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| Author | : Catherine de Zegher |
| Publisher | : Yale University Press |
| Total Pages | : 244 |
| Release | : 2005-06-11 |
| Genre | : Art |
| ISBN | : 9780300108262 |
An engaging look at three women artists' pathbreaking explorationof abstraction
| Author | : M. Catherine de Zegher |
| Publisher | : |
| Total Pages | : 230 |
| Release | : 2005 |
| Genre | : Drawing |
| ISBN | : |
| Author | : Jane Tormey |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 129 |
| Release | : 2011-02-03 |
| Genre | : Art |
| ISBN | : 0857718266 |
An exhibition in book form, this showcase of the best of drawing now features one hundred works by almost fifty artists including Susan Hauptman, Paul Noble, Jeff Gabel, Tracey Emin, Jane Harris, Julia Fish, Cornelia Parker and Jerwood Drawing Prize winner Sarah Woodfine. Carefully 'curated' with many new drawings specifically commissioned for the volume, the book also includes an Introduction by the Editors which lays out the themes underpinning this diverse and exciting selection of work. With a revival of interest in drawing in recent years, "Drawing Now" is a timely collection of the work of artists intent on giving a contemporary twist to the most traditional of forms.
| Author | : Yasmil Raymond |
| Publisher | : Lulu.com |
| Total Pages | : 98 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 0935640959 |
Published on the occasion of an exhibition held at the Walker Art Center. Minneapolis, Minn., Feb. 27-May 23, 2010.
| Author | : Mura, Gianluca |
| Publisher | : IGI Global |
| Total Pages | : 330 |
| Release | : 2010-11-30 |
| Genre | : Social Science |
| ISBN | : 1609600797 |
The concept of virtual worlds is strongly related to the current innovations of new media communication.ÿ As such, it is increasingly imperative to understand the criteria for creating virtual worlds as well as the evolution in system architecture, information visualization and human interaction. Meta-plasticity in Virtual Worlds: Aesthetics and Semantics Concepts provides in-depth coverage of the state-of-the-art among the best international research experiences of virtual world concept creations from a wide range of media culture fields, at the edge of artistic and scientific inquiry and emerging technologies. Written for professionals, researchers, artists and designers, this text is a perfect companion for those who want to improve their understanding of the strategic role of virtual worlds within the development of digital communication.
| Author | : Jodi Hauptman |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 236 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780870706646 |
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
| Author | : Kelly Chorpening |
| Publisher | : John Wiley & Sons |
| Total Pages | : 550 |
| Release | : 2020-11-10 |
| Genre | : Art |
| ISBN | : 1119194563 |
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
| Author | : Marsha Meskimmon |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 195 |
| Release | : 2016-03-24 |
| Genre | : Art |
| ISBN | : 0857729128 |
Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women artists, scholars, critics and curators and the wide acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. Drawing Difference argues that these developments did not occur in parallel simply by coincidence. Rather, the intimate interplay between drawing and feminism is best characterised as allotropic a term originating in chemistry that describes a single pure element which nevertheless assumes varied physical structures, denoting the fundamental affinities which underlie apparently differing material forms. The book takes as its starting point three works from the 1970s by Annette Messager, Dorothea Rockburne and Carolee Schneeman, that are used to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. Throughout the chapters, these works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Their works are shown to be (re)iterative sites where mark-making differs with each appearance yet retains certain essential features. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism."
| Author | : Philippe Murillo |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 354 |
| Release | : 2013-11-25 |
| Genre | : History |
| ISBN | : 1443854441 |
The history of science provides numerous examples of the way in which imagination, religion and mythology have sometimes helped and sometimes hindered scientific progress. While established ideas and beliefs clearly held back the discoveries of Copernicus, Galileo and Darwin, the intuitive knowledge found in mythology, art and religion has often proved useful in indicating new ways in which to explore or represent new knowledge of the world. Stories, fables and images have contributed to drawing a fuller picture of the past, understanding the present and imagining the future. The essays in this book, written by academics, writers and artists from various fields ranging from La Fontaine’s fables to nanotechnology and modern art, all point out the ways in which imagination works its way into all the fields of knowledge. At both ends of the spectrum, the hybrid nature of the chimera emerges as a pivotal symbol of both man’s predation instinct and a powerful symbol of his fear of extinction. This interdisciplinary book, weaving together visual representation, literature, mysticism, and science, will appeal to historians of science, philosophy, art and religion. It will also be of interest to scholars in cultural studies and anthropology. Drawing on recent scientific research and artistic production, the volume will additionally interest a wider audience wishing to learn more about man’s obsession and fascination with the potent symbolism of dinosaurs and dragons and all hybrid forms generated by the human imagination and recent technology.
| Author | : Hilma af Klint |
| Publisher | : Simon and Schuster |
| Total Pages | : 60 |
| Release | : 2023-05-09 |
| Genre | : Art |
| ISBN | : 1644230844 |
The first detailed survey of Swedish artist Hilma af Klint’s groundbreaking Tree of Knowledge series “Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —The New York Times One of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner, New York, in 2021 and David Zwirner, London, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and Native theories, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.
