary legacy of Chaucer. This innovative volume: Explores how generations of readers continue to shape understanding of Chaucer Highlights the intersection of medievalism and Chaucer studies Helps readers detach myths about Chaucer from critical readings of his works Examines whether myths about Chaucer are based on historical fact or literary interpretation Discusses the history of reading Chaucer in contexts of biography, criticism, and popular culture 30 Great Myths about Chaucer is an indispensable resource for academics, researchers, graduate students, upper-level undergraduates, and general readers with interest in Chaucer and early English and Middle Ages literature.


The Fictional Lives of Shakespeare

The Fictional Lives of Shakespeare
Author: Kevin Gilvary
Publisher: Routledge
Total Pages: 246
Release: 2017-12-12
Genre: Literary Criticism
ISBN: 1351186051

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Modern biographies of William Shakespeare abound; however, close scrutiny of the surviving records clearly show that there is insufficient material for a cradle to grave account of his life, that most of what is written about him cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until long after Samuel Schoenbaum published William Shakespeare A Documentary Life in 1975. This study begins with a short survey of the history and practice of biography and then surveys the very limited biographical material for Shakespeare. Although Shakespeare gradually attained the status as a national hero during the seventeenth and eighteenth centuries, there were no serious attempts to reconstruct his life. Any attempt at an account of his life or personality amounts, however, merely to "biografiction". Modern biographers differ sharply on Shakespeare’s apparent relationships with Southampton and with Jonson, which merely underlines the fact that the documentary record has to be greatly expanded through contextual description and speculation in order to appear like a Life of Shakespeare.


Shakespeare’s Props

Shakespeare’s Props
Author: Sophie Duncan
Publisher: Routledge
Total Pages: 470
Release: 2019-01-30
Genre: Literary Criticism
ISBN: 1351967606

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Cognitive approaches to drama have enriched our understanding of Early Modern playtexts, acting and spectatorship. This monograph is the first full-length study of Shakespeare’s props and their cognitive impact. Shakespeare’s most iconic props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull Hamlet. One reason for stage properties’ neglect by cognitive theorists may be the longstanding tendency to conceptualise props as detachable body parts: instead, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare’s characters offload, reveal and intervene in each other’s cognition, illuminating and extending their affect. Shakespeare’s props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters’ minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet’s Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The monograph illuminates Shakespeare’s exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history reveal how props both carry audience affect and reveal cultural priorities: some accrue cultural memories, while others decay and are forgotten as detritus of the stage.


The Fact or Fiction Behind Shakespeare

The Fact or Fiction Behind Shakespeare
Author: Kay Barnham
Publisher: Gareth Stevens Publishing LLLP
Total Pages: 98
Release: 2015-12-15
Genre: Juvenile Nonfiction
ISBN: 1482442779

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William Shakespeare wrote some of the most famous plays in history, but there is plenty of misinformation about his life and times. This book dives into those so-called “facts” and discovers what’s real and what’s fake with entertaining ease. Did Shakespeare really burn down the Globe Theatre? Did he write all of his plays on his own? Brilliant fact boxes help provide historical context to Shakespeare’s life and works, while “The Bard’s Best Bits” add Shakespeare quotes and phrases we still use in everyday life to this day.


Tales from Shakespeare

Tales from Shakespeare
Author: Graham Holderness
Publisher: Cambridge University Press
Total Pages: 263
Release: 2014-07-03
Genre: Drama
ISBN: 1107071291

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Combines the critical and the creative, looking at the collisions that arise when Shakespeare texts are recreated in contemporary contexts.