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| Author | : Judith E. Barlow |
| Publisher | : SUNY Press |
| Total Pages | : 374 |
| Release | : 2009-10-21 |
| Genre | : Drama |
| ISBN | : 9781438427904 |
Thirteen short plays by women that were originally produced by the Provincetown Players.
| Author | : Judith E. Barlow |
| Publisher | : State University of New York Press |
| Total Pages | : 379 |
| Release | : 2009-10-21 |
| Genre | : Drama |
| ISBN | : 143842793X |
Thirteen short plays by women that were originally produced by the Provincetown Players.
| Author | : Cheryl Black |
| Publisher | : University of Alabama Press |
| Total Pages | : 265 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : 0817311122 |
"In this work, Cheryl Black argues that Provincetown has another, largely unacknowledged claim to fame: it was one of the first theatre companies in America in which women achieved prominence in every area of operation. At a time when women playwrights were rare, women directors rarer, and women scenic designers unheard of, Provincetown's female members excelled in all these functions, making significant contributions to the development of modern American drama and theatre. In addition to playwright Glaspell, the company's female membership included the likes of poets Edna St. Vincent Millay, Mina Loy, and Djuna Barnes; journalists Louise Bryant and Mary Heaton Vorse; novelists Neith Boyce and Evelyn Scott; and painter Marguerite Zorach.".
| Author | : Brenda Murphy |
| Publisher | : Cambridge University Press |
| Total Pages | : 316 |
| Release | : 2005-12 |
| Genre | : Drama |
| ISBN | : 9780521838528 |
A study of the most influential theatre group of the twentieth century, the Provincetown Players.
| Author | : Susan Glaspell |
| Publisher | : |
| Total Pages | : 40 |
| Release | : 1916 |
| Genre | : One-act plays |
| ISBN | : |
| Author | : Janine Utell |
| Publisher | : Modern Language Association |
| Total Pages | : 232 |
| Release | : 2021-04-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1603294872 |
As authors and publishers, individuals and collectives, women significantly shaped the modernist movement. While figures such as Virginia Woolf and Gertrude Stein have received acclaim, authors from marginalized communities and those who wrote for mass, middlebrow audiences also created experimental and groundbreaking work. The essays in this volume explore formal aspects and thematic concerns of modernism while also challenging rigid notions of what constitutes literary value as well as the idea of a canon with fixed boundaries. The essays contextualize modernist women's writing in the material and political concerns of the early twentieth century and in life on the home front during wartime. They consider the original print contexts of the works and propose fresh digital approaches for courses ranging from high school through graduate school. Suggested assignments provide opportunities for students to write creatively and critically, recover forgotten literary works, and engage with their communities.
| Author | : Jennifer Ashley Tepper |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 409 |
| Release | : 2024-11-19 |
| Genre | : Music |
| ISBN | : 1493080326 |
The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricists who broke new ground writing shows during the Great Depression; to the book writers who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American theatre today, Women Writing Musicals tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals. Jennifer Ashley Tepper's definitive book covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you’ve never heard of—but definitely should have. Among the gems shared here are the stories of Clara Driscoll, who saved the Alamo and also wrote a Broadway musical; Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show; María Grever, who made her Broadway debut at age 56 and who was the first Mexican female composer to achieve international success; and the first all-female writing team for a Broadway musical, in 1922: Annelu Burns, Anna Wynne O’Ryan, Madelyn Sheppard, and Helen S. Woodruff. This book is a treasure trove for theatre-loving readers that Tony and Emmy Award-winning actor and singer Kristin Chenoweth praises as "a wonderful resource for actors, and an important read for anyone interested in theatre."
| Author | : Rhona Justice-Malloy |
| Publisher | : University of Alabama Press |
| Total Pages | : 190 |
| Release | : 2011-10 |
| Genre | : Literary Criticism |
| ISBN | : 0817356843 |
"Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS From published reviews “This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE “International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition
| Author | : Laurie Champion |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 422 |
| Release | : 2000-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313032556 |
Women writers have been traditionally excluded from literary canons and not until recently have scholars begun to rediscover or discover for the first time neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945. Each entry is written by an expert contributor and discusses a particular author's biography, her major works and themes, and the critical response to her writings. The entries close with extensive primary and secondary bibliographies, and the volume concludes with a list of works for further reading. The period surveyed by this reference is rich and diverse. Modernism and the Harlem Renaissance, two major artistic movements, occurred between 1900 and 1945, and the entries included here demonstrate the significant contributions women made to these movements. The volume as a whole strives to reflect the diversity of American culture and includes entries for African American, Native American, Mexican American, and Chinese American women. It includes well known writers such as Willa Cather and Eudora Welty, along with more neglected ones such as Anita Scott Coleman and Sui Sin Far.
| Author | : Edna St. Vincent Millay |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 1920 |
| Genre | : Alienation (Social psychology) |
| ISBN | : |
