Venetian Painted Ceilings of the Renaissance
Author | : Juergen Schulz |
Publisher | : Univ of California Press |
Total Pages | : 312 |
Release | : |
Genre | : |
ISBN | : |
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Author | : Juergen Schulz |
Publisher | : Univ of California Press |
Total Pages | : 312 |
Release | : |
Genre | : |
ISBN | : |
Author | : Juergen Schulz |
Publisher | : |
Total Pages | : 244 |
Release | : 1968 |
Genre | : Art |
ISBN | : 9780520011540 |
Author | : |
Publisher | : |
Total Pages | : 244 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 235 |
Release | : 1973 |
Genre | : Painting |
ISBN | : 0870990799 |
Author | : |
Publisher | : BRILL |
Total Pages | : 992 |
Release | : 2013-07-11 |
Genre | : History |
ISBN | : 9004252525 |
The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars working on all aspects of the early modern world. Contributors are Alfredo Viggiano, Benjamin Arbel, Michael Knapton, Claudio Povolo, Luciano Pezzolo, Anna Bellavitis, Anne Schutte, Guido Ruggiero, Benjamin Ravid, Silvana Seidel Menchi, Cecilia Cristellon, David D’Andrea, Elisabeth Crouzet-Pavan, Wolfgang Wolters, Dulcia Meijers, Massimo Favilla, Ruggero Rugolo, Deborah Howard, Linda Carroll, Jonathan Glixon, Paul Grendler, Edward Muir, William Eamon, Edoardo Demo, Margaret King, Mario Infelise, Margaret Rosenthal and Ronnie Ferguson.
Author | : Deborah Howard |
Publisher | : Yale University Press |
Total Pages | : 376 |
Release | : 2002-01-01 |
Genre | : Architecture |
ISBN | : 9780300090291 |
Overzicht van de Venetiaanse architectuur, vanaf de stichting in de Romeinse tijd tot nu.
Author | : Dr Nebahat Avcioglu |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 330 |
Release | : 2013-12-23 |
Genre | : Art |
ISBN | : 9781472410825 |
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
Author | : Nebahat Avcioglu |
Publisher | : Routledge |
Total Pages | : 326 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351575953 |
Cities are shaped as much by a repertoire of buildings, works and objects, as by cultural institutions, ideas and interactions between forms and practices entangled in identity formations. This is particularly true when seen through a city as forceful and splendid as Venice. The essays in this volume investigate these connections between art and identity, through discussions of patronage, space and the dissemination of architectural models and knowledge in Venice, its territories and beyond. They celebrate Professor Deborah Howard?s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice. Based on an examination and re-interpretation of a wide range of archival material and primary sources, the contributing authors approach the notion of identity in its many guises: as self-representation, as strong sub-currents of spatial strategies, as visual and semantic discourses, and as political and imperial aspirations. Employing interdisciplinary modes of interpretation, these studies offer ground-breaking analyses of canonical sites and works of art, diverse groups of patrons, as well as the life and oeuvre of leading architects such as Jacopo Sansovino and Andrea Palladio. In so doing, they link together citizens and nobles, past and present, the real and the symbolic, space and sound, religion and power, the city and its parts, Venice and the Stato da Mar, the Serenissima and the Sublime Port.
Author | : Luba Freedman |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2011-06-30 |
Genre | : Art |
ISBN | : 1107001196 |
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author | : Tom Nichols |
Publisher | : Reaktion Books |
Total Pages | : 410 |
Release | : 2015-10-01 |
Genre | : Art |
ISBN | : 1780234813 |
Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.