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| Author | : Richard Pine |
| Publisher | : |
| Total Pages | : 322 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : |
Pine (editor, Broadcasting and Irish Society ) traces the origins of Radio +ireann, recounting the controversies and crises that accompanied the establishment of 2RN. He describes the scientific, political, and social context, the debates surrounding the idea, and the public reaction, as well as the
| Author | : Alvin Jackson |
| Publisher | : OUP Oxford |
| Total Pages | : 801 |
| Release | : 2014-03-27 |
| Genre | : History |
| ISBN | : 0191667595 |
The study of Irish history, once riven and constricted, has recently enjoyed a resurgence, with new practitioners, new approaches, and new methods of investigation. The Oxford Handbook of Modern Irish History represents the diversity of this emerging talent and achievement by bringing together 36 leading scholars of modern Ireland and embracing 400 years of Irish history, uniting early and late modernists as well as contemporary historians. The Handbook offers a set of scholarly perspectives drawn from numerous disciplines, including history, political science, literature, geography, and the Irish language. It looks at the Irish at home as well as in their migrant and diasporic communities. The Handbook combines sets of wide thematic and interpretative essays, with more detailed investigations of particular periods. Each of the contributors offers a summation of the state of scholarship within their subject area, linking their own research insights with assessments of future directions within the discipline. In its breadth and depth and diversity, The Oxford Handbook of Modern Irish History offers an authoritative and vibrant portrayal of the history of modern Ireland.
| Author | : Conor Heffernan |
| Publisher | : Springer Nature |
| Total Pages | : 290 |
| Release | : 2021-01-24 |
| Genre | : History |
| ISBN | : 3030637271 |
This book is the first to deal with physical culture in an Irish context, covering educational, martial and recreational histories. Deemed by many to be a precursor to the modern interest in health and gym cultures, physical culture was a late nineteenth and early twentieth century interest in personal health which spanned national and transnational histories. It encompassed gymnasiums, homes, classrooms, depots and military barracks. Prior to this work, physical culture’s emergence in Ireland has not received thorough academic attention. Addressing issues of gender, childhood, nationalism, and commerce, this book is unique within an Irish context in studying an Irish manifestation of a global phenomenon. Tracing four decades of Irish history, the work also examines the influence of foreign fitness entrepreneurs in Ireland and contrasts them with their Irish counterparts.
| Author | : Robert J. Savage |
| Publisher | : |
| Total Pages | : 118 |
| Release | : 1982 |
| Genre | : |
| ISBN | : |
| Author | : Mark Fitzgerald |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2016-04-29 |
| Genre | : Music |
| ISBN | : 131709249X |
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
| Author | : Donal P. Corcoran |
| Publisher | : Gill & Macmillan Ltd |
| Total Pages | : 206 |
| Release | : 2013-09-13 |
| Genre | : History |
| ISBN | : 0717157733 |
There is a huge library of books on the Irish revolutionary period but a dearth of material on the first ten years of independent Ireland. This book fills that gap in the literature. Freedom to Achieve Freedom reviews the processes of state-building and the policies adopted in all the major areas of government, paying particular attention to law and order, the creation of the Irish public service, land, health, education and the Irish language, as well as other areas of public policy. It is easy to forget that the establishment of a stable, democratic state in the circumstances in which Ireland found itself in 1922 was an achievement unique in Europe: all the other independent states that emerged from the rubble of World War I soon yielded to some form of authoritarian or fascist government. Considered in that light, the achievement of the founding fathers of the Irish state, so ably chronicled in this book, remains remarkable.
| Author | : Beatrice Doran |
| Publisher | : The History Press |
| Total Pages | : 227 |
| Release | : 2013-10-07 |
| Genre | : History |
| ISBN | : 0750955791 |
Donnybrook is one of the most iconic areas of South Dublin, a prosperous and peaceful suburb that is well-known as the being the heartland of Leinster Rugby. It derived its name, however, from the violence and carousing that were a regular feature of the area in the 1800s, and this book tells the story of the development and the journey from these inauspicious beginnings to its current form through a series of rare and beautifully produced photographs.
| Author | : Thomas Bartlett |
| Publisher | : Cambridge University Press |
| Total Pages | : 1010 |
| Release | : 2018-02-28 |
| Genre | : History |
| ISBN | : 1108605826 |
This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.
| Author | : Gearóid Ó hAllmhuráin |
| Publisher | : The O'Brien Press |
| Total Pages | : 143 |
| Release | : 2012-10-04 |
| Genre | : Music |
| ISBN | : 1847175082 |
The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.
| Author | : John Hill |
| Publisher | : John Wiley & Sons |
| Total Pages | : 605 |
| Release | : 2019-07-18 |
| Genre | : Performing Arts |
| ISBN | : 1118477510 |
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
