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| Author | : Disney Press |
| Publisher | : Disney Press |
| Total Pages | : 14 |
| Release | : 2010-10-13 |
| Genre | : Juvenile Fiction |
| ISBN | : 9781423127130 |
| Author | : Lawrence Saphire |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1994 |
| Genre | : |
| ISBN | : |
| Author | : Kay Alexander |
| Publisher | : Getty Publications |
| Total Pages | : 346 |
| Release | : 1991-01-01 |
| Genre | : Art |
| ISBN | : 0892361719 |
This sampler was designed for art specialists and art museum educators with a basic understanding of teaching discipline-based art education content. The introduction offers a brief history of the Sampler and explains its intended purpose and use. Then 8 unit models with differing methodologies for relating art objectives to the four disciplines: aesthetics, art criticism, art history, and art production, are presented. The sampler consists of two elementary units, two units for middle school, two units intended for required high school art, one high school studio ceramic unit, and a brief unit for art teachers and art museum educators that focuses on visits to art museums. Learning activities, resource material, and learning strategies are given for the units along with a sequence of lessons organized on a theme.
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 368 |
| Release | : 1969 |
| Genre | : Art |
| ISBN | : 9780520018716 |
The 35th anniversary of this classic of art theory.
| Author | : M. Xanthoudaki |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 241 |
| Release | : 2012-12-06 |
| Genre | : Art |
| ISBN | : 9401000433 |
Researching Visual Arts Education in Museums and Galleries brings together case studies from Europe, Asia and North America, in a way that will lay a foundation for international co-operation in the future development and communication of practice-based research. The research in each of the cases directly stems from educational practice in very particular contexts, indicating at once the variety and detail of practitioners' concerns and their common interests.
| Author | : Lucy R. Lippard |
| Publisher | : Plume |
| Total Pages | : 362 |
| Release | : 1984 |
| Genre | : Art |
| ISBN | : |
| Author | : A.I. Tauber |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 360 |
| Release | : 1997-10-31 |
| Genre | : Philosophy |
| ISBN | : 9780792347637 |
An anthology of 13 original essays clustering around two notions: that scientific experience is laden with an emotive content of the beautiful that is manifest both in the conceptualization and presentation of specific data and in the broader theoretical formulations that bind details into unitary wholes; and that science and aesthetics may share a deep philosophical foundation, but if so it has become increasingly difficult to discern in the 20th century. The topics include the aesthetic construction of Darwin's theory, form and function in the molecularization of biology, Kant's aesthetic-expressive vision of mathematics, and the art of displaying science in museum exhibitions. No subject index. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Sibyl Moholy-Nagy |
| Publisher | : MIT Press (MA) |
| Total Pages | : 298 |
| Release | : 1969 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Kynaston MacShine |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 1976 |
| Genre | : |
| ISBN | : 9780870705052 |
| Author | : Shyam Wuppuluri |
| Publisher | : Springer Nature |
| Total Pages | : 353 |
| Release | : 2019-11-02 |
| Genre | : Science |
| ISBN | : 3030275779 |
Einstein once remarked "After a certain high level of technical skill is achieved, science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are always artists as well". In this volume, some of the world’s leading thinkers come together to expound on the interrelations between sciences and arts. While one can segregate art and place it outside the scientific realm, it is, nevertheless, inextricably linked to our essential cognitive/emotional/perceptual modalities and abilities, and therefore lies alongside and in close contact with the method of science and philosophy. What inspiration can scientists draw from art and how can scientific spirit foster our understanding and creation of aesthetic works? How are art and science grounded in our cognition? What role does perception play in science and art? Are criteria for beauty in art and science the same? How does evolution shape our understanding of art? How do science, art and scientifico-artistic frameworks shape society as a whole and help us address its pressing issues? The epistemological and ontological aspects haunt artists, philosophers and scientists alike. The essays in this volume address these manifold questions while also elucidating the pragmatic role they play in our daily life.
