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The Year's Work in Medievalism, 2009

The Year's Work in Medievalism, 2009
Author: Amy S. Kaufman
Publisher: Wipf and Stock Publishers
Total Pages: 88
Release: 2010-06-01
Genre: Social Science
ISBN: 1725245612
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The Year's Work in Medievalism 2009 includes papers delivered at the 23rd Annual Conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at Wesleyan College in Macon, Georgia in October 2008. The topic of the conference was "Regional Medievalisms," a topic this volume conceives of broadly; the enclosed essays address medievalism in different genres and academic fields as well as geographic regions. The conference was organized by Amy S. Kaufman, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan. Contributors: --Gwendolyn Morgan, Beowulf and the Middle Ages in Film --Cory James Rushton, Canadian Grail --Alexander Moffett, "Certain Fragments of Yellow Parchment": Remembering the Medieval in Virginia Woolf's "The Journal of Mistress Joan Martyn" --Kathleen Coyne Kelly, Russ Meyer, Bricoleur: King Arthur, Wonder Woman, and Nazis in Beyond the Valley of the Dolls --Karl Fugeslo, Regional Medievalisms in Academia: Pictorial vs. Textual Responses to the Divine Comedy --M.J. Toswell, Earle Birney: Medievalist Bard of British Columbia --Cory Lowell Grewell, Vanquishing the Beast Within: Christianization of the Hero Ethos in Robert Zemeckis's Beowulf

The Year's Work in Medievalism, 2010

The Year's Work in Medievalism, 2010
Author: Gwendolyn Morgan
Publisher: Wipf and Stock Publishers
Total Pages: 159
Release: 2010-12-06
Genre: Social Science
ISBN: 1608999912
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The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations

The Year's Work in Medievalism, 2004

The Year's Work in Medievalism, 2004
Author: Gwendolyn Morgan
Publisher: Wipf and Stock Publishers
Total Pages: 122
Release: 2006-08-01
Genre: History
ISBN: 172524361X
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The Year's Work in Medievalism: 2004 is based upon but not restricted to the 2004 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for Studies in Medievalism, Gwendolyn Morgan, and, for 2004, Christa Canitz of the University of New Brunswick, Fredericton. The essays of the current volume center on the question of individual responsibility in humanizing one's society through the use of medievalism. - Gwendolyn A. Morgan, "Medievalism and Individual Responsibility" - Karl Fugelso, "Defining Medievalism in Nineteenth-Century Commedia Illustrations" - Renee Ward, "Remus Lupin and Community: The Werewolf Tradition in J.K. Rowling's Harry Potter Series. - Nancy M. Thompson, Architectural Restoriation and Stained Glass in 19th-Century Siena: The Place of Light in Giuseppe Partini's Purismo - Barbara Gribling, Nationalism and the Image of the Black Prince - Clare A. Simmons, Small-Scale Humor in the British Medieval Revival - Brian C. Johnsrud, "The Monsters Do Not Depart": Re-Unifying Norse, Anglo-Saxon, and Christian in Tolkien's Lord of the Rings - Jaimie Hensley, J.R.R. Tolkien and Walther von der Volgelweide: Faerie and Reality - Peter G. Christensen, From Waste Land to Grail and Back Again Naomi Mitchison's To the Chapel Perilous

The Year's Work in Medievalism, 2002

The Year's Work in Medievalism, 2002
Author: Jesse G. Swan
Publisher: Wipf and Stock Publishers
Total Pages: 146
Release: 2003-10-03
Genre: History
ISBN: 1592443818
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'The Year's Work in Medievalism,' volume XVII, is based upon but not restricted to the 2002 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences of Studies in Medievalism, Gwendolyn Morgan, and, for 2002, Jesse G. Swan and Richard Utz. It contains eleven essays exploring various representations of the medieval from the Renaissance through contemporary times: Hannah Johnson, The Saint in the Photograph: Sister Marie Gabriel and Another New Middle Ages Mike McKeon, The Postmodern Subject in Early Christian Catacomb Painting Anna Kowalcze, Disregarding the Text: Postmodern Medievalisms and the Readings of John Gardner's Grendel Laura Morowitz, 'Une Guerre Sainte Contre l'Academisme:' Louis Courajod, The Louvre, and the Barbaric Middle Ages Sandra Ballif Straubhaar, A Birth Certificate for Sweden, Packaged for Postmoderns: Jan Guillou's Templar Trilogy Susan Rochette-Crawley, Wholly Ghosts: Genre, Postmodern Transubstantiations, and Flannery O'Connor's 'The Enduring Chill' David Lampe, 'The Accuracies of My Impressions:' Mark Twain, Ford Madox Ford, and Michael Crichton Re-Imagine Chivalry Liliana Sikorska, Mapping the Green Man's Territory in Lindsay Clarke's 'The Chymical Wedding ' A. Keith Kelly, Medieval Movie Madness Hailey Haffey, Dualistic Particulars: How Mystical and Metaphysical Literatures Demand Differentiation of Erotic Profanities Alissa Stickler, The (Mid)Evil Nightmare of Yesterday and Tomorrow: Flagg as the Immortal Monster in Stephen King's 'The Eyes of the Dragon and The Stand.'

The Militant Middle Ages

The Militant Middle Ages
Author: Tommaso di Carpegna Falconieri
Publisher: BRILL
Total Pages: 293
Release: 2019-11-04
Genre: History
ISBN: 9004414983
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In The Militant Middle Ages Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape current political contexts, offering a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past.

Neo-Victorianism and Medievalism

Neo-Victorianism and Medievalism
Author:
Publisher: BRILL
Total Pages: 324
Release: 2024-05-02
Genre: Literary Criticism
ISBN: 9004688358
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Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.

The Year's Work in Medievalism, 2003

The Year's Work in Medievalism, 2003
Author: Gwendolyn Morgan
Publisher: Wipf and Stock
Total Pages: 0
Release: 2004-06-29
Genre: Philosophy
ISBN: 9781498247221
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Description: The Year's Work in Medievalism: 2003 is based upon but not restricted to the 2003 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for Studies in Medievalism, Gwendolyn Morgan, and, for 2003, Tom Shippey of St. Louis University. The essays of the current volume center on the question of creating identity, at the person, political and national levels, through the use of medievalism. Gwendolyn A. Morgan, Medievalism and the Creation of Identity Anne Thornton, Romancing a Romantic: The Lais of Marie de France and Certain Keatsian Odes Edward L. Risden, Tolkien, Riceour, and Eliot: The World of the Text and the 20th-Century Wasteland Grace Chiu Chan, ""The Medievalism of Kantorowicz: Bildung, Jewish Identity, and National Socialism James R. Keller, The Power of His Horror: Abjection and Macbeth Marjon Ames, Reigning Arthur In: Mythological Appropriation and the English Monarchy Peter G. Christensen, Searching for God and Arthur: Jim Hunter's Percival and the Presence of God Robert Sirabian, Anglo-Saxonism and Charles Kingsley's Hereward the Wake: Last of the English About the Contributor(s): The editor of this volume and General Editor of The Year's Work in Medievalism series, Gwendolyn A. Morgan, is Professor of British Literature and Languages at Montana State University--Bozeman.

The Routledge Handbook of Translation and Politics

The Routledge Handbook of Translation and Politics
Author: Jonathan Evans
Publisher: Routledge
Total Pages: 539
Release: 2018-04-19
Genre: Language Arts & Disciplines
ISBN: 131721949X
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The Routledge Handbook of Translation and Politics presents the first comprehensive, state of the art overview of the multiple ways in which ‘politics’ and ‘translation’ interact. Divided into four sections with thirty-three chapters written by a roster of international scholars, this handbook covers the translation of political ideas, the effects of political structures on translation and interpreting, the politics of translation and an array of case studies that range from the Classical Mediterranean to contemporary China. Considering established topics such as censorship, gender, translation under fascism, translators and interpreters at war, as well as emerging topics such as translation and development, the politics of localization, translation and interpreting in democratic movements, and the politics of translating popular music, the handbook offers a global and interdisciplinary introduction to the intersections between translation and interpreting studies and politics. With a substantial introduction and extensive bibliographies, this handbook is an indispensable resource for students and researchers of translation theory, politics and related areas.

Race and Popular Fantasy Literature

Race and Popular Fantasy Literature
Author: Helen Young
Publisher: Routledge
Total Pages: 239
Release: 2015-08-11
Genre: Literary Criticism
ISBN: 1317532171
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This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

The Long Lives of Medieval Art and Architecture

The Long Lives of Medieval Art and Architecture
Author: Jennifer M. Feltman
Publisher: Routledge
Total Pages: 359
Release: 2019-03-08
Genre: Art
ISBN: 1351181106
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Traditional histories of medieval art and architecture often privilege the moment of a work’s creation, yet surviving works designated as "medieval" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of "lives" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.