10 Years of New Zealand Painting in Auckland, 1958-1967
Author | : Gordon H. Brown |
Publisher | : |
Total Pages | : 46 |
Release | : 1968 |
Genre | : Painting |
ISBN | : |
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Author | : Gordon H. Brown |
Publisher | : |
Total Pages | : 46 |
Release | : 1968 |
Genre | : Painting |
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Total Pages | : |
Release | : 1967 |
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Total Pages | : |
Release | : 1968 |
Genre | : Painting, New Zealand |
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Total Pages | : 34 |
Release | : 1968 |
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Total Pages | : 0 |
Release | : 1968 |
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Author | : Leonard Bell |
Publisher | : Auckland University Press |
Total Pages | : 616 |
Release | : 2020-08-27 |
Genre | : Biography & Autobiography |
ISBN | : 1776710649 |
For fifty years, Marti Friedlander (1928–2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, and actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.
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Total Pages | : 650 |
Release | : 1964 |
Genre | : American literature |
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Total Pages | : 170 |
Release | : 1970 |
Genre | : New Zealand |
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Author | : Harriet Atkinson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 321 |
Release | : 2022-12-01 |
Genre | : Design |
ISBN | : 1350088498 |
After World War II, museum and gallery exhibitions, industrial and trade fairs, biennials, triennials, festivals and world's fairs increasingly came to be used as locations for the exercise of "soft power," for displays of cultural diplomacy between nations and as spaces for addressing areas of social and political contestation. Exhibitions Beyond Boundaries opens with a substantial introduction to the key debates, followed by case studies that advance the field of exhibition histories both geographically and methodologically, focusing on postwar transnational exchange and the wider networks engendered through exhibitions. Chapters trace relations across Africa, Asia, Europe, the Middle East, the Pacific, and the United States of America, drawing on a range of approaches and perspectives, principally from art and design history but also from social, economic and political history, and museum studies. Featured case studies include the presentation of African-American Art at FESMAN '66 and FESTAC '77, the US's 1961 Small Industries Exhibition in Colombo, Israel's early appearances at the Venice Biennale, the Vatican Pavilion at the 1964-1965 New York World's Fair, and Hong Kong's Pavilion at Expo 70 in Tokyo.
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Total Pages | : 168 |
Release | : 1970 |
Genre | : New Zealand |
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