Traditional Arts of South Asia
Author | : Crispin BRANFOOT |
Publisher | : |
Total Pages | : 248 |
Release | : 2016-07-09 |
Genre | : |
ISBN | : 9781872843322 |
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Author | : Crispin BRANFOOT |
Publisher | : |
Total Pages | : 248 |
Release | : 2016-07-09 |
Genre | : |
ISBN | : 9781872843322 |
Author | : Maud Girard-Geslan |
Publisher | : Abradale Press |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Art, Southeast Asian |
ISBN | : 9780810919952 |
Southeast Asia, that immense region stretching from India to the Far East, encompasses Indochina (Vietnam, Laos, Cambodia, Myanmar - the former Burma - and Thailand), Malaysia, Indonesia, and the Philippines. Each country is endowed with its own national artistic identity and its own cultural heritage. At the same time, all gain strength from their common Asian identity. In a series of essays, a group of highly regarded scholars examine the mix of significant influences that have shaped the region's art. Of various nationalities, most have traveled, lived, and taught in Asia and are fluent in one or more Asian languages. Both the educated reader and the expert will find much that is new in these pages.
Author | : Crispin Peter Carré Branfoot |
Publisher | : |
Total Pages | : |
Release | : 2009 |
Genre | : |
ISBN | : |
Author | : Steven Kossak |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 169 |
Release | : 2001 |
Genre | : Art, South Asian |
ISBN | : 0870999923 |
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Author | : Iftikhar Dadi |
Publisher | : Univ of North Carolina Press |
Total Pages | : 356 |
Release | : 2010-05-15 |
Genre | : Art |
ISBN | : 0807895962 |
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author | : Low Sze Wee |
Publisher | : National Gallery Singapore |
Total Pages | : 487 |
Release | : 2017-12-31 |
Genre | : Art |
ISBN | : 9811419620 |
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Author | : Maggie Holtzberg |
Publisher | : Univ of Massachusetts Press |
Total Pages | : 220 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9781558496408 |
Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.
Author | : Dallas Museum of Art |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9780300149883 |
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Author | : Natasha Eaton |
Publisher | : Routledge |
Total Pages | : 466 |
Release | : 2020-12-14 |
Genre | : Art |
ISBN | : 1000262553 |
Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.
Author | : Pika Ghosh |
Publisher | : Taylor & Francis |
Total Pages | : 392 |
Release | : 2023-09-20 |
Genre | : Art |
ISBN | : 1000986071 |
Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors, and priests. The ritual offers gods access to the mortal world. This practice, applied to the study of material and visual culture, offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes the process of seeing as its focus—to look closely, remaining true to the object, but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming, glancing to looking askance, hypnotic stares, and to see beyond the visible. It examines art history through nuanced considerations of materiality, aesthetics, and regional specificities. The essays emerge from current research that builds on the contributions of Michael W. Meister, W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania, whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology, exploring artistic media including temples and paintings as well as Bengali-quilted textiles, manuscript ‘lozenges,’ and metal repousse. This volume, part of the Visual Media and Histories Series, will be of interest to students and researchers of history of art, religious studies, and history as well as the allied disciplines of anthropology and folklore studies. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY-NC-ND) 4.0 license.