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Vox Lycei 1961-1962

Vox Lycei 1961-1962
Author: Lisgar Collegiate Institute
Publisher: Lisgar Alumni Association
Total Pages: 124
Release:
Genre:
ISBN:

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Vox Lycei 1960-1961

Vox Lycei 1960-1961
Author: Lisgar Collegiate Institute
Publisher: Lisgar Alumni Association
Total Pages: 124
Release:
Genre:
ISBN:

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Vox Lycei 1962-1963

Vox Lycei 1962-1963
Author: Lisgar Collegiate Institute
Publisher: Lisgar Alumni Association
Total Pages: 122
Release:
Genre:
ISBN:

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Vox Lycei 1963-1964

Vox Lycei 1963-1964
Author: Lisgar Collegiate Institute
Publisher: Lisgar Alumni Association
Total Pages: 120
Release:
Genre:
ISBN:

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Vox Lycei 1965-1966

Vox Lycei 1965-1966
Author: Lisgar Collegiate Institute
Publisher: Lisgar Alumni Association
Total Pages: 128
Release:
Genre:
ISBN:

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Lisgar Collegiate Institute

Lisgar Collegiate Institute
Author: Joan Finnigan
Publisher: Lisgar Alumni Association
Total Pages: 332
Release: 1993
Genre:
ISBN: 096972540X

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A History of the Ottawa Collegiate Institute, 1843-1903

A History of the Ottawa Collegiate Institute, 1843-1903
Author: Ottawa Collegiate Institute Ex-pupils' Association
Publisher: Lisgar Alumni Association
Total Pages: 336
Release: 2016-05-24
Genre: History
ISBN:

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Artists, Architects & Artisans

Artists, Architects & Artisans
Author: Christine Boyanoski
Publisher: National Gallery of Canada = Musaee Des Beaux-Arts Du Canada
Total Pages: 0
Release: 2013
Genre: Art, Canadian
ISBN: 9780888849151

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At the turn of the twentieth century numerous Canadian architects, artisans and artists set out to modify the aesthetic and social environment through the integration of the arts. Painters produced murals; architects designed furniture; clubs formed to bring together writers, artists and architects; collectors and governments commissioned paintings, furnishings and sculpture for public and private buildings; photography rivaled painting; and crafts became applied design. Building on both the Beaux-Arts movement in France and the Arts and Crafts movement in Britain and the United States, Canadian art practitioners met the challenge of obtaining patronage - which had until then looked abroad - to create a unique aesthetic that shot through all aspects of daily life. Their contributions fueled the economic growth that marked these prosperous years. Punctuated with numerous illustrations, original essays detail how architecture, monumental sculpture, urban planning, mural and decorative painting, graphic design, decorative arts and photography came together in an unprecedented fashion in this young country. Featured are not only the notable achievements but also the many creative and thoughtful projects that were proposed but never realized.0Exhibition: National Gallery of Canada, Ottowa, Canada (8.11.2013-2.3.2014).


Paper Cadavers

Paper Cadavers
Author: Kirsten Weld
Publisher: Duke University Press
Total Pages: 386
Release: 2014-03-21
Genre: History
ISBN: 082237658X

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In Paper Cadavers, an inside account of the astonishing discovery and rescue of Guatemala's secret police archives, Kirsten Weld probes the politics of memory, the wages of the Cold War, and the stakes of historical knowledge production. After Guatemala's bloody thirty-six years of civil war (1960–1996), silence and impunity reigned. That is, until 2005, when human rights investigators stumbled on the archives of the country's National Police, which, at 75 million pages, proved to be the largest trove of secret state records ever found in Latin America. The unearthing of the archives renewed fierce debates about history, memory, and justice. In Paper Cadavers, Weld explores Guatemala's struggles to manage this avalanche of evidence of past war crimes, providing a firsthand look at how postwar justice activists worked to reconfigure terror archives into implements of social change. Tracing the history of the police files as they were transformed from weapons of counterinsurgency into tools for post-conflict reckoning, Weld sheds light on the country's fraught transition from war to an uneasy peace, reflecting on how societies forget and remember political violence.


A Vulgar Art

A Vulgar Art
Author: Ian Brodie
Publisher: Univ. Press of Mississippi
Total Pages: 351
Release: 2014-10-29
Genre: Performing Arts
ISBN: 162674405X

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In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.