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The Tlingit Encounter with Photography

The Tlingit Encounter with Photography
Author: Sharon Gmelch
Publisher: University of Pennsylvania Press
Total Pages: 232
Release: 2008-10-31
Genre: History
ISBN: 9781934536100

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"Based on research in 13 North American archives (including the Penn Museum's Shotridge Collection), examination of hundreds of photographs, and extensive oral-history interviews with both Tlingit and non-Natives, Sharon Bohn Gmelch presents valuable insights on the reactions of Native subjects to being photographed and their own early use of photography. Today, these now historical images are being reclaimed from public archives by the Tlingit, contributing to a new sense of empowerment and pride in their rich heritage." "This is the first book to explore the photographic imagery of the Tlingit during a critical period of change, from the 1860s through the 1920s. It also provides the first full treatment of the Tlingit photography of Elbridge W. Merrill, a neglected figure in the history of ethnographic photography." "The author has included 129 rare photographic images, a map, bibliography, and index."--BOOK JACKET.


A Russian American Photographer in Tlingit Country

A Russian American Photographer in Tlingit Country
Author: Sergei Kan
Publisher: University of Oklahoma Press
Total Pages: 285
Release: 2014-06-17
Genre: Biography & Autobiography
ISBN: 0806189290

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This book is a rich record of life in small-town southeastern Alaska in the late 1800s and early 1900s. It is the first book to showcase the photographs of Vincent Soboleff, an amateur Russian American photographer whose community included Tlingit Indians from a nearby village as well as Russian Americans, so-called Creoles, who worked in a local fertilizer factory. Using a Kodak camera, Soboleff, the son of a Russian Orthodox priest, documented the life of this multiethnic parish at work and at play until 1920. Despite their significance, few of Soboleff’s photographs have been published since their discovery in 1950. Anthropologist Sergei Kan rectifies that oversight in A Russian American Photographer in Tlingit Country, which brings together more than 100 of Soboleff’s striking black-and-white images. Combining Soboleff’s photographs with ethnographic fieldwork and archival research, Kan brings to life the communities of Killisnoo, where Soboleff grew up, and Angoon, the Tlingit village. The photographs gathered here depict Russian Creoles, Euro-Americans, the operation of the Killisnoo factory, and the daily life of its workers. But Soboleff’s work is especially valuable as a record of Tlingit life. As a member of this multiethnic community, he was able to take unusually personal photographs of people and daily life. Soboleff’s photographs offer candid and intimate glimpses into Tlingit people’s then-new economic pursuits such as commercial fishing, selling berries, and making “Indian curios” to sell to tourists. Other images show white, Creole, and Native factory workers rubbing shoulders while keeping a certain distance during leisure time. Kan offers readers, historians, and photography lovers a beautiful visual resource on Tlingit and Russian American life that shows how the two cultures intertwined in southeastern Alaska at the turn of the past century.


Art of the Northern Tlingit

Art of the Northern Tlingit
Author: Aldona Jonaitis
Publisher: Seattle : University of Washington Press
Total Pages: 188
Release: 1986
Genre: Art
ISBN: 9780295962672

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An overview of the art-related theories of American and European scholars, artists, historians and social scientists, which are then refocused on Tlingit art and culture. Illustrated with 70 black and white photographs.


Picture Man

Picture Man
Author: Margaret Thomas
Publisher: University of Alaska Press
Total Pages: 149
Release: 2015-05-15
Genre: Art
ISBN: 1602232458

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In 1912, Shoki Kayamori and his box camera arrived in a small Tlingit village in southeast Alaska. At a time when Asian immigrants were forbidden to own property and faced intense racial pressure, the Japanese-born Kayamori put down roots and became part of the Yakutat community. For three decades he photographed daily life in the village, turning his lens on locals and migrants alike, and gaining the nickname “Picture Man.” But as World War II drew near, his passion for photography turned dangerous, as government officials called out Kayamori as a potential spy. Despondent, Kayamori committed suicide, leaving behind an enigmatic photographic legacy. In Picture Man, Margaret Thomas views Kayamori’s life through multiple lenses. Using Kayamori’s original photos, she explores the economic and political realities that sent Kayamori and thousands like him out of Japan toward opportunity and adventure in the United States, especially the Pacific Northwest. She reveals the tensions around Asian immigrants on the West Coast and the racism that sent many young men north to work in the canneries of Alaska. And she illuminates the intersecting—and at times conflicting—lives of villagers and migrants in a time of enormous change. Part history, part biography, part photographic showcase, Picture Man offers a fascinating new view of Alaska history.


Painful Beauty

Painful Beauty
Author: Megan A. Smetzer
Publisher: University of Washington Press
Total Pages: 238
Release: 2021-07-27
Genre: Art
ISBN: 0295748958

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For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast.


The Gift of the Face

The Gift of the Face
Author: Shamoon Zamir
Publisher: UNC Press Books
Total Pages: 351
Release: 2014-08-14
Genre: Social Science
ISBN: 1469611767

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Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.


In the Field

In the Field
Author: Prof. George Gmelch
Publisher: Univ of California Press
Total Pages: 304
Release: 2018-05-11
Genre: Social Science
ISBN: 0520964217

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This book offers an invaluable look at what cultural anthropologists do when they are in the field. Through fascinating and often entertaining accounts of their lives and work in varied cultural settings, the authors describe the many forms fieldwork can take, the kinds of questions anthropologists ask, and the common problems they encounter. From these accounts and the experiences of the student field workers the authors have mentored over the years, In the Field makes a powerful case for the value of the anthropological approach to knowledge.


Alaska

Alaska
Author: Art Wolfe
Publisher:
Total Pages: 0
Release: 2000
Genre: Alaska
ISBN: 9781570612176

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Over 130 images, paired with essays from Nick Jans, record the splendor of this great American wilderness. From intimate singular images to hauntingly beautiful landscapes, Alaska finds new expression under the artful lens of Art Wolfe.For more than 15 years Art Wolfe has been documenting Alaska, from the rainforests of the Southeast to snow-shrouded mountains to the northern expanses of the Brooks Range and beyond. Wolfe brings a painter's sensitivity to light, pattern, and composition in his photography of landscape and wildlife, and Alaska is his personal vision of a truly awesome landscape.


Through a Native Lens

Through a Native Lens
Author: Nicole Strathman
Publisher: University of Oklahoma Press
Total Pages: 241
Release: 2020-03-19
Genre: Photography
ISBN: 0806167068

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What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.


The Tlingit in Sitka

The Tlingit in Sitka
Author: Professor of Anthropology and Native American Studies Sergei Kan
Publisher:
Total Pages: 0
Release: 2025
Genre: History
ISBN: 9780295753478

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"Sitka photographer Elbridge W. Merrill (1870-1929) captured three decades of cultural transformations in the Tlingit community, Russian Orthodox clergy and congregants, and local industry. Born in Boston, Merrill began experimenting with photography in his early twenties and was employed as a journalistic photographer before moving to Alaska. Merrill's photographs are valued for both the historical information they preserve and their artistic composition"--