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Theory of Fiction: Henry James

Theory of Fiction: Henry James
Author: Henry James
Publisher: U of Nebraska Press
Total Pages: 394
Release: 1972-01-01
Genre: Literary Criticism
ISBN: 9780803257474

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Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources.


The Art of Criticism

The Art of Criticism
Author: Henry James
Publisher: University of Chicago Press
Total Pages: 524
Release: 1986-06-15
Genre: Literary Criticism
ISBN: 0226391973

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A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.


Essentials of the Theory of Fiction

Essentials of the Theory of Fiction
Author: Michael J. Hoffman
Publisher: Duke University Press
Total Pages: 521
Release: 2005-07-06
Genre: Literary Criticism
ISBN: 0822386593

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What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf


The Art of Fiction

The Art of Fiction
Author: Walter Besant
Publisher:
Total Pages: 106
Release: 1885
Genre: Fiction
ISBN:

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The Art of Fiction

The Art of Fiction
Author: Henry James
Publisher: Phoemixx Classics Ebooks
Total Pages: 64
Release: 2021-10-18
Genre: Language Arts & Disciplines
ISBN: 3986471197

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The Art of Fiction Henry James - World-renowned novelist and short story author Henry James offers practical advice and considerable insight on what makes quality fiction, and how good writers can create it.A common theme seen in Henry James' works is contrasting the naivete and untrammeled freedom of the New World with the knowledgeable but corrupt nature of Europe and the Old World. Beginning with short stories while in his 20s, James quickly gained a reputation as a skilled wordsmith and compelling narrator. His innovative style was emblematic of new forms of penmanship which partly displaced and partly accentuated the prevalent Romantic and Victorian literary forms.Much of Henry James teaching contains his opinions on the nature and purpose of fiction. His theories about what a novel should present - as entertainment, as art, and as a reflection upon the author - offer readers thoughtful and informed analysis of creative writing. What roles that characters should take, and how description should reflect such characters and their surroundings and doings, are also considered.In differentiating how people tell stories to one another day-to-day, and how a professional storyteller should put his tale to paper, James offers a distinctive and valuable opinion on the subject. While aspects of his thought belong to their time, the view of an experienced and lauded author on the subject of writing good stories both short and long holds certain value to aspiring authors and enthusiastic readers to this day.


The Cambridge Companion to Henry James

The Cambridge Companion to Henry James
Author: Jonathan Freedman
Publisher: Cambridge University Press
Total Pages: 284
Release: 1998-05-28
Genre: Literary Criticism
ISBN: 1139825364

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The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.


Theatre-Fiction in Britain from Henry James to Doris Lessing

Theatre-Fiction in Britain from Henry James to Doris Lessing
Author: Graham Wolfe
Publisher: Routledge
Total Pages: 225
Release: 2019-06-10
Genre: Literary Collections
ISBN: 1000124363

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This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.


The Other Henry James

The Other Henry James
Author: John Carlos Rowe
Publisher: Duke University Press
Total Pages: 260
Release: 1998
Genre: Literary Criticism
ISBN: 9780822321477

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Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.


The Classic Short Story, 1870-1925

The Classic Short Story, 1870-1925
Author: Florence Goyet
Publisher: Open Book Publishers
Total Pages: 177
Release: 2014-01-13
Genre: Fiction
ISBN: 1909254754

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The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.