Eighteenth Biennale of Sydney
Author | : |
Publisher | : |
Total Pages | : 60 |
Release | : 2012 |
Genre | : Art, Modern |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 60 |
Release | : 2012 |
Genre | : Art, Modern |
ISBN | : |
Author | : M. Catherine de Zegher |
Publisher | : 18th Biennale of Sydney |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9780646571997 |
The most exciting contemporary visual arts event in the Asia-Pacific region, the 18th Biennale of Sydney, will take place from 27 June - 16 September 2012. This full-colour catalogue provides a comprehensive overview of the exhibition, its artists and the ideas that inform it.
Author | : |
Publisher | : |
Total Pages | : 61 |
Release | : 2012 |
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ISBN | : |
Author | : Anuradha Chatterjee |
Publisher | : Copal Publishing Group |
Total Pages | : 110 |
Release | : 2016-09-12 |
Genre | : Architecture |
ISBN | : 9383419164 |
Built, Unbuilt, and Imagined Sydney presents the expanded field of architecture. It aims to show that the practice of architecture exceeds the work legally defensible under the title of the architect. Besides the design and construction of buildings, the disciplinary field of architecture consists of exhibition and display; discussions and lectures; competitions and visions of new public domains; interactions between art and architecture in the form of installations, performances, and public art; and ideas on new directions for the practice of architecture. The book, therefore, places emphasis on practice as an intellectual activity, in addition to the definition of the term informed by business and legal parameters. It is seen as the meaningful exercise of social, political, and critical knowledge, skills, and mindset in an urban, spatial, and tectonic condition. The practice is also a public act, mediated, legitimated, and made meaningful through its articulation in various institutional, public, and mediatic realms. The book focuses on built and unbuilt works (residential, commercial, interiors, and so on) in Sydney, inclusive of public art, object or furniture design, key invited or public lectures, studios, current projects in making, competitions, collaborations, exhibitions, installations, and outreach work. The focus is on the innovative and the original¾not the ordinary or the purely commercial.
Author | : Arthur Maria Stein |
Publisher | : BRILL |
Total Pages | : 233 |
Release | : 2019-01-04 |
Genre | : Social Science |
ISBN | : 1848883285 |
Author | : Jessica Sjöholm Skrubbe |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 190 |
Release | : 2016-01-14 |
Genre | : Art |
ISBN | : 1443887382 |
Exhibitionary spaces and curatorial strategies ideologically frame the encounter between art and its publics. For more than forty years, feminist art curating, as a practice of art interpretation and a politics of display, has intersected with the diverse area of feminist art historical research and feminist artistic practices. It is only recently, however, that a theorization of feminist art curating and feminist exhibition histories as a specific field of knowledge has emerged.Curating Differently is a collection of essays that offers critical perspectives on, and analyses of, the intersections of feminisms, art exhibitions, and curatorial spaces from the 1970s onward. It brings together case studies from Australia, Israel, Europe, and North America that critically account for diverse strategies and interventions in curatorial space. The essays contribute with historical perspectives on feminist exhibition practices and curatorial models and first-hand accounts of feminist interventions within the art museum, as well as timely analyses of current intersections of feminisms within curating in the contemporary global art world.As a major contribution to the ongoing scholarly debate on the institutionalization of feminisms in art and its relative success, or failure, Curating Differently will provide new insights and provoke further discussion on the history and theory of feminist art exhibitions and curatorial spaces.
Author | : Natasha Lushetich |
Publisher | : Rowman & Littlefield |
Total Pages | : 228 |
Release | : 2018-12-11 |
Genre | : Art |
ISBN | : 1786606860 |
The collection comprises contributions from leading artist-theorists in the fields of necropolitics and tactical media, and from increasingly influential scholars of biomediality and urban performativity
Author | : Amy J. Elias |
Publisher | : Northwestern University Press |
Total Pages | : 311 |
Release | : 2015-04-30 |
Genre | : Philosophy |
ISBN | : 0810130742 |
A groundbreaking essay collection that pursues the rise of geoculture as an essential framework for arts criticism, The Planetary Turn shows how the planet—as a territory, a sociopolitical arena, a natural space of interaction for all earthly life, and an artistic theme—is increasingly the conceptual and political dimension in which twenty-first-century writers and artists picture themselves and their work. In an introduction that comprehensively defines the planetary model of art, culture, and cultural-aesthetic interpretation, the editors explain how the living planet is emerging as distinct from older concepts of globalization, cosmopolitanism, and environmentalism and is becoming a new ground for exciting work in contemporary literature, visual and media arts, and social humanities. Written by internationally recognized scholars, the twelve essays that follow illustrate the unfolding of a new vision of potential planetary community that retools earlier models based on the nation-state or political “blocs” and reimagines cultural, political, aesthetic, and ethical relationships for the post–Cold War era.
Author | : Richard Grusin |
Publisher | : U of Minnesota Press |
Total Pages | : 262 |
Release | : 2015-03-09 |
Genre | : Philosophy |
ISBN | : 1452943915 |
Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems. The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences. Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman. Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.
Author | : |
Publisher | : Satalyte Publishing |
Total Pages | : 297 |
Release | : 2014 |
Genre | : Art, Modern |
ISBN | : 9780957802315 |
Queen Ellyria just wants her sick triplet sons to live, each ruling over a third of the kingdom as their dying father wished. When she finds herself trapped in a deadly bargain with a Dark Spirit, she recruits a band of young mages to help - but a terrible curse takes over. The Dark Spirit befriends her enemies and seduces her friends, and Ellyria soon finds that famine, pestilence, betrayal and bereavement are all in its arsenal. Can Ellyria unite the elvish and mortal sides of her family and in so doing, save the kingdom?