Unbuilt America
Author | : Alison Sky |
Publisher | : New York ; Montréal : McGraw-Hill |
Total Pages | : 332 |
Release | : 1976 |
Genre | : Architecture |
ISBN | : |
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Author | : Alison Sky |
Publisher | : New York ; Montréal : McGraw-Hill |
Total Pages | : 332 |
Release | : 1976 |
Genre | : Architecture |
ISBN | : |
Author | : Alison Sky |
Publisher | : |
Total Pages | : 308 |
Release | : 1976 |
Genre | : Architecture |
ISBN | : 9780896593411 |
Pictures and describes abandoned architectural projects, explaining why they did not materialize
Author | : Alison Sky |
Publisher | : |
Total Pages | : 0 |
Release | : 1976 |
Genre | : Architecture |
ISBN | : |
Author | : Steven R. Strom |
Publisher | : University of Texas Press |
Total Pages | : 200 |
Release | : 2010-01-01 |
Genre | : Architecture |
ISBN | : 0292773528 |
Driven by an almost fanatical desire for whatever is new, "modern," and likely to make money, Houston is constantly in the process of remaking itself. Few structures remain from the nineteenth century, and even much of the twentieth-century built environment has fallen before the wrecking ball of "progress." Indeed, the demolition of older buildings in Houston can be compared to the destruction of cityscapes such as Berlin, Warsaw, and Tokyo in World War II. But because this wholesale restructuring of Houston's built environment has happened in peacetime, historically minded people have only recently sounded an alarm over what is being lost and the toll this destruction is taking on Houstonians' sense of place. Houston Lost and Unbuilt presents an extensive catalogue of twentieth-century public and commercial buildings that have been lost forever, as well as an intriguing selection of buildings that never made it off the drawing board. The lost buildings (or lost interiors of buildings) span a wide range, from civic gathering places such as the Houston Municipal Auditorium and the Astrodome to commercial enterprises such as the Foley Brothers, Sears Roebuck, and Sakowitz department stores to "Theatre Row" downtown to neighborhoods such as Fourth Ward/Freedmen's Town. Steven Strom's introductions and photo captions describe each significant building's contribution to the civic life of Houston. The "unbuilt" section of the book includes numerous previously unpublished architectural renderings of proposed projects such as a multi-building city center, monorail, and people mover system, all which reflect Houston's fascination with the future and optimism that technology will solve all of the city's problems.
Author | : Roxanne Kuter Williamson |
Publisher | : University of Texas Press |
Total Pages | : 299 |
Release | : 2014-03-07 |
Genre | : Architecture |
ISBN | : 0292762909 |
Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated. In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn. Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts. American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.
Author | : Mark Pimlott |
Publisher | : episode publishers |
Total Pages | : 344 |
Release | : 2007 |
Genre | : Architecture |
ISBN | : 9789059730342 |
Author | : Hanno-Walter Kruft |
Publisher | : Princeton Architectural Press |
Total Pages | : 802 |
Release | : 1994 |
Genre | : Architecture |
ISBN | : 9781568980102 |
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Author | : Melvin H. Schuetz |
Publisher | : Universal-Publishers |
Total Pages | : 260 |
Release | : 1999 |
Genre | : Reference |
ISBN | : 9781581128291 |
Chesley Bonestell has been called the "Father of Space Art." His photorealistic paintings of the Moon and planets, and other worlds beyond, have awed us since they were first published, over half a century ago. Moreover, he showed, long before Gagarin or Glenn, what it would be like for humans to explore the vastness of space. As author Howard E. McCurdy has written in his book, Space and the American Imagination: "No artist had more impact on the emerging popular culture of space in America than Chesley Bonestell. . . . Through his visual images, he stimulated the interest of a generation of Americans and showed how space travel would be accomplished." Considering his great influence on both the public interest in space flight and the actual development of a national space program, it is therefore both surprising and unfortunate that, heretofore, there has not been available a bibliography documenting those places where Bonestell's art appeared in print. This book fills that void. Written in cooperation with the artist's widow and his estate managers, A Chesley Bonestell Space Art Chronology contains well over 700 entries and is the definitive reference guide to publications containing Bonestell's space art. In praise of it, the illustrator Vincent Di Fate says: "This entertaining and scholarly work is an invaluable and indispensable treasure for the vast legions of Bonestell's fans. [T]houghtful, engrossing and utterly thorough . . . [it] provides the cosmic ride of a lifetime."
Author | : Craig Heimbichner |
Publisher | : Feral House |
Total Pages | : 361 |
Release | : 2012-03-06 |
Genre | : Social Science |
ISBN | : 1936239159 |
"Adam Parfrey is one of the nation's most provocative publishers."—Seattle Weekly "Secret society historian Craig Heimbichner follows the Middle Path to wisdom. He works the graveyard shift in the secret lodge."—Joan d'Arc, Paranoia magazine Secret societies—now a staple of bestseller novels—are pictured as sinister cults that use hooded albinos to menace truth-seekers. Some conspiracy books claim that fraternal orders are the work of serpentine aliens and interbred humans who wish to supplant earth of its energy, and later, its very existence. On the other side of the aisle, books by high-ranked Freemasons—skeptical in tone but no less partisan in approach—protect their organization's public image by denying the existence of its most contentious ideas. Ritual America reveals the biggest secret of them all: that the influence of fraternal brotherhoods on this country is vast, fundamental, and hidden in plain view. In the early twentieth century, as many as one-third of America belonged to a secret society. And though fezzes and tiny car parades are almost a thing of the past, the Gnostic beliefs of Masonic orders are now so much a part of the American mind that the surrounding pomp and circumstance has become faintly unnecessary. The authors of Ritual America contextualize hundreds of rare and many never-before printed images with entertaining and far-reaching commentary, making an esoteric subject provocative, exciting, and approachable. Adam Parfrey is the author of Cult Rapture: Revelations of the Apocalyptic Mind and It's a Man's World: Men's Adventure Magazines, the Postwar Pulps. He is editor of the influential Apocalypse Culture series Love, Sex, Fear Death: The Inside Story of the Process Church of the Final Judgment. Craig Heimbichner has recently appeared on a National Geographic documentary about the Bohemian Grove, contributed to the Feral House compilation Secret and Suppressed II, and wrote about the famous occult order the O.T.O. in Blood and Altar.
Author | : Martha Banta |
Publisher | : University of Chicago Press |
Total Pages | : 454 |
Release | : 1993 |
Genre | : History |
ISBN | : 9780226037028 |
Scientific management: Technology spawned it, Frederick Winslow Taylor championed it, Thorstein Veblen dissected it, Henry Ford implemented it. By the turn of the century, practical visionaries prided themselves on having arrived at "the one best way" both to increase industrial productivity and to regulate the vagaries of human behavior. Nothing escaped the efficiency craze, and in this vivid, wide-ranging book, Martha Banta explores its effect on the culture at large. To the Taylorists, everthing needed tidying up: government, business, warfare, households, and, most of all, the workplace, with its unruly influx of strangers into the native scenes. Taylored Lives gives us a striking sense of what it was like to live, work, love, and die when time, motion, and emotions were checked off on worksheets and management charts. Canvasing the culture, Banta shows how the cause of efficiency was taken up in narratives, of every sort - in mail-order catalogs, popular romances, newspaper stories, and personal testimonials "from below", as well as in the canonical works of writers from Henry Adams and William James, to Sinclair Lewis, Nathanael West, and William Faulkner. The strategies of impassioned theorists and hands-on practitioners affected the kinds-of narratives produced in the controversy over the pros and cons of the management culture; they bear an eerie resemblance to the means by which we today, storytellers all, keep trying to make sense of our own chaotic times. This interdisciplinary work charts the development of a managerial culture from its start in the steel mills of Pennsylvania through its spread across the American experience in an interlocking series of social systems andeveryday practices. Banta scrutinizes narrative strategies employed by "inscribers" as diverse as Josephine Goldmark, Theodore Roosevelt, Charlotte Perkins Gilman, Anzia Yezierska, Richard Harding Davis, Booker T. Washington, and Theodore Dreiser; by Taylor himself, as well as Veblen and Ford; by women who toiled on the factory floor; by writers of dream-copy for ready-made houses; and by Buster Keaton in his silent treatment of the dysfuntional honeymoon home. With its historical scope and its provocative readings of assorted narratives, this richly illustrated book offers a complex and disturbing picture of a period, as well as invaluable insights into the way theory-making continually makes and breaks cultures. A remarkable work, Taylored Lives confirms Martha Banta's place as one of our leading cultural and literary critics.