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Unconscious Structure in The Idiot

Unconscious Structure in The Idiot
Author: Elizabeth Dalton
Publisher: Princeton University Press
Total Pages: 250
Release: 2015-03-08
Genre: Literary Criticism
ISBN: 1400867991

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Arguing that psychoanalytic method enlarges and enriches the significance of literature by discovering a fundamental unconscious structure governing meaning and form in the literary text, Elizabeth Dalton presents both a new and lucid reformulation of the theory of psychoanalytic criticism and a penetrating study of Dostoevsky's great novel, The Idiot. In answering the objections to psychoanalytic criticism, she contends that the method—if properly understood—can be used without falling into reductionism and without recourse to the author's biography. She then deals with such crucial issues as the connections between dreams and literary creation, the role of repression in art, the relationship between creativity and psychopathology, and the unconscious aspects of language. Demonstrating this approach in a radical and comprehensive interpretation of Dostoevsky's novel, the author shows how the enigmatic character of Prince Myshkin, his epilepsy, his mystical insights, his love of Nastasya, and his mysterious involvement with her murderer are all related in a complex pattern of unconscious conflict and fantasy derived from the most primitive and powerful motifs of psychic life. Professor Dalton's pursuit of unconscious connections into virtually every detail of the novel, accounting for subplots, minor characters, and even for the puzzling flaws in the narrative, fully establishes the importance of psychoanalysis for the study of literature. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


New Essays on Dostoyevsky

New Essays on Dostoyevsky
Author: Malcolm V. Jones
Publisher: Cambridge University Press
Total Pages: 266
Release: 1983-03-31
Genre: Literary Criticism
ISBN: 0521248906

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This book comprises essays to mark the centenary of Dostoyevsky's death in 1881. The first part considers specific works and the second part ranges more widely over aspects of the great novelist's work, including essays on Dostoyevsky as philosopher, on his religious thought and on formalist and structuralist approaches to his work.


Dostoevsky and the Riddle of the Self

Dostoevsky and the Riddle of the Self
Author: Yuri Corrigan
Publisher: Northwestern University Press
Total Pages: 359
Release: 2017-10-15
Genre: Literary Criticism
ISBN: 081013571X

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Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.


Aesthetic and Philosophical Reflections on Mood

Aesthetic and Philosophical Reflections on Mood
Author: Birgit Breidenbach
Publisher: Routledge
Total Pages: 221
Release: 2020-04-19
Genre: Literary Collections
ISBN: 1000067610

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This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Signifying both 'mood' and 'attunement', Stimmung speaks to the categories of affective experience and aesthetic design alike. The study locates itself in the nexus between discourses on modernity, existentialism and aesthetics and uncovers the pivotal role of Stimmung in 19th- and 20th-century European narrative fiction and continental philosophy. The study first explores the philosophical and aesthetic origins and implications of Stimmung to, then, discuss its role in the narrative fiction of three key authors of modern literature: Fyodor Dostoevsky, Samuel Beckett and Thomas Bernhard. These readings demonstrate a significant shift towards an aesthetic of affective intensity and immediacy, in which the experience of the reading process takes centre stage as each author develops an aesthetic philosophy of Stimmung in their own right. Through its focus on the concept of Stimmung, the study thus unearths a fundamental link between existentialist concerns and narrative practice in modern literature.


Writing Fear

Writing Fear
Author: Katherine Bowers
Publisher: University of Toronto Press
Total Pages: 334
Release: 2022-03-01
Genre: Literary Criticism
ISBN: 1487526946

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In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.


The Idiot's Guide to Magic

The Idiot's Guide to Magic
Author: Louise Kennedy
Publisher: Balboa Press
Total Pages: 118
Release: 2019-03-15
Genre: Self-Help
ISBN: 1504317157

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If you picked up this book hoping to learn how to pull a rabbit out of a hat or master random tricks and illusions, then you’re going to be disappointed. This book leads you on a journey into the unknown—but not one revolving around sleight-of-hand games. Rather, it’s a quest to learn all that we are meant to come here and realise. It seeks to discover what all religions and spiritual systems have at their core as well as what all wise people have sought throughout the ages: self-knowledge. Realising that you’re responsible for what you create, how you perceive things, and what happens to you is tremendously liberating. If you can come to that realisation, you’ll be equipped to create a new and more rewarding life. Join the author as she looks back at pursuing truth as a professional singer, spiritual healer, intuitive coach, and student of the occult, yoga, reincarnation, spirituality and more in An Idiot’s Guide to Magic.


Dostoyevsky After Bakhtin

Dostoyevsky After Bakhtin
Author: Malcolm V. Jones
Publisher: Cambridge University Press
Total Pages: 244
Release: 2005-10-20
Genre: Literary Criticism
ISBN: 9780521021364

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Malcolm Jones, the author of an earlier, widely read book on Dostoyevsky, here approaches his subject afresh in the light of recent developments in Dostoyevsky studies and in critical theory. He takes as his starting point the vexed question of Dostoyevsky's 'fantastic realism', which he attempts to redefine. Accepting Bakhtin's reading of Dostoyevsky in its essentials, he seeks out its weaknesses and develops it in new directions. Taking well-known texts by Dostoyevsky in turn, Professor Jones illustrates aspects of their multivoicedness. In Part 1, he concentrates on the internal, emotional and intellectual, reversals of 'the underground'. In Part 2, he focuses on the disruptive and subversive aspects of the relationships between characters and between text and reader. In Part 3 he examines textual multivoicedness in its diachronic aspect, showing some of the ways in which Dostoyevsky's texts echo and exploit the voices of precursors.


Discovering Sexuality in Dostoevsky

Discovering Sexuality in Dostoevsky
Author: Susanne Fusso
Publisher: Northwestern University Press
Total Pages: 235
Release: 2008-01-29
Genre: Literary Criticism
ISBN: 0810151901

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Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.