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The Twentieth Century and the Harlem Renaissance

The Twentieth Century and the Harlem Renaissance
Author: Stuart A. Kallen
Publisher: ABDO & Daughters
Total Pages: 72
Release: 1990
Genre: History
ISBN:

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Discusses Black history during the early decades of the twentieth century, profiles such notables as W.E.B. DuBois, George Washington Carver, Langston Hughes, and Louis Armstrong.


The Harlem Renaissance

The Harlem Renaissance
Author: Steven Watson
Publisher: Pantheon
Total Pages: 242
Release: 1995
Genre: Art
ISBN:

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The first book in the Circles of the Twentieth Century series which focuses on writers, artists, poets, hostesses and patrons who played a role in moderism as we know it. Watson explores the lively and fascinating people who helped bring about what became known as the Harlem Renaissance of the 1920s.


What Was the Harlem Renaissance?

What Was the Harlem Renaissance?
Author: Sherri L. Smith
Publisher: Penguin
Total Pages: 129
Release: 2021-12-28
Genre: Juvenile Nonfiction
ISBN: 0593225902

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In this book from the #1 New York Times bestselling series, learn how this vibrant Black neighborhood in upper Manhattan became home to the leading Black writers, artists, and musicians of the 1920s and 1930s. Travel back in time to the 1920s and 1930s to the sounds of jazz in nightclubs and the 24-hours-a-day bustle of the famous Black neighborhood of Harlem in uptown Manhattan. It was a dazzling time when there was an outpouring of the arts of African Americans--the poetry of Langston Hughes; the novels of Zora Neale Hurston; the sculptures of Augusta Savage and that brand-new music called jazz as only Duke Ellington and Louis Armstrong could play it. Author Sherri Smith traces Harlem's history all the way to its seventeenth-century roots, and explains how the early-twentieth-century Great Migration brought African Americans from the deep South to New York City and gave birth to the golden years of the Harlem Renaissance. With 80 fun black-and-white illustrations and an engaging 16-page photo insert, readers will be excited to read this latest addition to Who HQ!


Rhapsodies in Black

Rhapsodies in Black
Author: Richard J. Powell
Publisher: Univ of California Press
Total Pages: 212
Release: 1997
Genre: Art
ISBN: 9780520212633

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Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.


African American Art

African American Art
Author: Smithsonian American Art Museum
Publisher:
Total Pages: 264
Release: 2012
Genre: Art
ISBN:

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"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.


Harlem in the Twentieth Century

Harlem in the Twentieth Century
Author: Noreen Mallory
Publisher: Arcadia Publishing
Total Pages: 164
Release: 2011-10-23
Genre: History
ISBN: 1614234094

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Harlem is one of the best-known neighborhoods in the U.S., and it's also one of the nation's most vibrant cultural hubs. Though its reputation has been tarnished at times by economic depressions and crime, its loyal community has created a unique history and culture. Much of this history took place during the twentieth century, which included an influx African American residents, an unparalleled artistic, literary and musical movement known as the Harlem Renaissance, deteriorating economic conditions, and finally a thrilling resurgence. This new book presents the grand story of Harlem's twentieth century history as never before.


The Cambridge Introduction to Twentieth-Century American Poetry

The Cambridge Introduction to Twentieth-Century American Poetry
Author: Christopher Beach
Publisher: Cambridge University Press
Total Pages: 236
Release: 2003-10-23
Genre: Literary Criticism
ISBN: 9780521891493

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The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focussing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.


The Harlem Renaissance in the American West

The Harlem Renaissance in the American West
Author: Cary D Wintz
Publisher: Routledge
Total Pages: 298
Release: 2012-05-22
Genre: History
ISBN: 1136649107

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The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.


The Harlem Renaissance

The Harlem Renaissance
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
Total Pages: 66
Release: 2018-04-03
Genre:
ISBN: 9781987483260

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*Includes pictures *Includes online resources and a bibliography for further reading "Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me." - Zora Neale Hurston The Great Migration was the name coined for the mass movement of African-Americans north of the Mason-Dixon line in the years following the Civil War and the abolition of slavery. The enormous promise of emancipation proved to be illusory for the majority of Southern blacks, whether free or formerly enslaved, and as a result, hundreds of thousand made use of their fundamental freedom to leave. This resulted in a "push" away from the South, caused by ongoing discrimination, entrenched Jim Crow laws, and increasing violence directed at blacks by whites. This was largely a movement driven by unreconciled whites who were apt to remind blacks that while slavery might have ended, equality should not be expected in its place. At the same time, another aspect was the "pull" towards seemingly greater opportunities available in the North. There were many reasons for this, but mainly it had to do with the massive industrial stimulus brought about by World War I. While the United States may not have been directly engaged in the war, the nation's industrial resources certainly were. Initially, the jobs created by this surge in industrialization were not available to blacks because of union restrictions intended to protect white labor, but when the war broke out in Europe in 1914, this changed dramatically. European immigration to the United States evaporated almost overnight, creating an immediate labor vacuum in the United States, and although this did not mollify restive white labor unions, it nonetheless created a surge in opportunities for blacks. Generally, the Great Migration is defined as having occurred between 1916 and 1970, during which time some 6 million African-Americans left the South for various northern states, not only primarily in the Northeast, but also in large numbers to the Midwest and the West. The First Great Migration, which took place mainly between 1916 and 1930, would bring about the Harlem Renaissance. The Second Great Migration, of course, occurred due to a similar industrialization that took place between 1940 and 1970. The figure typically cited for the First Great Migration is 1.6 million, and the phenomenon was ended temporarily mainly by the Great Depression, which reduced opportunities in the North considerably and made rural lifestyles more preferable for a time. The main centers of black migration during the first wave were not only the industrial cities in the Northeast, mainly New York and Philadelphia, but also Detroit, Pittsburgh, St. Louis, Cleveland and Chicago, among others. Indeed, the African-American population in New York in particular exploded during this period, from about 140,000 in 1910 to upwards of 650,000 by 1940. In Philadelphia, during the same period, the black population increased by almost 230,000, and Chicago had an even bigger increase. This migration, multi-faceted and multi-directional, found its principal cultural focus in New York City, most notably in Harlem. While many of these opportunities were made possible thanks to the work of Philip Payton, Jr., a prominent black businessman and real estate developer, no two historians will agree on the exact origins of the Harlem Renaissance, and there are few that are able to categorically agree on what the phenomenon actually represented. What is inescapable, however, is that a black cultural movement coalesced spontaneously in that area of uptown Manhattan. The Harlem Renaissance: The History and Legacy of Early 20th Century America's Most Influential Cultural Movement examines the events and works that occurred in and around Harlem, and how they affected the world at large.


Writing the Harlem Renaissance

Writing the Harlem Renaissance
Author: Emily Allen Williams
Publisher: Lexington Books
Total Pages: 141
Release: 2017-04-26
Genre: History
ISBN: 0739196812

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The contributors in this study examine the historical Harlem community during its renaissance period as well as its present-day community. A cursory investigation of the existent that focus on the Harlem community during its renaissance of the early twentieth century reveals that the compilations are primarily ones that present the subjects’ life stories through the lens of praise songs. This book, however, presents the Harlem community through a lens that reveals more grounded and researched analyses that bring the influences and contributions of the Harlem Renaissance to a level of relevance in the twenty-first century from one or more critical vantage points. This study aims to move beyond the more obvious and foregrounded artistic contributions towards analyses of the Harlem Renaissance alongside analyses of a twenty-first century Harlem community and its present day contributions.