Theatrical Street Ballads
Author | : Society for Theatre Research |
Publisher | : London : Society for Theatre Research |
Total Pages | : 120 |
Release | : 1971 |
Genre | : Poetry |
ISBN | : |
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Author | : Society for Theatre Research |
Publisher | : London : Society for Theatre Research |
Total Pages | : 120 |
Release | : 1971 |
Genre | : Poetry |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 111 |
Release | : 1971 |
Genre | : Ballads, English |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1971 |
Genre | : Ballads, English |
ISBN | : |
Author | : Natascha Würzbach |
Publisher | : Cambridge University Press |
Total Pages | : 376 |
Release | : 2011-03-03 |
Genre | : Literary Criticism |
ISBN | : 9780521177443 |
Natascha Würzbach's 1981 study of the street ballad was the first to investigate a specific genre of popular literature which had previously been vastly neglected. Attention is focused on the social and cultural conditions which accompanied its development. It is also looked at as a literary form.
Author | : John Ashton |
Publisher | : |
Total Pages | : 418 |
Release | : 1888 |
Genre | : Ballads, English |
ISBN | : |
Author | : Julia Margaret Jordan |
Publisher | : |
Total Pages | : 60 |
Release | : 2005 |
Genre | : Artists |
ISBN | : |
THE STORY: In 1912, the painter Egon Schiele was accused of raping a twelve-year-old girl. She refused to testify against him. All they could prove was that she saw his paintings. He was convicted and served twenty-eight days for Corruption of Mor
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 440 |
Release | : 1970 |
Genre | : |
ISBN | : |
Author | : Enda Walsh |
Publisher | : Theatre Communications Group |
Total Pages | : 81 |
Release | : 2013-01-11 |
Genre | : Drama |
ISBN | : 1559367687 |
"A jewel box of a musical: small, delicate, brimming with emotion and charm."—Vogue "It may sound like heresy to fans of the 2006 film, but this bewitching stage adaptation arguably improves on the movie, expanding its emotional breadth and elevating it stylistically while remaining true to the original's raw fragility."?Hollywood Reporter Retaining the film's popular music and lyrics, acclaimed Irish playwright Enda Walsh adapts this charming tale of a complicated romance between an Irish street musician and a young Czech immigrant for the stage. A hit musical Off-Broadway, Once premiered on Broadway in spring 2012 to rave reviews. Enda Walsh is the author of five Edinburgh Festival Fringe First Award-winning plays, including Penelope, The Walworth Farce, and The New Electric Ballroom. He also co-wrote the film Hunger, which won the Camera d'Or award at the Cannes Film Festival. Glen Hansard and Markéta Irglová are the stars and songwriters of the 2006 film Once, for which they won an Academy Award for Best Song. The two comprise the musical folk-rock duo The Swell Season, which is currently touring the United States. A documentary film of the duo, The Swell Season, was an official selection of the 2011 Tribeca Film Festival. Hansard is also a member of the Irish band The Frames and Irglová is a classically trained Czech pianist and vocalist.
Author | : Dianne Dugaw |
Publisher | : Routledge |
Total Pages | : 362 |
Release | : 2015-12-22 |
Genre | : Social Science |
ISBN | : 1317357809 |
Originally published in 1995. This book’s collection of key essays presents a coherent overview of touchstone statements and issues in the study of Anglo-American popular ballad traditions and suggests ways this panoramic view affords us a look at Euro-American scholarship’s questions, concerns and methods. The study of ballads in English began early in the eighteenth century with Joseph Addison’s discussions which marked the onset of an aesthetic and scholarly interest in popular traditions. Therefore the collection begins with him and then chronologically includes scholars whose views mark pivotal moments which taken together tell a story that does not emerge through an examination of the ballads themselves. The book addresses debates in tradition, orality, performance and community as well as national genealogies and connections to contexts. Each selected piece is pre-empted by an introductory section on its importance and relevance.