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| Author | : Jane Eldridge Miller |
| Publisher | : Psychology Press |
| Total Pages | : 416 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780415159807 |
A comprehensive, authoritative guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century.
| Author | : Jane Eldridge Miller |
| Publisher | : Routledge |
| Total Pages | : 416 |
| Release | : 2019-07-23 |
| Genre | : Literary Collections |
| ISBN | : 1136214305 |
Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.
| Author | : Maroula Joannou |
| Publisher | : Manchester University Press |
| Total Pages | : 228 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780719053399 |
This wide-ranging study provides a historically grounded account of women's fiction in the 1960s and the 1970s, relating changes in the social structure of Britain and the United States to the literary representations of women's experience.
| Author | : Lois Parkinson Zamora |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2017-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1317893050 |
This collection brings together critical essays that examine questions of identity and community in the fiction of contemporary American women writers among them Alice Walker, Toni Morrison and Sandra Cisnernos. The essays consider how identities and societies are dramatized in particular works of fiction, and how these works reflect cultural communities outside the fictional frame - often the communities in which their authors live and work. The essays included here concern fictional representations of African American, Latino, Asian American, Native American, Anglo and Euro-American communities and their working interactions in the multicultural United States. Each critic asks, in his or her own way, how a particular writer transforms her social grounding into language and literature. The introduction includes an overview of the range of literary criticism devoted to contemporary American women writers, and an extensive bibliography of complementary critical readings is provided to encourage further study. Undergraduate and postgraduate students of contemporary literature will find the text an invaluable guide to contemporary women's writing in America, and the range of criticism that this has given rise to.
| Author | : Emma Parker |
| Publisher | : DS Brewer |
| Total Pages | : 206 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9781843840114 |
Essays illustrating the range and diversity of post-1970 British women writers. Despite the enduring popularity of contemporary women's writing, British women writers have received scant critical attention. They tend to be overshadowed by their American counterparts in the media and have come to be represented within the academy almost exclusively by Angela Carter and Jeanette Winterson. This collection celebrates the range and diversity of contemporary (post-1970) British women writers. It challenges misconceptions about the natureand scope of fiction by women writers working in Britain - commonly dismissed as parochial, insular, dreary and domestic - and seeks to expand conventional definitions of "British" by exploring how issues of nationality intersectwith gender, class, race and sexuality. Writers covered include Pat Barker, A.L. Kennedy, Maggie Gee, Rukhsana Ahmad, Joan Riley, Jennifer Johnston, Ellen Galford, Susan Hill, Fay Weldon, Emma Tennant, and Helen Fielding. Contributors: DAVID ELLIS, CLARE HANSON, MAROULA JOANNOU, PAULINA PALMER, EMMA PARKER, FELICITY ROSSLYN, CHRISTIANE SCHLOTE, JOHN SEARS, ELUNED SUMMERS-BREMNER, IMELDA WHELEHAN, GINA WISKER.
| Author | : Alice Ridout |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 200 |
| Release | : 2011-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 1441168656 |
Long before John Barth announced in his famous 1967 essay that late 20th-century fiction was 'The Literature of Exhaustion,' authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the 21st century. It analyses how contemporary women writers deal with their literary inheritances, offering an illuminating and provocative study of contemporary women writers' re-writings of previous texts and stories. Through close readings of novels by key contemporary women writers including Toni Morrison, Doris Lessing, Margaret Atwood, Zadie Smith, Emma Tennant and Helen Fielding, and of the ITV adaptation, Lost in Austen, Alice Ridout examines the politics of parody and nostalgia, exploring the limitations and possibilities of both in the contexts of feminism and postcolonialism.
| Author | : Tamar Berkowitz |
| Publisher | : |
| Total Pages | : 334 |
| Release | : 1974 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Maggie Humm |
| Publisher | : Manchester University Press |
| Total Pages | : 260 |
| Release | : 1991 |
| Genre | : American literature |
| ISBN | : 9780719027048 |
A work on the ways in which women writers from different races and cultures often choose similar, alternative routes across the "borders" of their literary place. For example, Buchi Emecheta's and Bessie Head's exile in Britain and Botswana dictate the form and content of their writing.
| Author | : Marilyn Kallet |
| Publisher | : Pearson |
| Total Pages | : 792 |
| Release | : 1997 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Encompassing several genres of literary composition, this up-beat, multi-cultural anthology provides an integrated curriculum of contemporary American women writers from diverse backgrounds whose works have recently emerged or made an impact on American literature in the last several decades. Juxtaposing the works of emerging writers with those of American classics, this book comes organized into eight thematic sections - language, family, and multicultural histories, transformation, music/spirituality, work, love, and happiness. It includes a variety of genres in each section - fiction, memoirs, essays, poetry, drama - moving from one to another with ease and a sense of discovery. Presenting an original interview at the end of each section with a distinguished author, it provides clearly and concisely written headnotes for each section. Spanning a broad historical range, from Margaret Walker (1915) to the present day, it includes brief biographies for each author, along with contextual notes for each reading. For professors of American literature and/or women's studies; librarians.
| Author | : Kate Aughterson |
| Publisher | : Springer Nature |
| Total Pages | : 276 |
| Release | : 2021-01-23 |
| Genre | : Literary Criticism |
| ISBN | : 3030496511 |
This book explores the history of women’s engagement with writing experimentally. Women writers have long used different narratives and modes of writing as a way of critiquing worlds and stories that they find themselves at odds with, but at the same time, as a way to participate in such spaces. Experimentation—of style, mode, voice, genre and language—has enabled women writers to be simultaneously creative and critical, engaged in and yet apart from stories and cultures that have so often seen them as ‘other’. This collection shows that women writers in English over the past 400 years have challenged those ideas not only through explicit polemic and alternative representations but through disrupting the very modes of representation and story itself.
