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| Author | : David Humbert |
| Publisher | : |
| Total Pages | : 174 |
| Release | : 2017 |
| Genre | : Mimesis in motion pictures |
| ISBN | : 9781628962918 |
Introduction -- The birds -- Shadow of a doubt -- Rope -- Strangers on a train -- The wrong man -- Vertigo -- Psycho -- Conclusion
| Author | : David Humbert |
| Publisher | : MSU Press |
| Total Pages | : 268 |
| Release | : 2017-05-01 |
| Genre | : Art |
| ISBN | : 1628952911 |
Parting ways with the Freudian and Lacanian readings that have dominated recent scholarly understanding of Hitchcock, David Humbert examines the roots of violence in the director’s narratives and finds them not in human sexuality but in mimesis. Through an analysis of seven key films, he argues that Girard’s model of mimetic desire—desire oriented by imitation of and competition with others—best explains a variety of well-recognized themes, including the MacGuffin, the double, the innocent victim, the wrong man, the transfer of guilt, and the scapegoat. This study will appeal not only to Hitchcock fans and film scholars but also to those interested in Freud and Girard and their competing theories of desire.
| Author | : John Billheimer |
| Publisher | : University Press of Kentucky |
| Total Pages | : 384 |
| Release | : 2019-06-14 |
| Genre | : Performing Arts |
| ISBN | : 0813177413 |
Throughout his career, Alfred Hitchcock had to contend with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. In his award-winning Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors, and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
| Author | : Thomson David Thomson |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 174 |
| Release | : 2010-05-21 |
| Genre | : Performing Arts |
| ISBN | : 145875796X |
In "The Moment of Psycho," film critic David Thomson situates "Psycho" in Alfred Hitchcock's career, recreating the mood and time when the seminal film erupted onto film screens worldwide. Thomson brilliantly demonstrates how Hitchcock's creation represented all America wanted from a film--and still does.
| Author | : Edward White |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 343 |
| Release | : 2021-04-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 1324002409 |
Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.
| Author | : Charles Derry |
| Publisher | : McFarland |
| Total Pages | : 364 |
| Release | : 2010-06-21 |
| Genre | : Performing Arts |
| ISBN | : 9780786462407 |
This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller. The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis. The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of more than 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.
| Author | : John W. Billheimer |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Motion pictures |
| ISBN | : 9780813177441 |
Throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed "excessively lustful" kissing from the screen and ensured that no criminal went unpunished. During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca (1940), absolved Cary Grant of guilt in Suspicion (1941), edited Cole Porter's lyrics in Stage Fright (1950), decided which shades should be drawn in Rear Window (1954), and shortened the shower scene in Psycho (1960). In Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming -- and occasionally tricking -- the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials
| Author | : Donald Spoto |
| Publisher | : Anchor |
| Total Pages | : 497 |
| Release | : 1991-12-01 |
| Genre | : Performing Arts |
| ISBN | : 0385418132 |
This definitive illustrated survey of all of Alfred Hitchcock's films is a book no movie buff or Hitchcock fan can afford to be without. The monumental scope of Alfred Hitchcock's work remains unsurpassed by any other movie director, past or present. So many of his movies have achieved classic status that even a partial list—Psycho, The Birds, Rear Window, Vertigo, Spellbound—brings a flood of memories. In this essential text, reissued on the occasion of Hitchcock's centennial, internationally renowned Hitchcock authority Donald Spoto describes and analyzes every movie made by this master filmmaker. Illustrated throughout with shots from each film, The Art of Alfred Hitchcock also includes a storyboard section, a complete filmography, and “A Hitchcock Album” (sixteen pages of photos) as an added celebration of his life.
| Author | : Hanna Fennekohl |
| Publisher | : GRIN Verlag |
| Total Pages | : 11 |
| Release | : 2021-05-05 |
| Genre | : Performing Arts |
| ISBN | : 3346401596 |
Seminar paper from the year 2019 in the subject Film Science, grade: 1,7, University of Hildesheim, language: English, abstract: The essay focuses on the introductory scene of the movie Psycho by Alfred Hitchcock. Hitchcock is one of the most famous and influential filmmakers of all the time. He created his very own genre: the Hitchcock-film. Psycho shocked cinema audiences all over the world. Everything together, the technique, the cuts, the story, the characters and much more made Psycho such a sensation. Hitchcock consciously plays with the real fears of the audience and builds up pressure. The fear of becoming the victim of a violent crime, the fear of losing one's mind and ultimately becoming mentally ill, the fear of unfulfilled love or finally the fear of being discovered. During the film, the viewers go through ups and downs and can put themselves in the position of and person and their situation. The construct, which the spectators have built up and accepted in one moment, is deconstructed again by Hitchcock in the next moment.
| Author | : Robert Phillip Kolker |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 273 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 0195169190 |
Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.
