Women In African Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Women In African Cinema PDF full book. Access full book title Women In African Cinema.
| Author | : Lizelle Bisschoff |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2019-11-14 |
| Genre | : Performing Arts |
| ISBN | : 1351854704 |
Download Women in African Cinema Book in PDF, ePub and Kindle
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
| Author | : Beti Ellerson |
| Publisher | : Africa Research and Publications |
| Total Pages | : 424 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : |
Download Sisters of the Screen Book in PDF, ePub and Kindle
Whilst it is not possible to generalise about the role of African women in cinema, there is, nonetheless, evidence that a growing number of women from all parts of the continent are becoming engaged in the various mediums of film, video and television. This book looks at the diverse experiences of both female film pioneers and women film students; through a series of interviews the author discovers what motivated these women to take up film and discusses both the creative aspects of their work and their broader political concerns.
| Author | : Kenneth W. Harrow |
| Publisher | : Rodopi |
| Total Pages | : 294 |
| Release | : 1997 |
| Genre | : Feminism and motion pictures |
| ISBN | : 9789042001541 |
Download With Open Eyes Book in PDF, ePub and Kindle
Bibliografie : p. 193-218 Survey of some projects by female African filmmakers from different countries ; the problematic encounter between Western feminism and African feminist filmmaking practice; the representation of women in African film.
| Author | : Valérie Orlando |
| Publisher | : Rutgers University Press |
| Total Pages | : 189 |
| Release | : 2017-04-15 |
| Genre | : Art |
| ISBN | : 0813579589 |
Download New African Cinema Book in PDF, ePub and Kindle
New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
| Author | : Kenneth W. Harrow |
| Publisher | : Africa World Press |
| Total Pages | : 384 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : 9780865436978 |
Download African Cinema Book in PDF, ePub and Kindle
This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.
| Author | : Jyoti Mistry |
| Publisher | : NYU Press |
| Total Pages | : 264 |
| Release | : 2015-06-01 |
| Genre | : Social Science |
| ISBN | : 1868148572 |
Download Gaze Regimes Book in PDF, ePub and Kindle
Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent? The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners. The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book’s essays. Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of film festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex filmic responses of Africa’s film practitioners.
| Author | : Dominica Dipio |
| Publisher | : African Books Collective |
| Total Pages | : 246 |
| Release | : 2019-04-12 |
| Genre | : Performing Arts |
| ISBN | : 1920033394 |
Download Gender Terrains in African Cinema Book in PDF, ePub and Kindle
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
| Author | : Norma Manatu |
| Publisher | : McFarland |
| Total Pages | : 245 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 9780786451449 |
Download African American Women and Sexuality in the Cinema Book in PDF, ePub and Kindle
The representation of African American women is an important issue in the overall study of how women are portrayed in film, and has received serious attention in recent years. Traditionally, "women of color," particularly African American women, have been at the margins of studies of women's on-screen depictions--or excluded altogether. This work focuses exclusively on the sexual objectification of African American women in film from the 1980s to the early 2000s. Critics of the negative sexual imagery have long speculated that control by African American filmmakers would change how African American women are depicted. This work examines sixteen films made by males both white and black to see how the imagery might change with the race of the filmmaker. Four dimensions are given special attention: the diversity of the women's roles and relationships with men, the sexual attitudes of the African American female characters, their attitudes towards men, and their nonverbal and verbal sexual behaviors. This work also examines the role culture has played in perpetuating the images, how film influences viewers' perception of African American women and their sexuality, and how the imagery polarizes women by functioning as a regulator of their sexual behaviors based on cultural definitions of the feminine.
| Author | : Gwendolyn Audrey Foster |
| Publisher | : SIU Press |
| Total Pages | : 194 |
| Release | : 1997-05-01 |
| Genre | : Performing Arts |
| ISBN | : 0809380943 |
Download Women Filmmakers of the African & Asian Diaspora Book in PDF, ePub and Kindle
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking. Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers. Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are actively constructing [in the words of bell hooks] ‘an oppositional gaze’"; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British Black filmmaker concerned with issues of representation, identity; cultural displacement, lesbianism, and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist who revolutionized documentary filmmaking by displacing the "voyeuristic gaze of the ethnographic documentary filmmaker"; and Mira Nair, a Black Indian woman who concentrates on interracial identity.
| Author | : Lindsey B. Green-Simms |
| Publisher | : Duke University Press |
| Total Pages | : 171 |
| Release | : 2022-02-04 |
| Genre | : Performing Arts |
| ISBN | : 1478022639 |
Download Queer African Cinemas Book in PDF, ePub and Kindle
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.
