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| Author | : Christopher B. Balme |
| Publisher | : Cambridge University Press |
| Total Pages | : 233 |
| Release | : 2014-06-12 |
| Genre | : Drama |
| ISBN | : 110700683X |
The first in-depth study of theatre's relationship to the public sphere in a wide range of cultural and historical contexts.
| Author | : Professor Christopher Balme |
| Publisher | : |
| Total Pages | : 234 |
| Release | : 2014-07-03 |
| Genre | : Electronic books |
| ISBN | : 9781316007860 |
The first in-depth study of theatre's relationship to the public sphere in a wide range of cultural and historical contexts.
| Author | : Christopher B. Balme |
| Publisher | : Cambridge University Press |
| Total Pages | : 233 |
| Release | : 2014-06-12 |
| Genre | : Drama |
| ISBN | : 1139991817 |
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
| Author | : Katja Gvozdeva |
| Publisher | : BRILL |
| Total Pages | : 327 |
| Release | : 2016-10-11 |
| Genre | : History |
| ISBN | : 9004329765 |
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
| Author | : Árpád Szakolczai |
| Publisher | : Routledge |
| Total Pages | : 378 |
| Release | : 2013 |
| Genre | : Performing Arts |
| ISBN | : 041562391X |
The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 237 |
| Release | : 2022-12-28 |
| Genre | : Social Science |
| ISBN | : 9004529810 |
Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 248 |
| Release | : 2022-12-28 |
| Genre | : Social Science |
| ISBN | : 900452617X |
Volume 2 of Theaters and Public Sphere in a Global and Digital Society presents several qualitative and quantitative researches on the social roles of the theatre and performance, as organized institutions or social groups, in contemporary society.
| Author | : Katia Arfara |
| Publisher | : Springer |
| Total Pages | : 267 |
| Release | : 2018-06-05 |
| Genre | : Performing Arts |
| ISBN | : 3319753436 |
This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
| Author | : Seyla Benhabib |
| Publisher | : Cambridge University Press |
| Total Pages | : 32 |
| Release | : 2007-08-02 |
| Genre | : Political Science |
| ISBN | : 113946437X |
Where do political identities come from, how do they change over time, and what is their impact on political life? This book explores these and related questions in a globalizing world where the nation state is being transformed, definitions of citizenship are evolving in unprecedented ways, and people's interests and identities are taking on new local, regional, transnational, cosmopolitan, and even imperial configurations. Pre-eminent scholars examine the changing character of identities, affiliations, and allegiances in a variety of contexts: the evolving character of the European Union and its member countries, the Balkans and other new democracies of the post-1989 world, and debates about citizenship and cultural identity in the modern West. These essays are essential reading for anyone interested in the political and intellectual ferment that surrounds debates about political membership and attachment, and will be of interest to students and scholars in the social sciences, humanities, and law.
| Author | : Katalin Cseh-Varga |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2018-02-01 |
| Genre | : Art |
| ISBN | : 1351757075 |
Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances. The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.
