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Theory and Practice of Classic Detective Fiction

Theory and Practice of Classic Detective Fiction
Author: Jerome H. Delamater
Publisher: Bloomsbury Publishing USA
Total Pages: 221
Release: 1997-10-28
Genre: Performing Arts
ISBN: 0313370311

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Combining theoretical and practical approaches, this collection of essays explores classic detective fiction from a variety of contemporary viewpoints. Among the diverse perspectives are those which interrogate the way the genre reflects important social and cultural attitudes, contributes to a reader's ability to adapt to the challenges of daily life, and provides alternate takes on the role of the detective as an investigator and arbiter of truth. Part I looks at the nature of and the audience for detective fiction, as well as at the genre as a literary form. This section includes an inquiry into the role of the detective; an application of object-relations psychology to the genre; and analyses of recent literary criticism positing that traditional detective fiction contained the seeds of its own subversion. Part II applies a variety of theoretical positions to Agatha Christie and her heirs in the British ratiocinative tradition. A concluding essay positions the genre within the middle-class traditions of the novel since its inception in the eighteenth century. Of interest to all scholars and students of detective fiction and British popular culture.


The Poetics of Murder

The Poetics of Murder
Author: Glenn W. Most
Publisher: Houghton Mifflin Harcourt P
Total Pages: 426
Release: 1983
Genre: Literary Criticism
ISBN:

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Essays explore the reasons for the popularity of murder mysteries and discuss the literary techniques and social aspects of detective novels.


The Reader and the Detective Story

The Reader and the Detective Story
Author: George N. Dove
Publisher: Popular Press
Total Pages: 220
Release: 1997
Genre: Fiction
ISBN: 9780879727321

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As every detective novel addict knows, there's no greater high than figuring out "whodunit" before the final revelation, resulting in the kind of intellectual satisfaction a shot of bourbon can never offer. Dove takes this reader/writer play to a new level by critically assessing the genre through the principles of Reader Response Theory, outlining the detective story as a special case of reading governed by rules and a specialized formula that traces its genealogy back to Poe's The Murders in the Rue Morgue. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR


The Figure of the Detective

The Figure of the Detective
Author: Charles Brownson
Publisher: McFarland
Total Pages: 217
Release: 2014-01-16
Genre: Literary Criticism
ISBN: 0786477695

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This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.


The development of crime fiction

The development of crime fiction
Author: Cindy Härcher
Publisher: GRIN Verlag
Total Pages: 18
Release: 2011-02-23
Genre: Literary Criticism
ISBN: 3640842359

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Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Bayreuth, language: English, abstract: 1. Introduction Crime fiction belongs to the top selling literature long ago. But not at all times the same type of crime fiction has been favored. Already the bible contains narrations about crime, like the story of Cain and Abel, the most famous fratricide all over the world. The motive of crime draws through literature continuing and develops in various directions. Focusing on the main genres which emerged: detective fiction, Golden Age crime fiction, American hard-boiled crime fiction, the police procedural, and the thriller; this paper will concentrate on the development of crime fiction from the early beginnings up to now. Origins and characteristics will be analyzed and differences as well as similarities between the different genres will be represented.


Foul & Fair Play

Foul & Fair Play
Author: Marty Roth
Publisher: University of Georgia Press
Total Pages: 318
Release: 1995
Genre: Literary Criticism
ISBN: 9780820316222

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Foul and Fair Play is an examination of classic detective fiction as a genre--an attempt to read a wide variety of texts by different authors as variations on a common and relatively tight set of conventions. Marty Roth covers the period from the "prehistory" of detective fiction in Edgar Allan Poe, Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and H. G. Wells up to the 1960s, which marked the end, he says, of the classical period--"the end of an extremely conservative paradigm." The detective fiction genre, as Roth defines it, includes analytic detective fiction, hard-boiled detective fiction, and the spy thriller. Roth insists on the structural common ground of these three types of writing and places them in the larger system of mystery fiction that preceded and surrounds them. The first part of the book consists of a reading of conventions: conventions of character (the detective, the criminal), of gender and sexuality, of narrative style, of settings, and of the curious rules of exchange and coincidence that operate in the realm where detective stories take place. The second section deals with the convoluted epistemology of mystery and detective fiction, depending as it does on other major intellectual developments of the late nineteenth century, such as psychoanalysis. An extremely original study, Foul and Fair Play offers many insights into the literary and cultural history of a popular genre.


Purity and Contamination in Late Victorian Detective Fiction

Purity and Contamination in Late Victorian Detective Fiction
Author: Dr Christopher Pittard
Publisher: Ashgate Publishing, Ltd.
Total Pages: 280
Release: 2013-05-28
Genre: Literary Criticism
ISBN: 1409478823

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Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.


Economic Investigations in Twentieth-Century Detective Fiction

Economic Investigations in Twentieth-Century Detective Fiction
Author: Yan Zi-Ling
Publisher: Routledge
Total Pages: 213
Release: 2016-03-09
Genre: Literary Criticism
ISBN: 1317146174

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In his study of Golden Age and hard-boiled detective fiction from 1890 to 1950, Yan Zi-Ling argues that these two subgenres can be distinguished not only by theme and style, but by the way they structure knowledge, value, and productive labour. Using the detective as a reference point and enactor of socially based interests, Yan shows that Golden Age texts are distinguished by their conservationism (and not only by their conservatism), with the detectives’ actions serving to stabilize institutions with specific ideological aims. In contrast, the criminal investigations of the hard-boiled detective, who is poorly aligned with institutions and strong interest groups, reveal the fragility of the status quo in the face of escalating cycles of violence. Key to Yan’s discussion are theories of exchange, value, and the gift, the latter of which he suggests is more akin to detective work than is wage labour. Analyzing texts by a wide range of authors that includes Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, Raymond Chandler, Dorothy Sayers, Raoul Whitfield, George Harmon Coxe, and Mickey Spillane, Yan demonstrates that the detective’s truth-generating function, most often characterized as a process of discovery rather than creation, is in fact crucial to the institutional and class-based interests that he or she serves.


Economic Investigations in Twentieth-Century Detective Fiction

Economic Investigations in Twentieth-Century Detective Fiction
Author: Professor Zi-Ling Yan
Publisher: Ashgate Publishing, Ltd.
Total Pages: 217
Release: 2015-04-28
Genre: Literary Criticism
ISBN: 1472452550

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In his study of Golden Age and hard-boiled detective fiction from 1890 to 1950, Yan Zi-Ling argues that these two subgenres can be distinguished not only by theme and style, but by the way they structure knowledge, value, and productive labour. Using the detective as a reference point and enactor of socially based interests, Yan shows that Golden Age texts are distinguished by their conservationism (and not only by their conservatism), with the detectives’ actions serving to stabilize institutions with specific ideological aims. In contrast, the criminal investigations of the hard-boiled detective, who is poorly aligned with institutions and strong interest groups, reveal the fragility of the status quo in the face of escalating cycles of violence. Key to Yan’s discussion are theories of exchange, value, and the gift, the latter of which he suggests is more akin to detective work than is wage labour. Analyzing texts by a wide range of authors that includes Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, Raymond Chandler, Dorothy Sayers, Raoul Whitfield, George Harmon Coxe, and Mickey Spillane, Yan demonstrates that the detective’s truth-generating function, most often characterized as a process of discovery rather than creation, is in fact crucial to the institutional and class-based interests that he or she serves.


New Perspectives on Detective Fiction

New Perspectives on Detective Fiction
Author: Casey Cothran
Publisher: Routledge
Total Pages: 264
Release: 2015-10-14
Genre: Literary Criticism
ISBN: 1317435249

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This collection establishes new perspectives on the idea of mystery, as it is enacted and encoded in the genre of detective fiction. Essays reclaim detective fiction as an object of critical inquiry, examining the ways it shapes issues of social destabilization, moral ambiguity, reader complicity, intertextuality, and metafiction. Breaking new ground by moving beyond the critical preoccupation with classification of historical types and generic determinants, contributors examine the effect of mystery on literary forms and on readers, who experience the provocative, complex process of coming to grips with the unknown and the unknowable. This volume opens up discussion on publically acclaimed, modern works of mystery and on classic pieces, addressing a variety of forms including novels, plays, graphic novels, television series, films, and ipad games. Re-examining the interpretive potential of a genre that seems easily defined yet has endless permutations, the book closely analyzes the cultural function of mystery, the way it intervenes in social and political problems, as well as the literary properties that give the genre its particular shape. The volume treats various texts as meaningful subjects for critical analysis and sheds new light on the interpretive potential for a genre that creates as much ambiguity as it does clarity. Scholars of mystery and detective fiction, crime fiction, genre studies, and cultural studies will find this volume invaluable.