When the Frost is on the Punkin and Other Poems
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 32 |
Release | : 1911 |
Genre | : |
ISBN | : |
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Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 32 |
Release | : 1911 |
Genre | : |
ISBN | : |
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 40 |
Release | : 1911 |
Genre | : Indiana |
ISBN | : |
Author | : Martin Gardner |
Publisher | : Courier Corporation |
Total Pages | : 240 |
Release | : 2012-06-19 |
Genre | : Poetry |
ISBN | : 0486116409 |
The 126 poems in this superb collection of 19th and 20th century British and American verse range from famous poets such as Wordsworth, Tennyson, Whitman, and Frost to less well-known poets. Includes 10 selections from the Common Core State Standards Initiative.
Author | : James Whitcomb Riley |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781017685039 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 148 |
Release | : 1895 |
Genre | : Dialect literature |
ISBN | : |
Author | : Kevin Stein |
Publisher | : University of Michigan Press |
Total Pages | : 280 |
Release | : 2010-07 |
Genre | : Literary Criticism |
ISBN | : 0472070991 |
"The great pleasure of this book is the writing itself. Not only is it free of academic and ‘lit-crit' jargon, it is lively prose, often deliciously witty or humorous, and utterly contemporary. Poetry's Afterlife has terrific classroom potential, from elementary school teachers seeking to inspire creativity in their students, to graduate students in MFA programs, to working poets who struggle with the aesthetic dilemmas Stein elucidates, and to teachers of poetry on any level." --- Beckian Fritz Goldberg, Arizona State University "Kevin Stein is the most astute poet-critic of his generation, and this is a crucial book, confronting the most vexing issues which poetry faces in a new century." ---David Wojahn, Virginia Commonwealth University At a time when most commentators fixate on American poetry's supposed "death," Kevin Stein's Poetry's Afterlife instead proposes the vitality of its aesthetic hereafter. The essays of Poetry's Afterlife blend memoir, scholarship, and personal essay to survey the current poetry scene, trace how we arrived here, and suggest where poetry is headed in our increasingly digital culture. The result is a book both fetchingly insightful and accessible. Poetry's spirited afterlife has come despite, or perhaps because of, two decades of commentary diagnosing American poetry as moribund if not already deceased. With his 2003 appointment as Illinois Poet Laureate and his forays into public libraries and schools, Stein has discovered that poetry has not given up its literary ghost. For a fated art supposedly pushing up aesthetic daisies, poetry these days is up and about in the streets, schools, and universities, and online in new and compelling digital forms. It flourishes among the people in a lively if curious underground existence largely overlooked by national media. It's this second life, or better, Poetry's Afterlife, that his book examines and celebrates. Kevin Stein is Caterpillar Professor of English and Director of the Creative Writing Program at Bradley University and has served as Illinois Poet Laureate since 2003, having assumed the position formerly held by Gwendolyn Brooks and Carl Sandburg. He is the author of numerous books of poetry and criticism. digitalculturebooksis an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Author | : Elizabeth J. Van Allen |
Publisher | : Indiana University Press |
Total Pages | : 412 |
Release | : 1999 |
Genre | : Biography & Autobiography |
ISBN | : 9780253335913 |
Van Allen sifts facts from fiction to construct as true a portrait of Riley as possible in the context of the society in which he lived."--BOOK JACKET.
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 18 |
Release | : 1914 |
Genre | : Indiana |
ISBN | : |
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 200 |
Release | : 1905 |
Genre | : Children's poetry |
ISBN | : |
Author | : James Whitcomb Riley |
Publisher | : |
Total Pages | : 918 |
Release | : 2011-08-01 |
Genre | : |
ISBN | : 9781258094249 |
Few lives have left so vivid an impression upon a native environment asthat of James Whitcomb Riley, the Hoosier Poet. His folksy, down-home rhymes arestill enormously popular in his native state and beyond. This publication bringsback into print the complete Riley repertoire of more than 1,000 poems, includingsuch all-time favorites as "Little Orphant Annie" (far and away thebest-loved of all Riley characters), "The Raggedy Man," "Our HiredGirl," "A Barefoot Boy," "The Bumblebee,""Granny," and "When the Frost Is on the Punkin." It issaid that Indiana's best-known poet did not portray but invented the typicalHoosier. Applying imaginative skill, Riley altered and adapted the people around himto suit his purpose. As Jeannette Covert Nolan once put it, the figure who emergedwas "a mellow, humorous rustic, a quaint, bucolic philosopher, unlettered butgifted with an earthy shrewdness, a peasant wisdom, a heart of gold, speaking adrawling, hybrid tongue, a dubious dialect as yet unidentified by anyphilologist." In his heyday Riley was famous all over the world.Though often called a children's poet, he actually wrote about children for adults, delighting in emotional reminders of an irretrievable past -- perhaps one that neverquite existed. Throughout his life Riley looked back wistfully and sentimentallyupon his childhood days, turning the longings and unfulfilled dreams of youth intoverse. So celebrated was he in Indiana that in many public elementary schools, students were required to memorize and recite one of his poems every week foradmiring audiences of visiting parents. If I Knew What PoetsKnow If I knew what poets know, Did I know what poets do, If I knew whatpoets know, Would I write a rhyme Would I sing a song, I would find atheme Of the buds that never blow Sadder than the pigeon's coo Sweeter thanthe placid flow In the summer-time? When the days are long? Of the fairestdream: Would I sing of golden seeds Where I found a heart in pain, I wouldsing of love that lives Springing up in ironweeds? I would make it gladagain; On the errors it forgives: And of rain-drop turned to snow, And thefalse should be the true, And the world would better grow If I knew whatpoets know? Did I know what poets do. If I knew what poets know. -- JamesWhitcomb Riley