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| Author | : Catharina Dufft |
| Publisher | : Otto Harrassowitz Verlag |
| Total Pages | : 264 |
| Release | : 2009 |
| Genre | : Collective memory |
| ISBN | : 9783447058254 |
"Result of an international workshop held as part of the University of Giessen's Collaborative Research Center 'Memory Cultures'"--Pref.
| Author | : Esra Özyürek |
| Publisher | : Syracuse University Press |
| Total Pages | : 248 |
| Release | : 2007-01-18 |
| Genre | : History |
| ISBN | : 9780815631316 |
Turkish society is frequently accused of having amnesia. It has been said that there is no social memory in Turkey before Mustafa Kemal Atatürk founded modern Turkey after World War I. Indeed, in 1923, the newly founded Turkish Republic committed to a modernist future by erasing the memory of its Ottoman past. Now, almost eighty years after the establishment of the republic, the grandchildren of the founders have a different relationship with history. New generations make every effort to remember, record, and reconcile earlier periods. The multiple, personalized representations of the past that they have recovered allow contemporary Turkish citizens to create alternative identities for themselves and their communities. Unlike its futuristic and homogenizing character at the turn of the twentieth century, Turkish nationalism today uses memory to generate varied narratives for the nation and its minority groups. Contributors to this volume come from such diverse disciplines as anthropology, comparative literature, and sociology, but they share a common understanding of contemporary Turkey and how its different representations of the past have become metaphors through which individuals and groups define their cultural identity and political position. They explore the ways people challenge, reaffirm, or transform the concepts of history, nation, homeland, and “Republic” through acts of memory, effectively demonstrating that memory can be both the basis of cultural reproduction and a form of resistance.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 431 |
| Release | : 2017-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 900433887X |
Cultural Memory, a subtle and comprehensive process of identity formation, promotion and transmission, is considered as a set of symbolic practices and protocols, with particular emphasis on repositories of memory and the institutionalized forms in which they are embodied. High and low culture as texts embedded in the texture of memory, as well as material culture as a communal receptacle and reservoir of memory are analysed in their historical contingency. Symbolic representations of accepted and counter history/ies, and the cultural nodes and mechanisms of the cultural imaginary are also issues of central interest. Twenty-six contributions tackle these topics from a theoretical and historical perspective and bring to the fore case studies illustrating the interdisciplinary agenda that underlies the volume. Contributors: Luis Manuel A.V. Bernardo, Lina Bolzoni, Peter Burke, Pia Brinzeu, Adina Ciugureanu, Thomas Docherty, Christoph Ehland, Herbert Grabes, László Gyapay, Donna Landry, Christoph Lehner, Gerald MacLean, Dragoş Manea, Daniel Melo, Mirosława Modrzewska, Rareş Moldovan, C.W.R.D. Mosely, Petruţa Năiduţ, Francesca Orestano, Maria Lúcia G. Pallares-Burke, Andreea Paris, Leonor Santa Bárbara, Hans-Peter Söder, Jukka Tiusanen, Ludmila Volná, Ioana Zirra.
| Author | : Ahmet Alver |
| Publisher | : LAP Lambert Academic Publishing |
| Total Pages | : 252 |
| Release | : 2012 |
| Genre | : |
| ISBN | : 9783659306419 |
The March 12th 1971 coup d'etat traumatised the Turkish nation and its political and social culture. It was a pivotal moment in the struggles within Turkish politics between secularism, nationalism, and Islamism which remain part of the national discourse to this day. The 'March 12th novels' is a retroactive umbrella term used to describe the works of fiction written between 1971 and 1980 which take as their inspiration the events surrounding the coup d'etat; the military takeover, the battle between revolutionary left wing activists and nationalists, and the political and social fallout of the coup. This study aims to give new insight into the novels by asserting their significance as artefacts of cultural memory. Far from being propagandist works as previous critics have suggested, these novels, with their complexities, contrasts, and fictional imaginings critique the power relations which shaped the period far more effectively than biographical and historical works. As it will demonstrate, the aesthetics of the novels are driven by power and each character is a function of that power, exploring the relationship between the state and individual members of society."
| Author | : Gönül Bozoğlu |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2019-09-18 |
| Genre | : Art |
| ISBN | : 042963823X |
Museums, Emotion, and Memory Culture examines the politics of emotion in history museums, combining approaches and concerns from museum, heritage and memory studies, anthropology and studies of emotion. Exploring the meanings and politics of memory contests in Turkey, a site for complex negotiations of identity, the book asks what it means for museums to charge the past with political agendas through spectacular, emotive representations. Providing an in-depth examination of emotional practice in two Turkish museums that present contrasting representations of the national past, the book analyses relationships between memory, governmentality, identity, and emotion. The museums discussed celebrate Ottoman and Early Republican pasts, linking to geo- and party politics, people’s senses of who they are, popular memory culture, and competing national stories and identities vis-à-vis Europe and the wider world. Both museums use dramatic, emotive panoramas as key displays and the research at the heart of this book explores this seemingly anachronistic choice, and how it links with memory cultures to prompt visitors to engage imaginatively, socially, politically and morally with a particular version of the past. Although the book focuses on museums in Turkey, it uses this as a platform to address broader questions about memory culture, emotion, and identity. As such, Museums and Memory Culture should be of great interest to academics and students around the world who are engaged in the study of museums, heritage, culture, history, politics, anthropology, sociology, and the psychology of emotion.
| Author | : Orhan Pamuk |
| Publisher | : Vintage |
| Total Pages | : 402 |
| Release | : 2006-07-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1400033888 |
From the Nobel Prize winner and acclaimed author of My Name is Red comes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire. "Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory." —The Washington Post Book World A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.
| Author | : Burcu Alkan |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 278 |
| Release | : 2020-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 1501358022 |
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world. Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters. The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized. Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
| Author | : Elena Furlanetto |
| Publisher | : Interamericana |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Multiculturalism in literature |
| ISBN | : 9783631677247 |
The author aims to expand the definition of Turkish American literature beyond fiction written by Americans of Turkish descent to incorporate texts that literally 'commute' between two national spheres. Her analyses include literary works of Elif Shafak, Halide Edip, Güneli Gün and Alev Lytle Croutier.
| Author | : Erdag Göknar |
| Publisher | : Routledge |
| Total Pages | : 330 |
| Release | : 2013-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 1136164286 |
Orhan Pamuk, Secularism and Blasphemy is the first critical study of all of Pamuk’s novels, including the early untranslated work. In 2005 Orhan Pamuk was charged with "insulting Turkishness" under Article 301 of the Turkish penal code. Eighteen months later he was awarded the Nobel Prize. After decades of criticism for wielding a depoliticized pen, Pamuk was cast as a dissident through his trial, an event that underscored his transformation from national literateur to global author. By contextualizing Pamuk’s fiction into the Turkish tradition and by defining the literary and political intersections of his work, Orhan Pamuk, Secularism and Blasphemy rereads Pamuk's dissidence as a factor of the form of his novels. This is not a traditional study of literature, but a book that turns to literature to ask larger questions about recent transformations in Turkish history, identity, modernity, and collective memory. As a corrective to common misreadings of Pamuk’s work in its international reception, Orhan Pamuk, Secularism and Blasphemy applies various analytical lenses to the politics of the Turkish novel, including gender studies, cultural translation, historiography, and Islam. The book argues that modern literature that confronts representations of the nation-state, or devlet, with those of Ottoman, Islamic, and Sufi contexts, or din, constitute "secular blasphemies" that redefine the politics of the Turkish novel. Concluding with a meditation on conditions of "untranslatability" in Turkish literature, this study provides a comprehensive and critical analysis of Pamuk’s novels to date.
| Author | : Ülker Gökberk |
| Publisher | : Academic Studies PRess |
| Total Pages | : 324 |
| Release | : 2020-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1644694441 |
This study moves the acclaimed Turkish fiction writer Bilge Karasu (1930–1995) into a new critical arena by examining his poetics of memory, as laid out in his narratives on Istanbul’s Beyoğlu, once a cosmopolitan neighborhood called Pera. Karasu established his fame in literary criticism as an experimental modernist, but while themes such as sexuality, gender, and oppression have received critical attention, an essential tenet of Karasu’s oeuvre, the evocation of ethno-cultural identity, has remained unexplored: Excavating Memory brings to light this dimension. Through his non-referential and ambiguous renderings of memory, Karasu gives in his Beyoğlu narratives unique expression to ethno-cultural difference in Turkish literature, and lets through his own repressed minority identity. By using Walter Benjamin’s autobiographical work as a heuristic premise for illuminating Karasu, Gökberk establishes an innovative intercultural framework, which brings into dialogue two representative writers of the twentieth century over temporal and spatial distances.
