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Women Writing Across Cultures

Women Writing Across Cultures
Author: Pelagia Goulimari
Publisher: Routledge
Total Pages: 795
Release: 2018-10-22
Genre: Literary Collections
ISBN: 1351586262

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This collection brings together an international, multicultural, multilingual, and multidisciplinary community of scholars and practitioners in different media seeking to question and re-theorize the contested terms of our title: “woman,” “writing,” “women’s writing,” and “across.” “Culture” is translated into an open series of interconnected terms and questions. How might one write across national cultures; or across a national and a minority culture; or across disciplines, genres, and media; or across synchronic discourses that are unequal in power; or across present and past discourses or present and future discourses? The collection explores and develops recent feminist, queer, and transgender theory and criticism, and also aesthetic practice. “Writing across” assumes a number of orientations: posthumanist; transtemporal; transnationalist; writing across discourses, disciplines, media, genres, genders; writing across pronouns – he, she, they; writing across literature, non-literary texts, and life. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.


Writing Women Across Cultures

Writing Women Across Cultures
Author: Jasbir Jain
Publisher:
Total Pages: 326
Release: 2002
Genre: Literary Criticism
ISBN:

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This Collection Of 18 Essays Deal With The Myriad Aspects Of The Women Question-How Women Have Been Associated In Culture And Myth, How They Write Themselves, And Take Up The Relationships Between Gender, Culture And Narrativie Strategies And Work Through The Writings Of Women (And Also Some Men) Both From India And The Western World. The Essays Relate Simultaneously To Cultural, Literary And Women`S Studies.


Writing Across Cultures

Writing Across Cultures
Author: Omar Sougou
Publisher: Rodopi
Total Pages: 258
Release: 2002
Genre: Law
ISBN: 9789042013087

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This is a timely and comprehensive study combining various critical approaches to the fiction of Buchi Emecheta, one of Africa's most illustrious and contentious women writers. Feminist (Showalter, Cixous, Kristeva) and postcolonial approaches (writing back) are taken to Emecheta's texts to illuminate the personal, political and aesthetic ramifications of the production of this "born writer." Poststructural programmes of analysis are shown to be less relevant to this writer's fiction than Marxist and Bakhtinian perspectives. Emecheta is shown to be a bridge-builder between two cultures and two worlds in narratives (both challenging and popular) characterized by ambiguity, ambivalence and double-voiced discourse, all of which evince the writer's determination to expose imaginatively the colonial heritage of centre-periphery conflicts, cultural corruption, ethnic discrimination, gender oppression, and the migrant experience in multiracial communities.


Writing Across Cultures

Writing Across Cultures
Author: Omar Sougou
Publisher: Rodopi
Total Pages: 258
Release: 2002
Genre: Africa
ISBN: 9789042012981

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This is a timely and comprehensive study combining various critical approaches to the fiction of Buchi Emecheta, one of Africa's most illustrious and contentious women writers. Feminist (Showalter, Cixous, Kristeva) and postcolonial approaches (writing back) are taken to Emecheta's texts to illuminate the personal, political and aesthetic ramifications of the production of this "born writer." Poststructural programmes of analysis are shown to be less relevant to this writer's fiction than Marxist and Bakhtinian perspectives. Emecheta is shown to be a bridge-builder between two cultures and two worlds in narratives (both challenging and popular) characterized by ambiguity, ambivalence and double-voiced discourse, all of which evince the writer's determination to expose imaginatively the colonial heritage of centre-periphery conflicts, cultural corruption, ethnic discrimination, gender oppression, and the migrant experience in multiracial communities.


Women Writing Culture

Women Writing Culture
Author: Gary A. Olson
Publisher: State University of New York Press
Total Pages: 228
Release: 1995-09-28
Genre: Social Science
ISBN: 1438415060

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Women Writing Culture is a collection of six interviews with internationally prominent scholars about feminism, rhetoric, writing, and multiculturalism. Those interviewed include feminist philosopher of science Sandra Harding; cultural critic and philosopher of science Donna Haraway; noted American theorist of women's epistemology Mary Belenky; African-American cultural critic bell hooks; Luce Irigaray, a major exponent of "French Feminism"; and Jean-Francois Lyotard, a philosopher and cultural critic who has helped to define "the postmodern condition." Together, these interviews afford significant insight into these eminent scholars' perspectives on women, writing, and culture, and explore how women write culture through the various postmodern discourses in which they engage.


Women Writing Resistance

Women Writing Resistance
Author: Jennifer Browdy de Hernandez
Publisher: South End Press
Total Pages: 260
Release: 2003
Genre: Caribbean Area
ISBN: 9780896087088

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Eighteen women, including Jamaica Kincaid, Rigoberta Menchú, Cherríe Moraga, Marjorie Agosin, Margaret Randall, Gloria Anzaldúa, Michelle Cliff, Edwidge Danticat, and Julia Alvarez, are featured in this powerful anthology on art, feminism, and activism in Latin America and the Caribbean. Women Writing Resistance highlights Latin American and Caribbean women writers who, with increasing urgency, are writing in the service of social justice and against the entrenched patriarchal, racist, and exploitative regimes that have ruled their countries. Many of the women in this collection have been thrust out into the Latino-Caribbean diaspora by violent forces that make differences in language and culture seem less significant than connections based on resistance to inequality and oppression. It is these connections that Women Writing Resistance highlights, presenting "conversations" on the potential of writing to confront injustice. This mixed-genre anthology, a resource for activists and readers of Latin American and Caribbean women's literature, demonstrates and enacts how women can collaborate across class, race and nationality, and illustrates the value of this solidarity in the ongoing struggles for human rights and social justice in the Americas. Jennifer Browdy de Hernandez earned her Ph.D. in comparative literature from New York University, specializing in contemporary Caribbean, Latin American, and ethnic North American autobiographies by women. She teaches literature and gender studies courses at Simon's Rock College of Bard, and is also a faculty member at the University at Albany, SUNY.


How to Suppress Women's Writing

How to Suppress Women's Writing
Author: Joanna Russ
Publisher: University of Texas Press
Total Pages: 172
Release: 1983-09
Genre: Literary Criticism
ISBN: 9780292724457

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Discusses the obstacles women have had to overcome in order to become writers, and identifies the sexist rationalizations used to trivialize their contributions


Rites of Passage in Postcolonial Women's Writing

Rites of Passage in Postcolonial Women's Writing
Author: Pauline Dodgson-Katiyo
Publisher: Rodopi
Total Pages: 307
Release: 2010-01
Genre: Literary Criticism
ISBN: 9042029358

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This volume brings a variety of new approaches and contexts to modem and contemporary women's writing. Contributors include both new and well-established scholars from Europe, Australia, the USA , and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of passage derived from the work of Arnold van Gennep and Victor Turner. Collectively, the essays suggest that women's writing and women's experiences from diverse cultures go beyond any straightforward notion of a threefold structure of separation, transition, and incorporation. Some essays include discussion of traditional rites of passage such as birth, motherhood, marriage, death, and bereavement; others are interested in exploring less traditional, more fluid, and/or problematic rites such as abortion, living with HI V/AIDS, and coming into political consciousness. Contributors seek ways of linking writing on rites of passage to feminist, postcolonial, and psychoanalytic theories which foreground margins, borders, and the outsider. The three opening essays explore the work of the Zimbabwean writer Yvonne Vera, whose groundbreaking work explored taboo subjects such as infanticide and incest. A wide range of other essays focus on writers from Africa, the Americas, Asia, Australia, and Europe. including Jean Rhys, Bharati Mukherjee, Arundhati Roy, Jean Arasanayagam, Victoria Nalani Kneubuhl, and Eva Sallis. Rites of Passage in Postcolonial Women's Writing will be of interest to scholars working in the fields of postcolonial and modern and contemporary women's writing, and to students on literature and women's studies courses who want to study women's writing from a cross-cultural perspective and from different theoretical positions. Pauline Dodgson-Katiyo is Head of Humanities at Sheffield Hallam University. Her research focus is on African literature (particularly Zimbabwean), contemporary women's writing, and postcolonial cinemas. Gina Wisker is Professor of Higher Education and Contemporary Literature at the University of Brighton, where she teaches literature, is the head of the centre for learning and teaching, and pursues her research interests in postcolonial women's writing.


Austerity and Irish Women's Writing and Culture, 1980-2020

Austerity and Irish Women's Writing and Culture, 1980-2020
Author: Deirdre Flynn
Publisher: Routledge Studies in Irish Literature
Total Pages: 256
Release: 2022-05-20
Genre:
ISBN: 9781032075204

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Austerity and Irish Women's Writing and Culture, 1980-2020 focuses on the underrepresented relationship between austerity and Irish women's writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies, considers how economic policies impacted on and are represented in Irish women's writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women's writing through a multi-medium approach through four distinct lenses: Austerity, feminism, and conflict; Arts and Austerity; Race and Austerity; and Spaces of Austerity. This collection asks two questions; what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity both national and domestic? By investigating how austerity is treated in women's writing and culture from 1980 to 2020 this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland's consistent relationship with cycles of boom and bust. Twelve essays, which focus on fiction, drama, poetry, women's life writing, ​and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and across form as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.


Telling it

Telling it
Author: Telling It Book Collective (Vancouver, B.C.)
Publisher: Raincoast Books
Total Pages: 216
Release: 1990
Genre: Fiction
ISBN:

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A thought-provoking collection of dialogue, reflective commentary, and creative writing by prominent Native, Asian-Canadian, and lesbian writers.