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Theatre of Good Intentions

Theatre of Good Intentions
Author: D. Snyder-Young
Publisher: Springer
Total Pages: 152
Release: 2013-08-02
Genre: Performing Arts
ISBN: 1137293039

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Theatre of Good Intentions examines limitations of theatre in the creation of social and political change. This book looks at some of the reasons why achieving such goals is hard; examining what theatre can and can't do. It examines a range of applied and political theatre case studies, focusing on theatre's impact on participants and spectators.


Good Intentions

Good Intentions
Author: Kasim Ali
Publisher: Henry Holt and Company
Total Pages: 298
Release: 2022-03-08
Genre: Fiction
ISBN: 1250809614

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"Absorbing, compelling, and beautifully written. Its ending brought me close to tears." —Beth O'Leary, bestselling author of The Flatshare For fans of The Big Sick and Nick Hornby—a magnetic debut novel about a young man who has hidden a romance from his parents, unable to choose between familial obligation and the future he truly wants. If love really is a choice, how do you decide where your loyalties lie? It’s the countdown to the New Year, and Nur is steeling himself to tell his parents that he’s seeing someone. A young British Pakistani man, Nur has spent years omitting details about his personal life to maintain his image as the golden child. And it’s come at a cost. Once, Nur was a restless college student, struggling to fit in. At a party, he meets Yasmina, a beautiful and self-possessed aspiring journalist. They start a conversation—first awkward, then absorbing. And as their relationship develops, so too does Nur’s self-destruction. He falls deeper into traps of his own making, attempting to please both Yasmina and his family until he must finally reveal the truth: Yasmina is Black, and he loves her. Deftly transporting readers between that first night and the years beyond, Kasim Ali's Good Intentions exposes with unblinking authenticity the complexities of immigrant families and racial prejudice. It is a crackling, wryly clever depiction of standing on the precipice of adulthood, piecing together who it is you’re meant to be.


Wonderful Days

Wonderful Days
Author: Antonio Morcillo Lopez
Publisher: Babelcube Inc.
Total Pages: 137
Release: 2017-01-14
Genre: Drama
ISBN: 1507143699

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A play about the political transition in Catalonia. A play about memory. A play about our recent silenced stories and those unforgettable violent and difficult times. This play follows a group of friends who live in a small town, a place like any other. They observe and participate in historical changes while their own lives are disrupted. These friends secretly perform theater in a cold ramshackle garage, while the former regime change transforms the political, social and emotional realities of their lives. This play is based on the novel "Dies Meravellosos" by Jordi Coca.


Theatre in Crisis?

Theatre in Crisis?
Author: Maria M. Delgado
Publisher: Manchester University Press
Total Pages: 290
Release: 2002
Genre: Literary Criticism
ISBN: 9780719062919

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Theatre in Crisis? Performance Manifestos for a New Century is a wide-ranging look at the state of contemporary theater practice, economics, and issues related to identity, politics, and technology. The volume offers a snapshot dissection of where theater is, where it has been and where it might be going through the voices of established and emerging theater artists and scholars from the UK, US, and elsewhere. Contributors: Maria M. Delgado & Caridad Svich • Oliver Mayer, Jorge Cortiñas, Neena Beber, & Craig Lucas • Jim Carmody • Roberta Levitow • Peter Lichtenfels & Lynette Hunter • Michael Billington • Claire H. Macdonald • Anna Furse • Phyllis Nagy • Max Stafford-Clark • Len Berkman • DD Kugler • Tori Haring-Smith • John London • Kia Corthron • Alice Tuan • Ricardo Szwarcer • Peter Sellars • Dragan Klaic • Lisa D’Amour • Paul Heritage • Matthew Causey • Andy Lavender • Jon Fosse • Erik Ehn • Matthew Maguire • Shelley Berc • Ruth Margraff • Martin Epstein • Mac Wellman • Goat Island


Writing and the Modern Stage

Writing and the Modern Stage
Author: Julia Jarcho
Publisher: Cambridge University Press
Total Pages: 287
Release: 2017-04-18
Genre: Drama
ISBN: 1107132355

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This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.


Applied Theatre and Intercultural Dialogue

Applied Theatre and Intercultural Dialogue
Author: Elliot Leffler
Publisher: Springer Nature
Total Pages: 218
Release: 2022-11-18
Genre: Performing Arts
ISBN: 3030985156

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This book examines applied theatre projects that bring together diverse groups and foster intercultural dialogue. Based on five case studies and informed by play theory, it argues that the playful elements of theatre processes nurture a unique intimacy among diverse people. However, this playful quality can also dampen explicit conversations about participants’ cultural differences, and defer an interrogation of people’s own entrenchment in systemic power imbalances. As a result, addressing these differences and imbalances in applied theatre contexts may require particular strategies.


Into Abolitionist Theatre

Into Abolitionist Theatre
Author: Rivka Eckert
Publisher: Taylor & Francis
Total Pages: 300
Release: 2024-03-29
Genre: Performing Arts
ISBN: 1003851118

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Seeking to transform community-based theatre-making, this book explores the transformative potential of abolitionist theatre, as theatre artists and teachers collaborate with marginalized communities to challenge systems of oppression and inspire profound societal change. Focusing on the idea of bringing people together to demand collective care and community-led practice, this collection works to define theatre’s role in the goals of abolition. Abolitionist theatre-making is a theatre that is connected to the practice of decolonization, intersectional feminism, climate justice, social justice, and liberation struggles. Exploring these ideas and offering a direct exploration of the questions that theatre artists and teachers should ask themselves when evaluating the abolitionist impact of their work, the volume provides accessible and practical tools for theatre-makers with perspectives from working practitioners throughout. Through real-life stories and experiences shared by theatre practitioners, the book provides a rich and diverse tapestry of examples that highlight the ways in which community-based theatre can contribute to transformational change. Readers will benefit from practical frameworks, thought-provoking perspectives, and thoughtfully crafted insights that inspire them to reimagine their own theatre practices and empower them to create theatre that challenges and dismantles oppressive systems while uplifting marginalized voices. Ideal for undergraduate and graduate students with an interest in utilizing theatre-making for social change, this book offers new and practical insights into how the path to abolition might be laid and theatre’s key role in it. This book will also be of great interest to theatre artists and activist practitioners who are involved in community-based theatre projects with marginalized populations.


The Best Intentions

The Best Intentions
Author: Ingmar Bergman
Publisher: Arcade Publishing
Total Pages: 312
Release: 1994-06
Genre: Fiction
ISBN: 9781559702492

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In this original, extraordinarily moving, and highly personal novel, world-renowned stage and film director Ingmar Bergman goes back to the time of his parents and grandparents, to the years shortly before, during, and just after World War I. Set in the decade beginning in 1908, The Best Intentions is, ultimately, a love story on many different levels: a man and woman in love; parents and children; and love as miracle, that love which is overriding and, so often, inexplicable. Bergman was inspired to write this loosely biographical novel when he began rummaging through the voluminous family picture albums. That, plus family letters and records, and his own memories and unique imagination, helped him recreate this lost world in evocative and graphic detail. Henrik is a poor divinity student. Anna is the much loved but slightly pampered daughter of bourgeois parents. They fall in love and, after a long and tortuous courtship, marry, despite the objections of Anna's parents - especially of Anna's mother, Karin. Karin uses everything in her power, including deceit, first to prevent the marriage, then to break it up. Yet, even her basest actions are never monstrous but filled with good intentions. In fact, all the characters act with the "best intentions", however wrongheaded their behavior. "That Bergman can extend sympathy to such behavior is a great and generous gesture, one that allows him to create characters of astonishing depth", wrote Caryn James in the New York Times. Incorporating some of the elements of stage and screen, including filmic dialogues and personal "asides", which he weaves artfully into the narrative flow, Bergman has written a novel of great beauty and uncompromisinghonesty, a work filled with joy and sadness, sacrifice and reconciliation - and above all, abiding love.


Theatre of the Unimpressed

Theatre of the Unimpressed
Author: Jordan Tannahill
Publisher: Coach House Books
Total Pages: 161
Release: 2015-05-11
Genre: Social Science
ISBN: 177056411X

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How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)


The Routledge Companion to Theatre and Young People

The Routledge Companion to Theatre and Young People
Author: Selina Busby
Publisher: Taylor & Francis
Total Pages: 733
Release: 2022-10-31
Genre: Performing Arts
ISBN: 1000689123

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This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people. These different but interrelated forms of theatre are addressed through four critical themes that underpin the ways in which analysis of contemporary theatre in relation to young people can be framed: political utterances – exploring the varied ways theatre becomes a platform for political utterance as a process of dialogic thinking and critical imagining; critical positioning – examining youth theatre work that navigates the sensitive, dynamic, and complex terrains in which young people live and perform; pedagogic frames – outlining a range of contexts and programmes in which young people learn to make and understand theatre that reflects their artistic capacities and aesthetic strategies; applying performance – discussing a range of projects and companies whose work has been influential in the development of youth theatre within specific contexts. Providing critical, research-informed, and research-based discussions on the intersection between young people, their representation, and their participation in theatre, this is a landmark text for students, scholars, and practitioners whose work and thinking involves theatre and young people.