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Three String Quartets, Op. 150

Three String Quartets, Op. 150
Author: Ferdinand Ries
Publisher: A-R Editions, Inc.
Total Pages: 191
Release:
Genre: Music
ISBN: 1987208307

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Though often remembered primarily for his published recollections about his famous teacher Beethoven, Ferdinand Ries (1784–1838) was an accomplished composer in his own right. Among his many works are twenty-seven string quartets composed between the years of 1795 and 1834. His Three String Quartets, Op. 150, first published by Nikolaus Simrock in Bonn in 1828, evince his considerable imagination and skill. While these quartets borrow elements from the then-popular quatuor brillant style, Ries’s careful attention to motivic organization and polyphonic writing elevates these works to a higher level of artistic sophistication. While technically brilliant writing for the first violin remains at the forefront in Quartet no. 3, Quartets nos. 1 and 2 reveal more complex formal processes and better integration of their virtuosic first violin parts. In this volume, Quartets nos. 1 and 3 have been carefully edited based on the composer’s autographs, while Quartet no. 2, the autograph of which is now lost, is based on the original Simrock print.


String Quartets for Beginning Ensembles, Vol 1

String Quartets for Beginning Ensembles, Vol 1
Author:
Publisher: Alfred Music Publishing
Total Pages: 32
Release: 2001-04
Genre: Music
ISBN: 9780874872811

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Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method(R) repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F. J. Gossec).


The Four and the One

The Four and the One
Author: David Rounds
Publisher:
Total Pages: 222
Release: 1999
Genre: Biography & Autobiography
ISBN:

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Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.


Three String Quartets, Opus 5

Three String Quartets, Opus 5
Author: Peter Hänsel
Publisher: A-R Editions, Inc.
Total Pages: 124
Release: 2008-01-01
Genre: Music
ISBN: 9780895796462

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Complete String Quartets

Complete String Quartets
Author: Peter Ilyitch Tchaikovsky
Publisher: Courier Corporation
Total Pages: 243
Release: 1994-01-01
Genre: Music
ISBN: 048628333X

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Although the string quartet was a rarely used form in 19th-century Russia, Tchaikovsky and Borodin both produced superb, inventive compositions in the genre. Tchaikovsky's "String Quartet No. 1" in D, Op. 11, is notable for its imaginative freshness and world-famous "Andante cantabile" movement. His "Quartet No. 2" in F, Op. 22, displays remarkable fluency and skilled craftsmanship, while "Quartet No. 3" in F-flat Minor, Op. 30, combines austerity with deeply felt intensity and vigor. Borodin's two string quartets are characterized by his impeccable craftsmanship and expert understanding and use of his instruments. The popular "String Quartet" No. 2 is especially known for the luxuriant richness of its third movement "Nocturne." Now all five works are available in this handsome, inexpensive edition. Reprinted from authoritative scores.


3 string quartets

3 string quartets
Author: Nikolay Rimsky-Korsakov
Publisher:
Total Pages: 120
Release: 1983
Genre: String quartets
ISBN:

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String Quartets, Volume III, Op. 127, 130, 131,132, 133, 135

String Quartets, Volume III, Op. 127, 130, 131,132, 133, 135
Author: Ludwig van Beethoven
Publisher: Alfred Music
Total Pages: 312
Release:
Genre: Music
ISBN: 9781457472305

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Expertly arranged String Quartets by Ludwig van Beethoven from the Kalmus Edition series. This is from the Romantic and Classical eras.


String quartets Nos 1-3

String quartets Nos 1-3
Author: George Whitefield Chadwick
Publisher: A-R Editions, Inc.
Total Pages: 234
Release: 2006-01-01
Genre: Music
ISBN: 0895795876

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Pagination: xiii + 216 pp.


String quartets, op. 17

String quartets, op. 17
Author: Joseph Haydn
Publisher: Courier Corporation
Total Pages: 131
Release: 2000-01-01
Genre: Music
ISBN: 0486413942

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In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.


Three String Quartets, Op. 2

Three String Quartets, Op. 2
Author: Andreas Romberg
Publisher: A-R Editions, Inc.
Total Pages: 183
Release:
Genre: Music
ISBN: 1987208404

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The German composer and violin virtuoso Andreas Romberg (1767–1821) wrote extensively for the string quartet beginning in the 1790s. His earliest forays into the genre were greeted with enthusiastic approval from Joseph Haydn, to whom Romberg dedicated his Three String Quartets, Op. 2, composed between 1797 and 1799 and first published in 1802. Featuring extensive employment of contrapuntal writing and flexible handling of musical function, these quartets reveal Romberg to be a masterful and imaginative composer deserving of rediscovery. The original notation in these quartets has been carefully edited in this volume to encourage modern performers to exercise freedom in their interpretation of ornamentation, dynamics, and articulation. This edition is based on the composer’s autographs of Quartets nos. 1 and 3 and the original Simrock print of Quartet no. 2, the autograph of which is now lost.