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| Author | : Andrew Lamb |
| Publisher | : Yale University Press |
| Total Pages | : 400 |
| Release | : 2000-01-01 |
| Genre | : Music |
| ISBN | : 9780300075380 |
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
| Author | : Dennis McGovern |
| Publisher | : New York : Schirmer Books ; Toronto : Maxwell Macmillan Canada |
| Total Pages | : 280 |
| Release | : 1993 |
| Genre | : Music |
| ISBN | : |
One hundred fifty stars of the musical theatre remember fifty years on Broadway. Well known performers such as Katharine Hepburn, Lauren Bacall, and Tony Randall share their personal recollections of what it really feels like to perform on Broadway. Includes 42 never-before-published stage photographs.
| Author | : Nicholas Cook |
| Publisher | : Cambridge University Press |
| Total Pages | : 848 |
| Release | : 2004-08-05 |
| Genre | : Music |
| ISBN | : 9780521662567 |
Publisher Description
| Author | : Alan Jay Lerner |
| Publisher | : Da Capo Press |
| Total Pages | : 258 |
| Release | : 1989-08-21 |
| Genre | : Performing Arts |
| ISBN | : 9780306803642 |
| Author | : Ellen M. Peck |
| Publisher | : BROADWAY LEGACIES |
| Total Pages | : 193 |
| Release | : 2020 |
| Genre | : Librettists |
| ISBN | : 0190873582 |
"Rida Johnson Young (ca. 1869-1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, 500 songs, and four novels. Despite her extensive output, no significant study of her work has been produced. This book examines her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert"--
| Author | : Thomas S. Hischak |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2008-06-02 |
| Genre | : Performing Arts |
| ISBN | : 0199887322 |
From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.
| Author | : Thomas S. Hischak |
| Publisher | : Scarecrow Press |
| Total Pages | : 523 |
| Release | : 2011-02-18 |
| Genre | : Performing Arts |
| ISBN | : 0810877724 |
Although the venue Off Broadway has long been the birthplace of innovative and popular musicals, there have been few studies of these influential works. Long-running champs, such as The Fantasticks and Little Shop of Horrors, are discussed in many books about American musicals, but what of the hundreds of other Off-Broadway musicals? In Off-Broadway Musicals since 1919, Thomas Hischak looks at more than 375 musicals, which are described, discussed, and analyzed, with particular attention given to their books, scores, performers, and creators. Presented chronologically and divided into chapters for each decade, beginning with the landmark musical Greenwich Village Follies (1919), the book culminates with the satiric The Toxic Avenger (2009). In this volume, any work of consequence is covered, especially if it was popular or influential, but also dozens of more obscure musicals are included to illustrate the depth and breadth of Off Broadway. Works that introduced an important artistic talent, from performers to songwriters, are looked at, and the selection represents the various trends and themes that made Off Broadway significant. In addition to essential data about each musical, the plot and score are described, the success (or lack of) is chronicled, and an opinionated commentary discusses the work's merits and influences on the musical theatre in general. The first book of its kind, this highly readable volume will please both the theatre scholar and the average musical theatre patron or fan.
| Author | : William A. Everett |
| Publisher | : Cambridge University Press |
| Total Pages | : 503 |
| Release | : 2017-09-21 |
| Genre | : Music |
| ISBN | : 1107114748 |
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
| Author | : William A. Everett |
| Publisher | : Yale University Press |
| Total Pages | : 384 |
| Release | : 2008-10-01 |
| Genre | : Music |
| ISBN | : 0300138350 |
divdivHungarian-born composer Sigmund Romberg (1887–1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg’s key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s (Maytime, Blossom Time, The Student Prince), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s (The Desert Song, The New Moon), and looks at his reworked style of the 1940s (Up in Central Park). This book offers an illuminating look at Romberg’s Broadway career and legacy./DIV/DIV
| Author | : Robert Gordon |
| Publisher | : Oxford University Press |
| Total Pages | : 777 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0199988749 |
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.
