100 Years of Australian Drawing
Author | : Andrew Sayers |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Drawing, Australian |
ISBN | : |
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Author | : Andrew Sayers |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Drawing, Australian |
ISBN | : |
Author | : Andrew Sayers |
Publisher | : HarperCollins Publishers |
Total Pages | : 168 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
Author | : National Art Gallery of New South Wales |
Publisher | : |
Total Pages | : 11 |
Release | : 1946 |
Genre | : Art, Australian |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 15 |
Release | : 1948 |
Genre | : Painting, Australian |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 11 |
Release | : 1945 |
Genre | : Art, Australian |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 2004 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 27 |
Release | : 2001 |
Genre | : Drawing |
ISBN | : |
Author | : Art Gallery of New South Wales |
Publisher | : |
Total Pages | : 15 |
Release | : 1948 |
Genre | : Painting, Australian |
ISBN | : |
Author | : Natalie Wilson |
Publisher | : |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Archibald Prize |
ISBN | : 9781741741582 |
A tribute to portraiture, as well as the artists and sitters, Archie 100: A Century of the Archibald Prize marks 100 years of Australia's oldest and most-loved annual portraiture award. Curator Natalie Wilson unearths fascinating stories behind more than 100 artworks representing every decade. Arranged thematically, these works reflect not just how artistic styles and approaches to portraiture have changed over time but, importantly, how the Archibald Prize reflects our society. Resulting from many years of research for lost portraits, Archie 100 includes paintings from the Art Gallery of New South Wales' collection as well as works from libraries, galleries and museums across Australia and Aotearoa New Zealand, and private Australian and international collections. Some have not been exhibited since they first were seen in the Archibald Prize. Archie 100 includes: A fascinating essay by Wilson on her quest to find Archibald portraits from the past 100 years and the difficult task of selecting 100 for the centenary exhibition Illustrations of each portrait and accompanying text A timeline of Archibald Prize landmarks Some fabulous facts and figures An index of artists and sitters
Author | : Christopher Allen |
Publisher | : John Wiley & Sons |
Total Pages | : 560 |
Release | : 2021-07-06 |
Genre | : Art |
ISBN | : 1118767950 |
A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.