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The Witlings

The Witlings
Author: Fanny Burney
Publisher:
Total Pages: 207
Release: 1997
Genre: Literature
ISBN: 9781315476735

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The Witlings and the Woman Hater

The Witlings and the Woman Hater
Author: Geoffrey M Sill
Publisher: Routledge
Total Pages: 256
Release: 2016-06-16
Genre: Drama
ISBN: 131547672X

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This edition contains two of Frances Burney's comedies: The Witlings, (1778-80) which satirizes the bluestockings; and The Woman Hater (1800-02), which explores social pretension and gender conflict.


The Witlings and the Woman Hater

The Witlings and the Woman Hater
Author: Geoffrey M Sill
Publisher: Routledge
Total Pages: 359
Release: 2016-06-16
Genre: Drama
ISBN: 1315476711

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This edition contains two of Frances Burney's comedies: The Witlings, (1778-80) which satirizes the bluestockings; and The Woman Hater (1800-02), which explores social pretension and gender conflict.


Encyclopedia of Feminist Literature

Encyclopedia of Feminist Literature
Author: Mary Ellen Snodgrass
Publisher: Infobase Publishing
Total Pages: 785
Release: 2014-05-14
Genre: Biography & Autobiography
ISBN: 1438109105

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An accessible one-volume encyclopedia, this addition to the Literary Movements series is a comprehensive reference guide to the history and development of feminist literature, from early fairy tales to works by great women writers of today. Hundred


Feminist Comedy

Feminist Comedy
Author: Willow White
Publisher: Rutgers University Press
Total Pages: 148
Release: 2024-06-14
Genre: Literary Criticism
ISBN: 1644533421

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Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.


Complete Plays of Frances Burney

Complete Plays of Frances Burney
Author: Frances Burney
Publisher: McGill-Queen's Press - MQUP
Total Pages: 783
Release: 1995-05-01
Genre: Performing Arts
ISBN: 0773565558

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In the plays, as in her novels, Burney satirizes the social conventions and pretensions of her day. The Witlings (1779), her first play, is a biting satire on the Bluestockings; it was never performed, however, for fear of a possible scandal. The violent, the grotesque, and the macabre also figure strongly in her writings. Contents Volume 1: The Comedies Introduction Chronology The Witlings (1778-80) Love and Fashion (1798-99) A Busy Day (1800-02) The Woman-Hater (1800-02) Volume 2: The Tragedies Edwy and Elgiva (1788-95) Hubert de Vere (1790-97) The Siege of Pevensey (1790-91) Elberta (1791-1814) Appendix: The Triumphant Toadeater (1798)


Frances Burney, Dramatist

Frances Burney, Dramatist
Author: Barbara Darby
Publisher: University Press of Kentucky
Total Pages: 341
Release: 2021-12-14
Genre: Literary Criticism
ISBN: 0813193788

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The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.


The Complete Plays of Frances Burney

The Complete Plays of Frances Burney
Author: Peter Sabor
Publisher: Routledge
Total Pages: 777
Release: 2016-12-14
Genre: Drama
ISBN: 1315477912

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The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.


Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction
Author: Emily Hodgson Anderson
Publisher: Routledge
Total Pages: 370
Release: 2009-05-15
Genre: Literary Criticism
ISBN: 1135838682

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This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."


Engaged Romanticism

Engaged Romanticism
Author: Mark Lussier
Publisher: Cambridge Scholars Publishing
Total Pages: 270
Release: 2009-05-27
Genre: Literary Criticism
ISBN: 1443812145

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In November 2006, the International Conference on Romanticism convened for its annual conference on the campus of Arizona State University and explored a wide range of work identified as “engaged romantic,” as a mode and a practice, rather than simply as a literary historical period defined by a specific temporal spectrum (c. 1750-1850). As the introduction to the volume suggests, most writers during the period were actively engaged in the cultural articulation of the aesthetics, criticism, ethics, poetics, and politics of the age, and a large number of writers deployed their talents to help transform the public sphere, whether shaping responses to the practices of slavery or resisting the emergence of a crystallized form of Newtonianism at the foundation of Enlightenment epistemology. The intellectual and disciplinary range of the essays included in this volume pay tribute to this often neglected aspect of the revolutionary dictates of what has come to be called “Romanticism,” and the following critical essays, offered by both thoroughly established and relatively new voices within Romantic Studies, examine virtually every aspect of this approach to Romantic thought and writing. Whether focused on the formal and intellectual practices at the foundation of the novel, the philosophical resonance of William Wordsworth within emergent forms of eco-criticism, the play of the transatlantic Romantic imagination, the aesthetic commitments of Romantic art and music, or the current process of pedagogical engagements, the essays sound the depths of what engaged practice can accomplish, both in the age of Romanticism itself as well as our own moment.