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Yishu

Yishu
Author:
Publisher:
Total Pages: 412
Release: 2009
Genre: Art, Chinese
ISBN:

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Chinese History and Culture

Chinese History and Culture
Author: Ying-shih Yü
Publisher: Columbia University Press
Total Pages: 441
Release: 2016-09-27
Genre: History
ISBN: 0231542003

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The recipient of the Kluge Prize for lifetime achievement in the humanities and the Tang Prize for "revolutionary research" in Sinology, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times? From Ying-shih Yü's perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals' discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 2 of Chinese History and Culture completes Ying-shih Yü's systematic reconstruction and exploration of Chinese thought over two millennia and its impact on Chinese identity. Essays address the rise of Qing Confucianism, the development of the Dai Zhen and Zhu Xi traditions, and the response of the historian Zhang Xuecheng to the Dai Zhen approach. They take stock of the thematic importance of Cao Xueqin's eighteenth-century masterpiece Honglou meng (Dream of the Red Chamber) and the influence of Sun Yat-sen's Three Principles of the People, as well as the radicalization of China in the twentieth century and the fundamental upheavals of modernization and revolution. Ying-shih Yü also discusses the decline of elite culture in modern China, the relationships among democracy, human rights, and Confucianism, and changing conceptions of national history. He reflects on the Chinese approach to history in general and the larger political and cultural function of chronological biographies. By situating China's modern encounter with the West in a wider historical frame, this second volume of Chinese History and Culture clarifies its more curious turns and contemplates the importance of a renewed interest in the traditional Chinese values recognizing common humanity and human dignity.


Provincial Patriots

Provincial Patriots
Author: Stephen R. Platt
Publisher: Harvard University Press
Total Pages: 294
Release: 2007-10-31
Genre: Biography & Autobiography
ISBN: 9780674026650

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From the Taiping Rebellion to the Chinese Communist movement, no province in China gave rise to as many reformers, military officers, and revolutionaries as did Hunan. Platt offers the first comprehensive study of why this province wielded such disproportionate influence.


School Music Education and Social Change in Mainland China, Hong Kong and Taiwan

School Music Education and Social Change in Mainland China, Hong Kong and Taiwan
Author: Wai-chung Ho
Publisher: BRILL
Total Pages: 273
Release: 2011
Genre: Psychology
ISBN: 9004189173

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This book compares, from a historical and sociopolitical perspective, the respective systems and contents of music education in mainland China, Hong Kong and Taiwan in response to globalization, localization and Sinificiation, with particular reference to Shanghai, Hong Kong and Taipei.


Provincial Passages

Provincial Passages
Author: Wen-hsin Yeh
Publisher: Univ of California Press
Total Pages: 569
Release: 2023-11-10
Genre: History
ISBN: 0520916328

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Revealing information that has been suppressed in the Chinese Communist Party's official history, Wen-hsin Yeh presents an insightful new view of the Party's origins. She moves away from an emphasis on Mao and traces Chinese Communism's roots to the country's culturally conservative agrarian heartland. And for the first time, her book shows the transformation of May Fourth radical youth into pioneering Communist intellectuals from a social and cultural history perspective. Yeh's study provides a unique description of the spatial dimensions of China's transition into modernity and vividly evokes the changing landscapes, historical circumstances, and personalities involved. The human dimension of this transformation is captured through the biography of Shi Cuntong (1899-1970), a student from the Neo-Confucian county of Jinhua who became a founding member of the Party. Yeh's in-depth analysis of the dynamics of change is combined with a compelling narrative of the moral dilemmas in the lives of Shi Cuntong and other early leaders. Using sources previously closed to scholars, including recently discovered documents in the archives of the First United Front, Yeh shows the urban Communist movement as an intellectual revolution in social consciousness. The Maoist legacy has often been associated with the excesses of the Cultural Revolution. Yeh's historical reconstruction of a pre-Mao, non-organizational dimension of Chinese socialism is thus of vital interest to those seeking to redefine the place of the Communist Party in a post-Mao political order.


A Garden of One’s Own

A Garden of One’s Own
Author: Tam King-fai
Publisher: The Chinese University of Hong Kong Press
Total Pages: 288
Release: 2012-08-20
Genre: Literary Collections
ISBN: 9629964236

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This authoritative collection contains writings by some thirty of the most significant Chinese writers of the period between 1919 and 1949. The three decades from which these pieces are drawn encompass most of the Republican period, a tumultuous era in Chinese history in which modernization and republicanism coexisted with classical culture. Thematically, these xiaopin wen, or modern Chinese essays, differ significantly from the more social and political fiction of the May Fourth movement. Their scope varies, from ruminations on broader existential issues to more personal contemplations on everyday life, often delving into issues of morality and interpersonal relations. Although described as "essays", they are not restrained by the formal, expository connotations of this English term; rather, their tone is more intimate, reflective, and at times witty or tinged with melancholy.


Why Be Moral?

Why Be Moral?
Author: Yong Huang
Publisher: State University of New York Press
Total Pages: 360
Release: 2014-10-07
Genre: Religion
ISBN: 1438452926

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Yong Huang presents a new way of doing comparative philosophy as he demonstrates the resources for contemporary ethics offered by the Cheng brothers, Cheng Hao (1032–1085) and Cheng Yi (1033–1107), canonical neo-Confucian philosophers. Huang departs from the standard method of Chinese/Western comparison, which tends to interest those already interested in Chinese philosophy. While Western-oriented scholars may be excited to learn about Chinese philosophers who have said things similar to what they or their favored philosophers have to say, they hardly find anything philosophically new from such comparative work. Instead of comparing and contrasting philosophers, each chapter of this book discusses a significant topic in Western moral philosophy, examines the representative views on this topic in the Western tradition, identifies their respective difficulties, and discusses how the Cheng brothers have better things to say on the subject. Topics discussed include why one should be moral, how weakness of will is not possible, whether virtue ethics is self-centered, in what sense the political is also personal, how a moral theory can be of an antitheoretical nature, and whether moral metaphysics is still possible in this postmodern and postmetaphysical age.


The Conformed Body: Contemporary Art in China

The Conformed Body: Contemporary Art in China
Author: Jiehong Jiang
Publisher: BRILL
Total Pages: 272
Release: 2024-07-01
Genre: Social Science
ISBN: 9004703608

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Through the perspective of the ‘conformed body’, this groundbreaking book examines the role in art of everyday conformist practices in the People’s Republic of China, such as mass assemblies and bodily trainings and exercises, as well as their impact on people’s perceptions and collective memories. It identifies related artworks, reassesses artistic interpretations with critical reflections, and explores a key origin of artistic productions in post-Mao China. Featuring 200 colour illustrations, the book discusses works by more than 30 internationally acclaimed Chinese contemporary artists, including Ai Weiwei, Geng Jianyi, Song Dong, Xu Bing, Zhang Peili and Zhang Xiaogang.


Eminent Chinese of the Qing Period

Eminent Chinese of the Qing Period
Author: Arthur W. Hummel Sr.
Publisher: Berkshire Publishing Group
Total Pages: 1100
Release: 2018-01-01
Genre: Literary Collections
ISBN: 1614728496

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Eminent Chinese of the Qing Period was first developed under the auspices of the US Library of Congress during World War II. This much-loved work, edited by Arthur W. Hummel Sr., was meticulously compiled and unique in its scope, and quickly became the standard biographical reference for the Qing dynasty, which lasted from 1644 to 1911/2. Amongst the contributors are John King Fairbank, Têng Ssû-yü, L. Carrington Goodrich, C. Martin Wilbur, Fêng Chia-shêng, Knight Biggerstaff, and Nancy Lee Swann. The 2018 Berkshire edition contains the original eight hundred biographical sketches as well as the original front and back matter, including the preface by Hu Shih, a scholar who had been China’s ambassador to the United States. An introduction by Pamela Crossley places this classic work in historical context, and discusses its origins, authors and editors, themes, style, and contemporary relevance. Chinese names in English have been converted to the pinyin transcription system (changing the book’s title from Ch’ing to Qing), but the traditional Chinese characters have been retained. Additional materials added by Berkshire include a general bibliography, a Wade-Giles to pinyin conversion table, and a list of Qing dynasty emperors. Arthur W. Hummel Sr. (1884–1975) was a missionary, sinologist, and the first director of the Orientalia Division at the Library of Congress. Pamela Crossley is a professor at Dartmouth College and a specialist on the Qing empire and modern Chinese history, as well as the software author and scholarly editor of the ECCP Reader, a digital companion to the original Eminent Chinese of the Ch’ing Period.


A Critical History of New Music in China

A Critical History of New Music in China
Author: Jingzhi Liu
Publisher: Chinese University Press
Total Pages: 962
Release: 2010
Genre: History
ISBN: 9629963604

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By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.