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101 Questions about Copyright Law

101 Questions about Copyright Law
Author: Andrew Alpern
Publisher: Courier Corporation
Total Pages: 68
Release: 2003-02-01
Genre: Reference
ISBN: 9780486425184

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Provides questions and answers on applying for copyright protection, guarding against copyright infringement, and learning important aspects of copyright laws.


United States Code

United States Code
Author: United States
Publisher:
Total Pages: 1508
Release: 1952
Genre: Law
ISBN:

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101 Questions about the Bible and Christianity Vol. 1

101 Questions about the Bible and Christianity Vol. 1
Author: Art Ayris
Publisher: Kingstone Media
Total Pages: 38
Release: 2011-08
Genre: Comics & Graphic Novels
ISBN: 1613280238

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Questions about Cain and Abel, aliens, dinosaurs, and life after death.


Character Creation and the Law

Character Creation and the Law
Author: Frank Kermit
Publisher: Lulu.com
Total Pages: 210
Release: 2008
Genre: Characters and characteristics in mass media
ISBN: 132966339X

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Digital Copyright

Digital Copyright
Author: Jessica Litman
Publisher: Prometheus Books
Total Pages: 216
Release:
Genre: Law
ISBN: 161592051X

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Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.


Music Copyright Basics

Music Copyright Basics
Author: Joel Leach
Publisher: Alfred Music
Total Pages: 44
Release:
Genre: Music
ISBN: 9781457418129

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What is copyright? This seemingly simple question often causes confusion with its complex answers. In Music Copyright Basics, professor and Expert Copyright Witness Joel Leach answers frequent questions in a straightforward, easy-to-use format. Whether you are searching for a simple answer to a common question or want a general knowledge of the copyright procedure, this book will quickly provide you with the information you want!


Don't Panic! a Legal Guide for Small Businesses and Creative Professionals

Don't Panic! a Legal Guide for Small Businesses and Creative Professionals
Author: Art Neill
Publisher:
Total Pages:
Release: 2016-06-24
Genre: Business & Economics
ISBN: 9780997656909

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Want to learn how to avoid legal issues for your business and creative projects? That's what Don't Panic! is all about. Learn to skillfully handle legal issues from the beginning to the moment (that hopefully doesn't happen) you get a nasty lawyer letter. You'll learn how to *Form Your Business*Protect Your Intellectual Property*Know the difference between employees and independent contractors*Understand insurance *Be smart when getting funded*Avoid problems when launching an App or Internet-Based Service.*License anything, and when to get permission.*Watch your back while you're making the deal*What to do next when you've gotten a nasty lawyer letter


Understanding Copyright Law

Understanding Copyright Law
Author: Marshall A. Leaffer
Publisher: LexisNexis/Matthew Bender
Total Pages: 652
Release: 1999
Genre: Law
ISBN:

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The primary focus of this comprehensive text is on the Copyright Act of 1976 & the developing case law in our digital age & networked environment. Copyright law is presented in its institutional, economic & historical contexts. Its relationship with other areas of intellectual property law is explored. explores the latest statutory changes, the Digital Millennium Copyright Act, & the Sonny Bono Term Extension Act recently passed by Congress. This highly effective text provides students with the necessary background & current doctrine to analyze copyright problems properly.


The Canadian Oral History Reader

The Canadian Oral History Reader
Author: Kristina R. Llewellyn
Publisher: McGill-Queen's Press - MQUP
Total Pages: 401
Release: 2015-06-01
Genre: History
ISBN: 0773583637

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Despite a long and rich tradition of oral history research, few are aware of the innovative and groundbreaking work of oral historians in Canada. For this first primer on the practices within the discipline, the editors of The Canadian Oral History Reader have gathered some of the best contributions from a diverse field. Essays survey and explore fundamental and often thorny aspects in oral history methodology, interpretation, preservation and presentation, and advocacy. In plain language, they explain how to conduct research with indigenous communities, navigate difficult relationships with informants, and negotiate issues of copyright, slander, and libel. The authors ask how people’s memories and stories can be used as historical evidence – and whether it is ethical to use them at all. Their detailed and compelling case studies draw readers into the thrills and predicaments of recording people’s most intimate experiences, and refashioning them in transcripts and academic analyses. They also consider how to best present and preserve this invaluable archive of Canadian memories. The Canadian Oral History Reader provides a rich resource for community and university researchers, undergraduate and graduate students, and independent scholars and documentarians, and serves as a springboard and reference point for global discussions about Canadian contributions to the international practice of oral history. Contributors include Brian Calliou (independent scholar), Elise Chenier (Simon Fraser University), Julie Cruikshank (University of British Columbia), Alexander Freund (University of Winnipeg), Steven High (Concordia University), Nancy Janovicek (University of Calgary), Jill Jarvis-Tonus (independent scholar), Kristina R. Llewellyn (Renison University College, University of Waterloo), Bronwen Low (McGill University), Claudia Malacrida (University of Lethbridge), Joy Parr (Western University), Joan Sangster (Trent University), Emmanuelle Sonntag (Université du Québec à Montréal), Pamela Sugiman (Toronto Metropolitan University), Winona Wheeler (University of Saskatchewan), and Stacey Zembrzycki (Concordia University).