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Transactions of the Society of Motion Picture Engineers (1921); 12

Transactions of the Society of Motion Picture Engineers (1921); 12
Author: Society of Motion Picture Engineers
Publisher: Legare Street Press
Total Pages: 236
Release: 2021-09-09
Genre:
ISBN: 9781013384196

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Transactions of the Society of Motion Picture Engineers, Vol. 12

Transactions of the Society of Motion Picture Engineers, Vol. 12
Author: Society Of Motion Picture Engineers
Publisher: Forgotten Books
Total Pages: 224
Release: 2017-05-23
Genre: Technology & Engineering
ISBN: 9780259904847

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Excerpt from Transactions of the Society of Motion Picture Engineers, Vol. 12: Meeting of May 9-10-11-12, 1921 Membership in the Society Of Motion Picture Engineers stands for unselfish service to the Industry. Applications for membership are by invitation and endorsement. All checks should be made payable to the Society of Motion Picture Engineers. All receipts are expended directly to promote the Objects Of the Society and the interests Oi its members. There are no salaries or emoluments Of any kind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Transactions of the Society of Motion Picture Engineers, Vol. 8

Transactions of the Society of Motion Picture Engineers, Vol. 8
Author: Society Of Motion Picture Engineers
Publisher: Forgotten Books
Total Pages: 430
Release: 2017-10-21
Genre: Technology & Engineering
ISBN: 9780282832179

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Excerpt from Transactions of the Society of Motion Picture Engineers, Vol. 8: Meeting of April 14-15-16, 1919, Philadelphia The famous psychologist, Professor Munsterberg, wrote a few years ago a book on motion pictures, and he there asserted that the production of motion pictures by the best companies had graduated as an Art to rank coequal with painting, sculpture and music. Byattention to mode and variation of lighting, many new psychological appeals can be made, including the portraying of the thought Images in the minds of the characters of the play in a way that cannot be duplicated on the theater stage. Besides being one of the fine arts, the motion picture art' has become the greatest educational institu tion in the world. Very special lighting is needed for scientific films, for ultra-rapid motion picture work, and for the several new color processes in motion picture production. Not only is the moving picture industry the greatest educational institution, but it is also one of our foremost industries. Since Edison's and Jenkin's inven tion of motion picture devices of only a score or so years ago, the industry has leaped to fourth place in the United States. There IS Spent annually three to four hundred million dollars by the people of the United States for the privilege of attending the motion picture theaters. The daily attendance is said to average between ten and twenty millions of people. Of the fifty thousand motion picture theaters in the world, there are about twenty thousand 1n the United States, and as a producing center, the United States is the greatest in the world. The sunshine of California has built up a major pro ducing center in and near los Angeles. (in this center over $12, are annually Spent for motion picture production, and this gives employment to about 2 people.) Again the importance of light in relation to expense of production may be judged from the following statement made by Mr. G. MCL. Baynes (of-the English Hepworth Mfg. Co. See Moving Picture World, page 2 3 34, Decem ber 25th,1915); As to photographic difficulties encountered in outdoor work in England, it is ridiculous to say that they cannot make pictures there. It is true, production is more expensive, per haps twice as much because we have to wait for the Sunshine. Thus in foggy England, the difficulties are much greater on account of poor light than 1n the West or East of the United States: The invention of the high amperage white flame arc lamps and carbons and of other artificial light Sources such as the daylight gas filled tungsten lamps and the mercury arc.1amps, have eliminated these expensive waits for sunshine. The home-center of the motion picture industry in the East is again building up rapidly. These new studios are especially to be found in or near New York City, and to a lesser degree near other large centers of population, as for example, Chicago, Philadelphia, Cleveland, etc. Scenic interest, such as at Ithaca and in Florida, is another industrial factor in the location of motion picture plants. The increase in artificial light facilities has been an important economic factor in this Eastern movement which is being accelerated - by the continual increase in the extraordinary salaries which are paid-the motion'picture artists. The cost of production of an average negative of one reel is said to be about and of this it is certainly economy to spend one or two per cent. On securing the best lighting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com


Transactions of the Society of Motion Picture Engineers, 1921

Transactions of the Society of Motion Picture Engineers, 1921
Author: Society Of Motion Picture Engineers
Publisher: Forgotten Books
Total Pages: 196
Release: 2017-10-21
Genre: Technology & Engineering
ISBN: 9780266574941

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Excerpt from Transactions of the Society of Motion Picture Engineers, 1921: Number Thirteen, Meeting of October 31, November 1, 2 and 3, 1921, Buffalo, N. Y All receipts are expended directly to promote the Objects Of the Society and the interests Of its members. There are no salaries or emoluments Of any kind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Post-Production and the Invisible Revolution of Filmmaking

Post-Production and the Invisible Revolution of Filmmaking
Author: George Larkin
Publisher: Routledge
Total Pages: 208
Release: 2018-09-15
Genre: Performing Arts
ISBN: 0429960654

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The introduction of post-production during the transition from silent cinema to the Synchronized Sound era in the 1920s' American studio system resulted in what has been a previously unheralded revolution in filmmaking. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. This book studies the discourses surrounding post-production, as well as the aesthetic effects of the post-production’s introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.


C. Francis Jenkins, Pioneer of Film and Television

C. Francis Jenkins, Pioneer of Film and Television
Author: Donald G. Godfrey
Publisher: University of Illinois Press
Total Pages: 305
Release: 2014-04-15
Genre: Biography & Autobiography
ISBN: 0252096150

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This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934). Historian Donald G. Godfrey documents the life of Jenkins from his childhood in Indiana and early life in the West to his work as a prolific inventor whose productivity was cut short by an early death. Jenkins was an inventor who made a difference. As one of America's greatest independent inventors, Jenkins's passion was to meet the needs of his day and the future. In 1895 he produced the first film projector able to show a motion picture on a large screen, coincidentally igniting the first film boycott among his Quaker viewers when the film he screened showed a woman's ankle. Jenkins produced the first American television pictures in 1923, and developed the only fully operating broadcast television station in Washington, D.C. transmitting to ham operators from coast to coast as well as programming for his local audience. Godfrey's biography raises the profile of C. Francis Jenkins from his former place in the footnotes to his rightful position as a true pioneer of today's film and television. Along the way, it provides a window into the earliest days of both motion pictures and television as well as the now-vanished world of the independent inventor.