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The Tangible in Music

The Tangible in Music
Author: Marko Aho
Publisher: Routledge
Total Pages: 182
Release: 2016-05-26
Genre: Music
ISBN: 1315527006

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In the age of digital music it seems striking that so many of us still want to produce music concretely with our bodies, through the movement of our limbs, lungs and fingers, in contact with those materials and objects which are capable of producing sounds. The huge sales figures of musical instruments in the global market, and the amount of time and effort people of all ages invest in mastering the tools of music, make it clear that playing musical instruments is an important phenomenon in human life. By combining the findings made in music psychology and performative ethnomusicology, Marko Aho shows how playing a musical instrument, and the pleasure musicians get from it, emerges from an intimate dialogue between the personally felt body and the sounding instrument. An introduction to the general aspects of the tactile resources of musical instruments, musical style and the musician is followed by an analysis of the learning process of the regional kantele style of the Perho river valley in Finnish Central Ostrobothnia.


The Tangible in Music

The Tangible in Music
Author: Marko Aho
Publisher: Routledge
Total Pages: 194
Release: 2016-05-26
Genre: Music
ISBN: 1315526999

Download The Tangible in Music Book in PDF, ePub and Kindle

In the age of digital music it seems striking that so many of us still want to produce music concretely with our bodies, through the movement of our limbs, lungs and fingers, in contact with those materials and objects which are capable of producing sounds. The huge sales figures of musical instruments in the global market, and the amount of time and effort people of all ages invest in mastering the tools of music, make it clear that playing musical instruments is an important phenomenon in human life. By combining the findings made in music psychology and performative ethnomusicology, Marko Aho shows how playing a musical instrument, and the pleasure musicians get from it, emerges from an intimate dialogue between the personally felt body and the sounding instrument. An introduction to the general aspects of the tactile resources of musical instruments, musical style and the musician is followed by an analysis of the learning process of the regional kantele style of the Perho river valley in Finnish Central Ostrobothnia.


The Footprints of Music

The Footprints of Music
Author: Clement Burbank Shaw
Publisher:
Total Pages: 268
Release: 1896
Genre: Music
ISBN:

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Media, Materiality and Memory

Media, Materiality and Memory
Author: Dr Elodie Amandine Roy
Publisher: Ashgate Publishing, Ltd.
Total Pages: 235
Release: 2015-10-28
Genre: Music
ISBN: 1472459482

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Media, Materiality and Memory examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels. Moving from Edison’s phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. A substantial contribution to the field of music and material culture studies, this book provides a nuanced and timely reflection on nostalgia and forgetting in the digital age.


Gothic Music

Gothic Music
Author: Isabella Van Elferen
Publisher: University of Wales Press
Total Pages: 242
Release: 2012-07-15
Genre: Music
ISBN: 0708325181

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Gothic Music - The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture.


Being in Time to the Music

Being in Time to the Music
Author: David Ross
Publisher: Cambridge Scholars Publishing
Total Pages: 485
Release: 2008-12-18
Genre: Philosophy
ISBN: 1443802581

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Being-in-time to the music from the ground up is a work in phenomenology, where this term is broadly defined, comprehending Plato, Heidegger, Hegel, and Marx. The most direct referent is Hegel, together with the theoretical revolution that he initiated with Phenomenology of Mind. This text’s more general purpose is to set the tone for a 21st communism based upon the idea of dancing with death, assuming full responsibility for one’s mortality, and abandoning the self to love as the meaning of existence. This dance is choreographed through my conversations with the above mentioned writers. In conversing with them I aim to displace (if not usurp) them from the throne of honour which is nothing more than the authority borrowed from me. By this I do not intend to deny completely their ‘other to me’ character. However, they exist or even ‘figure’ for me, both in the sense of of ‘count,’ having importance, as those that I read, and by which I read myself. They have borrowed my authority, namely, my own potential to be an author. So ‘reading them is to re-assume that borrowed authority. The life of the reader, to paraphrase Barthes, begins with the death of the author.


The Pop Music Idol and the Spirit of Charisma

The Pop Music Idol and the Spirit of Charisma
Author: T. Cvetkovski
Publisher: Springer
Total Pages: 225
Release: 2015-09-01
Genre: Social Science
ISBN: 1137494468

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This book makes a case for the synergetic union between reality TV and the music industry. It delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. It challenges the current scholarship which does not adequately distinguish the economic significance of these developments.


Instrumental Music Education

Instrumental Music Education
Author: Evan Feldman
Publisher: Routledge
Total Pages: 506
Release: 2015-12-21
Genre: Music
ISBN: 131741506X

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Instrumental Music Education: Teaching with the Musical and Practical in Harmony, 2nd Edition is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments, performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters, "The Rehearsal Toolkit," and "Job Search and Interview." It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals and lessons. New to this edition: • Alternative, non-traditional ensembles: How to offer culturally relevant opportunities for more students, including mariachi, African drumming, and steel pans. • More learning and assessment strategies • The science of learning and practicing: How the brain acquires information • The philosophies of Orff and El Sistema, along with the existing ones on Kodály, Suzuki, and Gordon. • The Double Pyramid of Balance: Francis McBeth’s classic system for using good balance to influence tone and pitch. • Updated information about copyright for the digital age Evan Feldman is Conductor of the Wind Ensemble and Associate Professor of Music at the University of North Carolina at Chapel Hill Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, NY Mitchell Lutch is Associate Professor of Music and Director of Bands at Central College in Pella, Iowa